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#那須佐和子 #開幕預告 

PTT SPACE in Taipei is pleased to present “Paintings at Rest,” a solo exhibition by Japanese artist Sawako Nasu.

Nasu’s work is a quiet meditation on the passage of time and the impermanence of life. Following a geometric division of the picture plane, she builds up very thin layers of paint and turns landscapes into abstraction. Her brushstrokes almost disappear, and the paintings carry a sense of stillness, calm, and gentle melancholy.

Through slow and careful layering, what surfaces in Nasu’s paintings is the outline of memory. The exhibition opens on Saturday, October 24. We invite you to come to PTT SPACE and take your time with the paintings.

臺北PTT SPACE即將榮幸呈現日本藝術家那須佐和子(Sawako Nasu)的個展「Paintings at Rest」。

那須的創作是一場關於時間流逝、人事無常的沉思。她依循畫面的幾何分割,一層一層疊上極薄的顏料,將風景化為抽象。筆觸幾乎隱去,畫面因此透出靜謐、安寧與淡淡的惆悵。

經過緩慢且謹慎的耐心創作,在那須畫中浮現的,是屬於記憶的輪廓。展期將於10/24(六)開幕,歡迎來到PTT SPACE慢慢地看畫。

/展覽 Info./
​
Paintings at Rest

藝術家 Artist|那須佐和子 Sawako Nasu @sawakonasu_
展覽日期 Duration|2026.10.24 (Sat.)-11.28 (Sat.)
開幕日期 Opening Date|2026.10.24 (Sat.) 15:00
展覽地點 Location|PTT SPACE-臺北市松山區敦化南路一段100巷5弄31號旁
PTT SPACE-Beside 1F, No. 31, Aly. 5, Ln. 100, Sec. 1, Dunhua S. Rd., Songshan Dist., Taipei City, Taiwan (R.O.C.)
參觀時間 Opening Hours|Tue. - Sat. 13:00 - 18:30 (Closed on Sundays and Mondays)
聯絡電話 Tel.|+886 2 2771 0917
官方網站 Website|pttspace.com
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#SawakoNasu #PaintingsAtRest #ComingSoon by @ptt_space
0
2 days ago
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PTT Space當期展覽「Ctrl C+V」,即將邁入倒數一週!

邀請各位把握最後時間,蒞臨現場觀賞作品。

|展覽資訊 information|

Ctrl C+V

展期 Exhibition Period | 2026.07.18 - 2026.09.12
開幕 Opening| 07.18 (六)14:00
時間 Time|Tue. - Sat. 13:00 - 18:30 (Closed on Sundays and Mondays)
地點 Venue| @ptt_space  臺北市松山區敦化南路一段100巷5弄31號旁

策劃 Curated by|毛刺Glitch @glitch.home 
贊助單位 Sponsor|台北市文化局、UGLY HALF BEER 酉鬼啤酒 @uglyhalfbeer 

照片提供:毛刺Glitch @glitch.home ome
Photo credit: @dulub_studio 〔dulub_studio〕嘟嚕影像 by @ptt_space
2
a month ago
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明天恢復正常營業,歡迎大家再度光臨。造成不便,敬請見諒 🙏

PTT SPACE will resume normal operating hours tomorrow. Thank you for your patience. by @ptt_space
1
2 months ago
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莊培鑫的《風景寫生》從網路購買一座3D森林模型,戴上VR頭戴裝置進入其中,以油畫進行寫生。作品將寫生過程的錄像與完成的繪畫並置,使原本建立於身體面對自然、觀察光線與氣候變化的創作方式,轉向一座由模型、貼圖、虛擬光源與即時運算共同構成的數位風景。眼前看似自然的森林,實際上是經過建模、複製與拼接而成的影像環境。

在繪畫史中,寫生意味著藝術家親臨現場,透過身體的停留與觀看,回應自然中不斷變動的光線、氣候與時間。《風景寫生》延續這項傳統,卻將其移入一個可以被複製、修改與重新載入的虛擬空間。陽光、黃昏與閃電不再稍縱即逝,而成為可以被設定、控制與反覆觸發的影像事件。

藝術家再將這些可被無限複製的數位風景,透過身體的觀看、手部動作與顏料堆疊,轉譯為具有表面、厚度與時間痕跡的實體繪畫。寫生因此不再只是對風景的再現,而成為一場往返於真實與複製、實體與虛擬之間的觀看實驗,也回應當代生活中自然與人工日益難以區分的感知處境。

