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Rebecca Minten

@rebeccaminten

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our debut album has been out since 3 weeks now and we are too happy with our vinyls by @matteroffactvinyl so we needed an extra appreciation post for them beautiful artwork by Marily 💙 We are so grateful for all the beautiful people around us who made this whole album thing happen. thank you Edouard, Ramon, Davide, Rabih, Valentina, Marily, Nicole, what a team🫰 Release tour continues next week with a big highlight in Spain : @mixturbarcelona aaaahhhhhhh catch us somewhere ! Album available ... Digital : @aut_records Tape : @wabisabitapes Vinyl : @prefer_music Recorded at @morphine_records_raum by @rebeccaminten
5
7 days ago
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MINTEN&GONZÀLEZ Ruins of a non-existent place ⋅ Press Photography, Set Design, Styling & Post Production for @rebeccaminten & @luz_gonza1ez released on @wabisabitapes, @aut_records, @prefer_music ⋅ Merci @rae.milyn taken in Old City of Bern by @rebeccaminten
2
19 days ago
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🛣️ ¡ ʎɐp ǝsɐǝןǝɹ ʇǝǝʍs ¡ 🛣️ Follow our steps in 𝐑𝐮𝐢𝐧𝐬 𝐨𝐟 𝐚 𝐧𝐨𝐧-𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐭 𝐩𝐥𝐚𝐜𝐞 by 𝐌𝐢𝐧𝐭𝐞𝐧&𝐆𝐨𝐧𝐳𝐚́𝐥𝐞𝐳 // @rebeccaminten & @luz_gonza1ez // The duo shape their acoustic environment, celebrating their mutual power to act. The enigmatic, even introspective, meandering reflected in the track titles reposition them not as observers of the ongoing desolation but rather as active figures in a cartography of listening. ⚐ Many thanks to @_sanka_s_creation_ and @marouley for putting images to these multidimensional architectures ! ⚑ Shout out to @arem_thereal for taking care of the mastering process and @nicole.pfister for her photos of the duo ! You can now stream and purchase the album on our platforms : @wabisabitapes >> tapes @aut_records >> digital @prefer_music >> vinyl link in bios ! This release is also made possible thanks to the support of Kultur Stadt Bern / Swisslos - Kultur Kanton Bern / Kanton Basel Stadt / Burgergemeinde Bern by @rebeccaminten
1
a month ago
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El Duo Minten & González presenta al Mixtur el seu nou àlbum, Ruins of a non-existent place. Com es transforma un lloc quan només existeix en el record? @rebeccaminten i @luz_gonza1ez exploren aquesta idea a través del clarinet baix i l’electrònica en viu. Un recorregut sonor per espais que semblen familiars, però que revelen noves facetes cada vegada que ens hi acostem. La proposta forma part d’un triple concert amb Pedro Pablo Cámara i Carolina Santiago a la Fabra i Coats. Un itinerari on la música dialoga amb la imatge, el gest, la tecnologia i l’arquitectura de la fàbrica. Entrades al web de Mixtur. Enllaç a la bio. Àlbum coproduït per @prefer_music, @aut_records i @wabisabitapes 📸 @nicole.pfister --- Duo Minten & González presents their new album, Ruins of a non-existent place, at Mixtur. How does a place change when it exists only in memory? Rebecca Minten and Luz González explore this idea through bass clarinet and live electronics. A sonic journey through spaces that feel familiar yet reveal new facets each time we return to them. Their performance is part of a triple bill with Pedro Pablo Cámara and Carolina Santiago, taking audiences through Fabra i Coats. Along the way, music meets image, gesture, technology and the architecture of the former factory. Tickets on our website. Link in bio Album co-produced by @prefer_music, @aut_records and @wabisabitapes. 📸 @nicole.pfister taken in Fabra i Coats by @rebeccaminten
3
a month ago
