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‘Dark Matter’ (detail, 120 x 100 cm, patina and marble dust on copper) is now on show at 
📍 Hypha x Eastern City Studios, 130 Fenchurch Street, London EC3M 5LY

Beneath the Rift
curated by Divyam Raghunath @divyamraghunath_

💭 Beneath the Rift explores what emerges when the surface of the world begins to split.
Every environment carries fractures, whether in the skin of a city, the fault lines of a community, or the quiet ruptures within soil and the self. Rather than treating cracks as damage to be repaired, the exhibition considers them as openings into parallel spaces of memory, vulnerability, transformation, and resistance.

Through painting, sculpture, installation, photography, moving image, and performance, the participating artists trace the unseen forces shaping contemporary life: migration, precarity, ecological change, distance, longing, and belonging.

The works move between the personal and the collective, the physical and the psychological, revealing landscapes that exist both around us and beneath us. They do not attempt to seal the rift. Instead, they hold it open, inviting audiences to step into the in-between and imagine new forms of connection that can only emerge when the surface breaks.

🗓 Open: 17th July –22nd August 2026, Tuesday – Saturday, 11am – 7pm (closed from 2.15 – 3pm) by @rekaritt
17
5 days ago
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#AnaMendieta @Tate Modern
15 July 2026 - 17 January 2027

I haven’t felt ecstatic like this about a show in a long time; it was almost difficult to breathe. We can feel so many different kinds of joy in our bodies; the spiritual one is rare and special. It occasionally pops up at exhibitions that resonate strongly on every level of existence. 

One of the first books I’ve ever seen and adored, ‘Tales from the Island of Orchids’ is a collection of mythological stories from Cuba.  A gem that made its way to Europe in the 70s as part of the cultural exchange within the Eastern Bloc. I have found the illustrations of Mária Želibská captivating, and the words, however dark, so true. Nothing of the glorified heroes of the Grimms rang this true. At age five, weirdly, I knew more about Cuban mythology than European fairy tales. 

The book speaks of gods and goddesses, the Sun, the Earth, the Moon and the first human beings. The first man, Amao, brought to life by the Sun, and the first woman, Guanaroca, the daughter of the Moon. Murder. Child abuse. Drowning. Deception. Guilt. Jealousy. Neglect. Revenge.
Also beauty, depth, belonging, love, grief and the balancing, grounding and healing force of nature.

It’s all there in this exhibition in a strikingly authentic form.

#rekaritt @rca_painting #rcapainting taken in Tate Modern by @rekaritt
2
7 days ago
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Beneath the Rift: In the Making

A little behind-the-scenes before installation begins.

Over the past few months, our artists have been researching, experimenting, making, remaking, and pushing their ideas in the studio. Here’s a glimpse into some of those moments before the works come together in the gallery.

Installation starts in 3 days. We can’t wait to share what everyone’s been working on.

Beneath the Rift
🗓 17 July – 22 August 2026
📍 Hypha x Eastern City Studios

Curated by @divyamraghunath_ in partnership with @hyphastudios

#BeneathTheRift #InTheMaking #BehindTheScenes #ContemporaryArt #ArtistStudio taken in London, United Kingdom by @rekaritt
11
15 days ago
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Réka Ritt Laklia on her chosen medium, copper. 🎙️

In this reel, Réka breaks down her relationship with copper: what drew her to it, what it lets her say that other mediums can’t.

📍 On view now at Art Forward Gallery, closing July 11th
🔗 Link in bio for hours

#ArtForwardGallery #RékaRittLaklia #CopperArt #ArtistTalk #ContemporaryArt by @rekaritt
12
17 days ago
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It has been a long time since I was last properly in the studio. The RCA degree show consumed the past weeks completely—an intense period with little room for contemplation. Preparing the work and the exhibition spaces, curating, installing, and navigating an endless stream of logistics and administration left almost no space for anything else.

It’s strange to think that, during this time, I technically had three studios, yet none of them were truly available to work in. My original studio, the one I used before starting the course, is now two hours away and has become little more than storage until I can finally move out. The studio I’ll be moving into at @kindredstudiosartists is only an hour away, but I haven’t moved in yet. With just a month of the MA remaining, it didn’t make sense to transport all of my tools and materials there, only to move everything back again for the final stretch of the course. At the same time, our college studios had to be completely emptied to make way for the degree show.

The only work I found both the space—and the mental capacity—to return to was this painting. I made it just before the course began and had been intending to revisit it for a long time, making a few small changes. Now, I think it’s finally finished.

The Old Wild Place Beyond All Shame emerged from an early experience of profound intimacy with the natural world. It is rooted in the landscapes of the Drava River and its floodplains, where I first came to understand nature as something living and inseparable from my own existence. Water—at once generative and destructive, connective and divisive—remains central to my thinking. I approach it as a form of ancestral intelligence, carrying memory beyond the limits of human perception. Even my name, Réka, meaning “water,” speaks about this lineage.