Chuang Pei-Xin 莊培鑫 @chuang_pei_xin

創作聚焦於數位技術如何改變人們對真實、物質與感知的理解,運用 3D 掃描、遊戲引擎、錄像、雕塑與繪畫等媒介,探索數位影像在複製、轉譯、壓縮與輸出的過程中,如何重新生成物質性與觀看經驗。

Chuang Pei-Xin’s《Landscape Painting》begins with a 3D forest model purchased online. Wearing a VR headset, the artist enters the model and paints from life in oil. Video documentation and finished paintings are presented side by side, shifting a practice traditionally grounded in direct encounters with nature toward a digital landscape composed of models, textures, virtual light, and real-time computation.

Within painting history, painting from life implies the artist’s physical presence before a changing landscape. Here, that tradition is relocated to a virtual space that can be copied, modified, and reloaded. Sunlight, dusk, and lightning become controllable and repeatable image events.

Through bodily observation, manual gestures, and layers of paint, these reproducible digital landscapes are translated into physical paintings with surface, thickness, and traces of time. The work turns painting from life into an experiment moving between reality and reproduction, the physical and the virtual.

His practice explores how digital technologies transform our understanding of reality, materiality, and perception. Working across 3D scanning, game engines, video, sculpture, and painting, he examines how digital images generate new forms of materiality and viewing experience.

|展覽資訊 information|

Ctrl C+V

展期 Exhibition Period | 2026.07.18 - 2026.09.12
開幕 Opening| 07.18 (六)14:00
時間 Time|Tue. - Sat. 13:00 - 18:30 (Closed on Sundays and Mondays)
地點 Venue|@ptt_space 臺北市松山區敦化南路一段100巷5弄31號旁

策劃 Curated by|毛刺Glitch @glitch.home
贊助單位 Sponsor|台北市文化局、UGLY HALF BEER 酉鬼啤酒 @uglyhalfbeer by @ptt_space
2
3 months ago
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賴晟浩的作品《Best Fails of the day》從一段擷取自網路社群的「精選跌倒集錦」開始,在看似隨機、輕鬆且可被快速消費的影像碎片中,刻意穿插一名支持美國海關執法局(ICE)的男子,在反 ICE 遊行中挑釁群眾,最後反而遭到追逐的畫面。隨著觀眾步入地下展間,影像中的白人男子透過數位輸出與紙漿,被轉化為懸吊於天花板上的動力雕塑,在旋轉馬達的驅動下,持續追逐;後者同樣以數位輸出與紙漿製作,卻被壓縮、攤平為近似繪畫的平面形體,散佈於展場之中。

持續旋轉與迫近的雕塑,在空間中形成難以忽視的壓力,使原本隔著螢幕被觀看、甚至被當作娛樂消費的跌倒影像,重新顯露出危害。兩個被封存在短影音裡的身體,也以不同的媒材狀態再次出現,重新獲得表面、厚度、重量與尺度,使圖像不再只是可被快速滑過的資訊,而成為持續塑造我們如何感受世界的現場。

Lai Cheng-Hao 賴晟浩 @chenghao_fff

創作以大眾透過媒體圖像觀看事件的感知經驗為出發點,運用輕薄材質、手工技法與動態機械重新轉譯影像,在裝置空間中建構兼具實體重量與流動感的當代媒體風景。

Lai Cheng-Hao’s work《Best Fails of the day》begins with a compilation of falling videos sourced from social media, including footage of a pro-ICE man provoking protesters before being chased. As viewers enter the basement gallery, the online event is brought into physical space: the man becomes a suspended kinetic sculpture made from digital prints and paper pulp, while the figure who stole his glasses is flattened into painting-like forms scattered throughout the space.

The rotating sculpture creates physical tension, transforming an incident once consumed as online entertainment into an embodied experience. Through pigment, paper pulp, digital printing, and handwork, Lai gives the image surface, thickness, weight, and scale. Viewers must move around the installation, turning the pursuit, collision, and loss of balance into a spatial encounter.