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⛍ Catch @rebeccaminten & @luz_gonza1ez for a guided tour and improvised meditations around 𝐑𝐮𝐢𝐧𝐬 𝐨𝐟 𝐚 𝐧𝐨𝐧-𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐭 𝐩𝐥𝐚𝐜𝐞. Their tour will starts tomorrow 🔔 and will continue in the next months ! 18/09/2026 · · · kv.r, Vienna [AT] @kv.r.vienna 19/09/2026· · · Dessi Soli 2026, Vienna [AT] 19/09/2026 · · · vekks, Vienna [AT] @_vekks_ 17/10/2026 · · · Mixtur, Barcelona [ES] @mixturbarcelona 04/11/2026· · · Hörbar, Hambourg [DE] @hoerbar_ev 19/12/2026 · · · Internationales Digitalkunst Festival, Stuttgart [DE] @digitalkunst.festival More in Switerland and elsewhere in 2027 ! with the support of of Kultur Stadt Bern / Swisslos - Kultur Kanton Bern / Kanton Basel Stadt / Burgergemeinde Bern / ProHelvetia / Fondation SUISA by @rebeccaminten
2
a month ago
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Fri, 18.9.2026 Minten @rebeccaminten & González @luz_gonza1ez Doors: 19:30 · Start: 20:30 This duo starts from the desire to create a common language beyond any aesthetic line or tradition, as well as from the conviction that musical understanding goes beyond these categories. In this project Luz González (live electronics) and Rebecca Minten (bass clarinet) provoke and support each other in equal parts by the use of multiphonics, live processing, sinus tones and pure noise. Together they created the work Zones limitrophes which evolved in an eclectic duo touring since then. Minten&Gonzalez were guests at. Primi Copenhagen, Sonorities Festival Belfast 2024, Vekks Vienna, echoraum (AT), Neue Musik St. Ruprecht (AT), noiseberg Berlin, la Voirie Biel etc. In 2025 they recorded their debut album at Morphine Raum Berlin, to be released in 2026 with PreferMusic, wabi-sabi tapes and Aut Records. https://soundcloud.com/minten-gonzalez https://luzgonzalez.art by @rebeccaminten
2
a month ago
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👔 a few words about the cooperation on 𝐑𝐮𝐢𝐧𝐬 𝐨𝐟 𝐚 𝐧𝐨𝐧-𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐭 𝐩𝐥𝐚𝐜𝐞. ♗ @prefer_music [Switzerland] - vinyl edition ♖ @wabisabitapes [France] - tape edition ♘ @aut_records [Italy] - digital edition Initiated by @rebeccaminten and @luz_gonza1ez , this collaboration puts together a family portrait which depicts the vibrancy of the experimental music scenes across Europe out this very Friday ! >< link in bio >< by @rebeccaminten
0
a month ago
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🧭 a few words about 𝐌𝐢𝐧𝐭𝐞𝐧&𝐆𝐨𝐧𝐳𝐚́𝐥𝐞𝐳 To linger in the memory of a precious place, as if seeking rest in a glass-like transition. The axis pivots, inverts, and yet the perspectives remain unchanged. It is this multifaceted territory, that one can glimpse furtively by squinting, which the duo @rebeccaminten & @luz_gonza1ez has chosen to explore for their new album, 𝐑𝐮𝐢𝐧𝐬 𝐨𝐟 𝐚 𝐧𝐨𝐧-𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐭 𝐩𝐥𝐚𝐜𝐞. 🤝 a coproduction @prefer_music , @aut_records & @wabisabitapes out Friday 18th September. (c) credit photo : @nicole.pfister by @rebeccaminten
0
a month ago
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📐new release announcement 📐 Celebrating a trans-european cooperation, we are glad to announce 𝐑𝐮𝐢𝐧𝐬 𝐨𝐟 𝐚 𝐧𝐨𝐧-𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐭 𝐩𝐥𝐚𝐜𝐞 by the duo 𝐌𝐢𝐧𝐭𝐞𝐧&𝐆𝐨𝐧𝐳𝐚́𝐥𝐞𝐳 @rebeccaminten & @luz_gonza1ez ! Wandering and wondering in a fantomatic territory, electronics and bass clarinet define their own dimension. This release is the result of the collaboration between the artists and three labels, @wabisabitapes [France] for the tapes, @prefer_music [Switzerland] for the vinyls and @aut_records [Italy] for the digital. Special objects need special attention to shine in our sprakled reality : 🧮 Vinyl art have been made by @marouley and tapes art is the signature of @_sanka_s_creation_ ✂️Mastering by @arem_thereal at Nomar Audio 👀 credit photo @nicole.pfister with the support of Kultur Stadt Bern / Swisslos - Kultur Kanton Bern / Kanton Basel Stadt / Burgergemeinde Bern link in bio ⛱⛱⛱ by @rebeccaminten
3
a month ago