Title: The Old Wile Place Beyond All Shame
Size: 80 x 80 cm
Materials: Oxidised copper  #contemporarypainting @rca_painting #rekaritt #rcapainting by @rekaritt
22
18 days ago
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How to create a Degree Show, step-by-step guide: empty space, paint walls, install painting, listen to advice or don’t listen to advice, adjust-adjust back, wait, wait, learn bottle flipping, wait more, label, pose, show friends&family, show big wide world, talk, drink water, get high on socialising, meet nice people, celebrate, record (thank you 💕), wrap-up, sleep. What did I forget 😜?

Just want to say I am eternally grateful for everyone who came to see it, and those who couldn’t, you were missed and I can’t wait to seeing you next time. And a giant thank you to all the supportive painters, tutors and friends for keeping me breathing and being a rock solid support.

#contemporarypainting @rca_painting #rekaritt #rcapainting by @rekaritt
22
a month ago
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TWO DAYS LEFT TO VISIT

Aqua Incognita, 246 x 246 cm, oxidised copper

on show this weekend at the Royal College of Art, Battersea campus

DEGREE SHOW 2026

18–21 June
12–6pm daily

Painting Building
14 Howie Street
London SW11 4AY

#contemporarypainting @rca_painting #rekaritt #rcapainting taken in Rca Battersea by @rekaritt
29
a month ago
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Here we are, a few days before our Degree Show opening 🥳. We were working really hard on this, and it looks amazing 🤩! My work is installed on the first floor, mezzanine. I hope I will see you there!

#rca_painting #rca2026 #rcagradshow26 taken in Rca Battersea by @rekaritt
14
a month ago
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Introducing Réka Ritt Laklia (b. 1978) @rekaritt British-Hungarian artist based in London. 

Her work draws from an early, formative connection to the Drava River and its surrounding floodplains, where nature first revealed itself as animate, intelligent, and inseparable from the self. Water operates as both subject and framework within her practice, understood as a form of ancestral intelligence that carries memory across generations.

Her paintings navigate the entanglement of nature and culture through folklore, non-dual philosophies, and mystical systems of thought. Memory becomes a site of inquiry, where personal narratives intersect with broader social patterns. The process unfolds as a ceremonial act, seeking to address fractures within individual and collective experience.

Working on copper, she returns to the material language of her childhood, where making becomes a dialogue between inheritance and transformation. Oxidation, excavation, and layered surfaces give rise to fluid, hybrid forms that challenge patriarchal narratives and reflect the ecological tensions of contemporary life.

Artwork list:

1. Step Into the Boat Now, 2026. Marble dust and verdigris on copper, 210 x 120 cm

2. Neraides, 2025. Marble dust and verdigris on copper, 40 x 40 cm

3. Guardians of the First River, 2025. Marble dust and verdigris on copper (diptych), 164 x 99 cm

4. Process, 2026. video by @rekaritt
103
2 months ago
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See you there 🤩!

@rca_painting #rekaritt #rcapainting #contemporarypainting by @rekaritt
15
2 months ago
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YOU WERE THERE IN THE BEGINNING, 2024, Verdigris and oil on copper, 40 x 40 cm

On show between 11 June and 11 July @artforwardgallery 

#contemporaryart @_art_forward_ @yamamnabeel @rca_painting #rekaritt #rcapainting by @rekaritt
23
2 months ago
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I’m delighted to take part in Where Silence Breaks presented alongside Where the Light Wanders this summer at Art Forward Gallery, London.

Running from 11th June to 11th July, Where Silence Breaks features the work of Caroline Ashley @carolineashleystudio , Lesley Bunch @lesley.bunch , Sonja Kresojevic @sonjak18 , and Réka Ritt Laklia. Material, texture, and surface become central languages, with works that explore reflection, alchemy, repetition, and transformation. Across painting, textile, sculpture, and object-based practice, each artist creates work that holds tension between form and fragility, presence and absence.

In parallel, Where the Light Wanders features Tereza Červeňová @tereza_cervenova , Mariam Menteshashvili @mariam__menteshashvili , and Charlotte C Mortensson @curate_ccebm , presenting photography as a site of movement and transformation. Across distinct practices, the artists engage with the relationship between figure and environment, tracing how identity is shaped through memory, place, and lived experience. Here, the photographic image becomes a shifting space — at once documentary and constructed, intimate and distant, grounded and transient.

Across both exhibitions, a shared dialogue emerges — between image and object, light and silence, visibility and withdrawal. Together, they propose the exhibition space as a site of encounter, where meaning is not fixed but continually formed in relation to what is seen, and what remains just beyond it.

11th June - 11th July 
PV: Thursday 11th June (6-9pm)
Art Forward Gallery, 12-14 Whitfield St, London, W1 2RF

Gallery opening hours: Tues-Fri (11am to 5pm) | Saturdays (By appointment only) | Sunday & Monday (Closed)

RSVP for the PV via link in bio @artforwardgallery

Poster images:
1 Réka Ritt Laklia
2 Mariam Menteshashvili

#contemporaryart @_art_forward_ @yamamnabeel @rca_painting #rekaritt #rcapainting by @rekaritt
33
2 months ago
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