Born in Taiwan in 2000, Lai Cheng-Hao is currently studying in the Master’s Program in Contemporary Visual Culture and Practice at the National Taiwan University of Arts. Using lightweight materials, handcrafted processes, and kinetic machinery, he transforms media images into installations that combine physical weight with a sense of fluidity. His recent awards include the Silver Medal at the 114th National Art Exhibition, Third Place at the 43rd Taoyuan Fine Arts Exhibition, and the Sian Aesthetics Award.

|展覽資訊 information|

Ctrl C+V

展期 Exhibition Period | 2026.07.18 - 2026.09.12
開幕 Opening| 07.18 (六)14:00
時間 Time|Tue. - Sat. 13:00 - 18:30 (Closed on Sundays and Mondays)
地點 Venue|@ptt_space 臺北市松山區敦化南路一段100巷5弄31號旁

策劃 Curated by|毛刺Glitch @glitch.home
贊助單位 Sponsor|台北市文化局、UGLY HALF BEER 酉鬼啤酒 @uglyhalfbeer by @ptt_space
0
3 months ago
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《Every organism subtly moves with its own
independent rhythm》為丘冀丁以在首爾一座植物園中拍攝的影像為基礎導入生成式 AI的錄像作品。他使植物景觀如同持續生長一般,不斷向外延伸、繁衍與增殖。隨著影像在生成過程中彼此交融,葉片、枝幹與空間逐漸產生偏離現實規則的形態與變化。

丘冀丁並未將其中模糊、錯位或不自然的細節視為需要修正的瑕疵,而是將其保留下來,理解為影像生成過程中留下的痕跡,甚至是數位影像自身生命力的展現。其後,他擷取部分生成片段,再透過影像工具強化細節,使畫面持續擺盪於清晰與失真、自然與人工之間。

作品中亦交織著音樂與舞動的人物影像,使植物不再只是被觀看的景觀,而是如同能與人類、聲音及其他物種共同感知與活動的生命體。透過這一連串轉譯,植物循環於物質、圖像與編碼之間,也回應了「Ctrl C+V」所探討的複製、轉換與再生成。

Gijeong Goo 丘冀丁 구기정 @goo_gijeong

1990 年生,現居首爾。持續於韓國與國際展出,近期展覽包括「The City of Nam June Paik: The Sea Fused with the Sun」(白南準藝術中心,2025)、「At The End of The World Split Endlessly」(首爾市立美術館,2024)及「Five Footsteps」(國立現代美術館果川兒童美術館,2024)。

《Every organism subtly moves with its own
independent rhythm》is a video work by Gijeong Goo based on footage filmed in a botanical garden in Seoul. Using generative AI, he transforms the original images into continuously expanding and multiplying plant landscapes, where leaves, branches, and spaces merge into forms that no longer follow the rules of reality.

Rather than correcting the blurred, distorted, or misplaced details produced by AI, Gijeong Goo preserves them as traces of the image-making process and as signs of a digital life of their own. By combining these shifting plant forms with music and moving bodies, the work imagines plants, humans, and other species coexisting across matter, image, and code. It reflects the themes of copying, transformation, and regeneration explored in Ctrl C+V.

Born in 1990 and based in Seoul, Gijeong Goo has exhibited widely in Korea and internationally. His recent exhibitions include The City of Nam June Paik: The Sea Fused with the Sun at Nam June Paik Art Center (2025), At The End of The World Split Endlessly at Seoul Museum of Art (2024), and Five Footsteps at MMCA Gwacheon Children’s Museum (2024).

|展覽資訊 information|

Ctrl C+V

展期 Exhibition Period | 2026.07.18 - 2026.09.12
開幕 Opening| 07.18 (六)14:00
時間 Time|Tue. - Sat. 13:00 - 18:30 (Closed on Sundays and Mondays)
地點 Venue|@ptt_space 臺北市松山區敦化南路一段100巷5弄31號旁

策劃 Curated by|毛刺Glitch @glitch.home
贊助單位 Sponsor|台北市文化局、UGLY HALF BEER 酉鬼啤酒 @uglyhalfbeer by @ptt_space
0
3 months ago
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Ctrl C+V 今日在 PTT space 舉辦開幕啤酒聚會,酉鬼啤酒為本次開幕提供數款風味獨特精釀啤酒,為午後的台北帶來清涼與愜意。

本次展出的四組藝術家,透過不同媒材展共編交織於數位技術、身體、情感與生活的感性網絡,其中日韓藝術家 丘冀丁구기정 與 ormオーム 皆為首次在台發表,並呈現其最新作品,丘冀丁구기정 的創作透過攝影結合生成影像,創造植物與人群共舞的感受性場景;ormオーム 則以成長故事的寓言,想像瞬息萬變的技術世界裡,成長意味著什麼。台灣藝術家 莊培鑫 與 賴晟浩,則以繪畫回應主題,並呈現兩種不同風貌與切角,莊培鑫針對VR影像進行油畫寫生,呈現視覺、身體感、繪畫之間的複雜維度,賴晟浩則將影像拆解,以繪畫基地創造極具身體感的造型物,我們可以看到藝術家如何把繪畫性加入到不同主體與媒材,持續拓展其繪畫材料與主題的可能性,並在持續虛化的世界,藉由身體性展開叩問。