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~ SESSION D’IMPROVISATION COLLECTIVE ~ Une rencontre sonore collective réunissant des musicien·nes aux pratiques et langages différents. Sans forme prédéfinie, la session se construit dans l’écoute, l’attention et le dialogue. Les musicien·nes jouent avec les résonances, les silences et les circulations du son dans l’acoustique singulière de la chapelle, faisant du lieu lui-même un instrument et laissant émerger une musique propre à l’espace et à l’instant. Aracoeli : violon, voix Avizohar : synthétiseur modulaire Bart Bell : metalophone Mélodie Blaison : flûte traversière Mondkopf : guitare électrique Rebecca Minten : clarinette basse Ensemble Marani : chœur polyphonique géorgien ((O)) ÆSTHESIS : Sonic Places 5 septembre 2026 14h-19h Chapelle Saint-Lazare, Paris 10 Billetterie sur place Photos 2. Aracoeli © @sofialambrou 3. Avizohar ©Danielle Rosenkrantz 4. Bart Bell © @wasitapril 6. Mondkopf © @frederic_d_oberland 7. Rebecca Minten © Ella Joséphone Campbell taken in Paris 10e by @rebeccaminten
5
2 months ago
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La tendresse comme acte de résistance. Rebecca Minten présente une nouvelle version de son solo pour clarinette basse et électronique. Un dialogue entre instrument et électronique, mené jusqu’à des extrêmes choisis. L’intensité des fréquences graves et la densité harmonique contrastent avec un jeu délibérément non virtuose, où le geste et l’écoute prennent le pas sur la démonstration. Artiste indépendante italo-suisse, clarinettiste de formation, Rebecca Minten est active sur la scène de musique expérimentale. Elle développe son travail en solo ainsi qu’en duo avec Luz Gonzalez. Depuis 2020, elle facilite le collectif interdisciplinaire IPSO, comme un laboratoire de création collective et, en 2026, elle fonde l’ensemble/label de musique expérimentale unproductive platforms. Rebecca est artiste en résidence à la Cité internationale des Arts de Paris en 2026. À découvrir le vendredi 4 septembre lors de l’inauguration de la prochaine édition du Festival ! On vous attend nombreux et nombreuses ! Credits image 1 @jeremieluke credits image 2 @mgevobo taken in Académie du Climat by @rebeccaminten
2
3 months ago
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RENAISSANCE COMPOST recording residency, GMEA, Albi, France, June 2026 During an unheard-of heatwave that broke multiple records in France, we gathered in a cool(ish) church to decompose music from the 16th century for a residency at @gmea_albi. This was bookended by an extreme, 11 hour drive across France to bring the one and only #clavemusicumomnitonum over from @studio31_basel. Thanks to a dream team made up of @anouckgenthon , @stephane_c_l_o_r , @__anna.kaisa__ , @mara___winter , @rebeccaminten , and accompanied by the wonderful Benjamin and Ylan for the tech side, we spent an incredibly fulfilling, refreshing and tender week recording my new decomposition based on the madrigal Musica Prisca Caput by Nicolà Vicentino from 1555. Appropriately, multi-chromatic hues of light shone down onto us every afternoon from the stained-glass windows. Originally written in 1555 in his treatise Ancient Music Adapted to Modern Practice, Nicolà Vicentino composed Musica Prisca Caput as a pedagogical example of a four-voice madrigal that showcases his unique approach to polyphony, incorporating the Ancient Greek genera: diatonic, chromatic, and enharmonic. Here, we applied eco-feminist notions of entanglement, “trouble”, and the need to get our hands dirty in the risky compost of history, thereby taking on Vicentino’s own approach of « adapting ancient music to modern practice ». Queering ways to play and hear music from the Renaissance may be one coping mechanism amongst others as we experience the fallout of the ecological devastation set in motion during that period. 🥀 Big thanks to: @gmea_albi for welcoming this project 🥰🥰🥰 Gérôme and @__.wayd.__ for the visuals 😍 @stephane_c_l_o_r for the organizational help and genius amplification 🧚‍♂️✨ @studio31_basel for making it possible to use the clavemusicum 🤯 #vicentino #microtonalmusic #experimentalmusic #renaissancemusic decomposition by @rebeccaminten
2
3 months ago
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