從台中出發,毛刺將持續策劃實踐,將視角帶往不同場域。這次在台北 PTT space 展開一次新的嘗試,讓內容沿著城市移動進入其他空間,探索更多可能。

藝術攝影 @dulub_studio

Ctrl C+V opens today at PTT SPACE with an opening beer gathering, featuring a selection of craft beers generously provided by Ugly Half Beer.

Working across photography, generative imagery, painting, and sculpture, the four participating artists explore the intersections of digital technology, the body, emotion, and everyday life.

Presenting in Taiwan for the first time, Gijeong Goo 구기정 combines photography and generative imagery to create scenes where plants and crowds appear to move together, while ormオーム reflects on growth through an allegorical story set within a rapidly changing technological world.

Taiwanese artists Chuang Pei-Xin and Lai Cheng-Hao expand the possibilities of painting through VR-based imagery, bodily perception, image deconstruction, and sculptural form.

In an increasingly dematerialized world, the exhibition returns to the body as a site of perception and inquiry. 

Starting from Taichung, Glitch will continue to develop curatorial practices and bring its perspectives into different contexts. This exhibition at PTT SPACE in Taipei marks a new attempt to allow artistic content to travel across cities, enter new spaces, and explore further possibilities.

|展覽資訊 information|

Ctrl C+V

展期 Exhibition Period | 2026.07.18 - 2026.09.12
開幕 Opening| 07.18 (六)14:00
時間 Time|Tue. - Sat. 13:00 - 18:30 (Closed on Sundays and Mondays)
地點 Venue|@ptt_space 臺北市松山區敦化南路一段100巷5弄31號旁

策劃 Curated by|毛刺Glitch @glitch.home
藝術家 Artists|Chuang Pei-Xin 莊培鑫 @chuang_pei_xin、Gijeong Goo 丘冀丁 구기정 @goo_gijeong、Lai Cheng-Hao 賴晟浩 @chenghao_fff、orm オーム @orm_project @tomoya____fujii @noisy_eye 
贊助單位 Sponsor|台北市文化局、UGLY HALF BEER 酉鬼啤酒 @uglyhalfbeer by @ptt_space
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3 months ago
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#藝術家聚焦 #Fuyuji #MIZPAM
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Fuyuji works through compositions of color and shape, creating vivid, dynamic visual experiences. Drawing inspiration from Japan's ancient views of nature and primitive beliefs, he transforms them into rich imagery, with the symbiosis between humans and nature as a constant thread running through his work.
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MIZPAM's practice spans illustration and mural painting. Her ongoing series "MORI NO AHARE (森之物哀)" brings the body into encounter with nature — holding, overflowing, sleeping — constructing another, distinct bodily landscape.
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冬耳(Fuyuji)擅長處理色彩與形狀的組合,為觀者帶來生動的視覺感受。他從家鄉日本古老而深厚的自然觀與原始信仰中汲取靈感,變化出各種豐富意象,並且始終關懷著人與自然共生的主題。
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MIZPAM 的創作橫跨插畫與壁畫,持續進行中的系列「森之物哀 MORI NO AHARE」,讓身體與自然相互交會——會盛裝、會溢出、也會沉睡,構築出另一種獨特的身體風景。
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#最後一週 #終了倒數
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/展覽 Info./
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𝐘𝐎𝐍𝐙𝐔𝐈
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藝術家 Artist|冬耳 Fuyuji、MOYA、MIZPAM、東 哲平 Teppei Higashi ​ (RBTXCO) 
展覽日期 Duration|2026.6.26 (Fri.) -07.11 (Sat.)
展覽地點 Location|PTT SPACE - 臺北市松山區敦化南路一段100巷5弄31號旁
PTT SPACE - Beside 1F, No. 31, Aly. 5, Ln. 100, Sec. 1, Dunhua S. Rd., Songshan Dist., Taipei City, Taiwan (R.O.C.)
參觀時間 Opening Hours|Tue. - Fri. 12:30 - 18:30; Sat. 12:30 - 19:00 (Closed on Sundays and Mondays)
聯絡電話 Tel.|+886 2 2771 0917
官方網站 Website|pttspace.com
@tn_fuyuji  @moya_mk16  @mizpam_  @rbtxco by @ptt_space
1
3 months ago
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Ctrl C+V 將於 7/18 在 PTT Space 登場。

展覽以宏觀尺度切入技術浪潮,將其視為不斷循環的歷史進程;藝術家則從微觀的情感與日常經驗出發,凝視身處其中的當代生活處境。

展名 Ctrl C+V 既以電腦語法回應展覽對技術尺度與循環結構的思考,也指向參展藝術家的創作方法:他們透過複製、轉譯、對稱與挪用,持續測試數位時代中物質性的邊界,使作品在真實與複製、實體與虛擬之間展開游移與遊戲。

本次主視覺由設計師Yagi @yyy_yagi 製作,從日常觀察出發,以實體影像組合,呈現介於真實與虛擬之間的曖昧狀態,利用系列主視覺在數位媒體與展場現場回應展覽精神。

開幕活動將於 7/18 14:00 舉行,藝術家也將出席現場。日韓藝術家皆為首次在台發表,並將展出最新作品。活動由 酉鬼啤酒 Ugly Half Beer 獨家贊助精釀,邀請大家一同來到現場,在作品、交流與微醺之間,開啟 Ctrl C+V。

The exhibition explores technology as a recurring historical cycle, while the participating artists examine contemporary life through intimate, everyday experiences. Their works employ copying, translation, symmetry, and appropriation to question materiality in the digital age, blurring the boundaries between the real and the virtual.

Visual identity by Yagi, combining physical imagery with subtle digital interventions across both online media and the exhibition space.

|展覽資訊 information|

Ctrl C+V

展期 Exhibition Period | 2026.07.18 - 2026.09.12
開幕 Opening| 07.18 (六)14:00
時間 Time|Tue. - Sat. 13:00 - 18:30 (Closed on Sundays and Mondays)
地點 Venue|@ptt_space 臺北市松山區敦化南路一段100巷5弄31號旁

策劃 Curated by|毛刺Glitch @glitch.home
藝術家 Artists|Chuang Pei-Xin 莊培鑫 @chuang_pei_xin、Gijeong Goo 丘冀丁 구기정 @goo_gijeong、Lai Cheng-Hao 賴晟浩 @chenghao_fff、orm オーム @orm_project @tomoya____fujii @noisy_eye 
贊助單位 Sponsor|台北市文化局、UGLY HALF BEER 酉鬼啤酒 @uglyhalfbeer by @ptt_space
1
3 months ago
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#藝術家聚焦 #MOYA #東哲平
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Painter MOYA's practice is deeply rooted in street art, with live-painting performances at major Japanese music festivals including SUMMER SONIC and METROCK. The works on view take guardian deities from Japanese folklore — the three-legged crow Yatagarasu, the guardian dog Komainu, and the Lucky Tiger Daruma — and recast them as protective totems for a contemporary street visual language.
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RBTXCO designer Teppei Higashi has been developing "WALL RAG" since 2012 — an ongoing project that sculpts fabric scraps into three-dimensional objects. For this exhibition, he translates imagery by MOYA and other artists into tactile, wall-hung sculptures, letting painting step off the canvas and fashion blow straight into the gallery.
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畫家MOYA的創作深受街頭藝術影響,曾於SUMMER SONIC、METROCK等日本大型音樂祭現場作畫。本次帶來的特色作品,以日本傳統文化中的神獸為題,將八咫烏、狛犬、招福虎達磨,化為當代街頭視覺中的守護圖騰。
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時尚品牌RBTXCO設計師東 哲平(Teppei Higashi),自2012年起持續進行「WALL RAG」——一項將衣料碎布雕塑成立體物件的長期創作計畫。這次他將MOYA及其他創作者筆下的圖像,轉譯成觸覺鮮明的立體壁掛,讓平面繪畫走出畫布,也讓時尚潮流吹動藝術現場。
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#展期倒數中
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/展覽 Info./
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𝐘𝐎𝐍𝐙𝐔𝐈
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藝術家 Artist|冬耳 Fuyuji、MOYA、MIZPAM、東 哲平 Teppei Higashi ​ (RBTXCO) 
展覽日期 Duration|2026.6.26 (Fri.) -07.11 (Sat.)
展覽地點 Location|PTT SPACE - 臺北市松山區敦化南路一段100巷5弄31號旁
PTT SPACE - Beside 1F, No. 31, Aly. 5, Ln. 100, Sec. 1, Dunhua S. Rd., Songshan Dist., Taipei City, Taiwan (R.O.C.)
參觀時間 Opening Hours|Tue. - Fri. 12:30 - 18:30; Sat. 12:30 - 19:00 (Closed on Sundays and Mondays)
聯絡電話 Tel.|+886 2 2771 0917
官方網站 Website|pttspace.com by @ptt_space
0
3 months ago
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#開幕現場 ##YONZUI

Our latest exhibition, "𝐘𝐎𝐍𝐙𝐔𝐈," opened today to a wonderful turnout! Thank you to everyone who joined us on site and shared in the conversation. The exhibition runs through 07/11 — PTT Space warmly welcomes your visit.

最新展覽「𝐘𝐎𝐍𝐙𝐔𝐈」於今日順利開幕!感謝每一位來到現場參與交流的朋友,本展將持續展出至07/11,PTT Space誠摯期待您的到訪!

/展覽 Info./
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𝐘𝐎𝐍𝐙𝐔𝐈
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藝術家 Artist|冬耳 Fuyuji、MOYA、MIZPAM、東 哲平 Teppei Higashi (RBTXCO) 
展覽日期 Duration|2026.6.26 (Fri.) -07.11 (Sat.)
展覽地點 Location|PTT SPACE - 臺北市松山區敦化南路一段100巷5弄31號旁
PTT SPACE - Beside 1F, No. 31, Aly. 5, Ln. 100, Sec. 1, Dunhua S. Rd., Songshan Dist., Taipei City, Taiwan (R.O.C.)
​參觀時間 Opening Hours|Tue. - Fri. 12:30 - 18:30; Sat. 12:30 - 19:00 (Closed on Sundays and Mondays)
聯絡電話 Tel.|+886 2 2771 0917
官方網站 Website|pttspace.com 
@tn_fuyuji @moya_mk16 @mizpam_ @rbtxco by @ptt_space
0
4 months ago
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#開幕預告 #YONZUI
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We are pleased to announce the group exhibition "𝐘𝐎𝐍𝐙𝐔𝐈," featuring four Japanese artists, to be held at PTT Space in Taipei. This exhibition brings together creators from diverse backgrounds—contemporary art, street art, and fashion—allowing their unique perspectives and expressions to intersect.
The title "𝐘𝐎𝐍𝐙𝐔𝐈" refers to a "fictional kanji radical" created specifically for this exhibition. It embodies the desire to present "new meanings" and "possibilities" that transcend existing frameworks and languages, achieved by bringing four artists together to multiply their inspirations and creative methods.
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PTT Space最新展覽——「𝐘𝐎𝐍𝐙𝐔𝐈」,將於明日(6/26)下午五點正式開幕!本次聯展集結四位日本創作者——冬耳 Fuyuji、MOYA、MIZPAM、東 哲平 Teppei Higashi ​ (RBTXCO),向各位呈現當代藝術、街頭文化與時尚領域迸發的創作能量。展覽名稱『YONZUI』意指專為本次展覽所創造的「虛構漢字部首」,蘊含著四位藝術家齊聚一堂,透過彼此靈感與創作手法的碰撞,超越既有框架與語言,展現「全新意義」與「可能性」的期盼。我們期待您的蒞臨觀賞!

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/展覽 Info./
​
𝐘𝐎𝐍𝐙𝐔𝐈
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藝術家 Artist|冬耳 Fuyuji、MOYA、MIZPAM、東 哲平 Teppei Higashi ​ (RBTXCO)
展覽日期 Duration|2026.6.26 (Fri.) -07.11 (Sat.)
開幕日期 Opening Date|2026.6.26 (Fri.) 17:00
展覽地點 Location|PTT SPACE - 臺北市松山區敦化南路一段100巷5弄31號旁
PTT SPACE - Beside 1F, No. 31, Aly. 5, Ln. 100, Sec. 1, Dunhua S. Rd., Songshan Dist., Taipei City, Taiwan (R.O.C.)
​參觀時間 Opening Hours|Tue. - Fri. 12:30 - 18:30; Sat. 12:30 - 19:00 (Closed on Sundays and Mondays)
聯絡電話 Tel.|+886 2 2771 0917
官方網站 Website|pttspace.com by @ptt_space
0
4 months ago
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