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Richard Haining

@richardhaining

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Fine Furniture, Lighting, and Sculptural Objects
Crafted from Salvaged Wood

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Velvet Hour by night
Highlighting the extraordinary efforts that went into the redesign of our room in our @kbshowhouse room.
Scott Daniel Strickstein @scott_daniel accepted the enormous task of creating a site specific fireplace sculpture, with integrated lighting and all, in an impossible timeline.
Richard Haining @richardhaining created a trio of commissioned wooden vessels made from decommissioned New York City water tower wood, to add an airiness to the elevation.
Grietje Schepers @grietjeschepers felt chandelier illuminates the entire space while tempering the 18’ ceilings to create an intimate environment.
Paul Michael Graves @paulmichaelgraves hand painted frieze and ceiling add visual interest and help break up the height of the space.
@romeomivekannin painting presiding over the sofa, reflecting in the mirror. He paints his face into historic portraits to reclaim a place within the images and history. His works ask us to reconsider how history is remembered.

These are some of the collaborative, bespoke efforts that went into our Kips Bay Showhouse room this year.

Photography & Styling
@joshuamchughphotography @anthony_amiano
Art & Artists
@scott_daniel @richardhaining @friedman_benda @pacegallery @lssartadvisory @eunhapaek @hostlerburrows @romeomivekannin @southernguildgallery @salon94 @paceprints @juliecurtissartist @paulmichaelgraves

Trades & Fabrication
@theigracecompany @brotherspaintingrc.nyc @bandastonegallerynyc @biorditilestone @bigapplefireplace @triestecorp @apolloelectric @christopherwilliamnyc @theshadestore @ateliersylvainfrey

Furniture & Lighting
@burtonjamesupholstery @donghia_inc @twentyfirstgallery @hubert_le_gall @lizobriengallery @sashasykes @helloshapiro @wexlergallery @studiopietboon @lyon_beton @maisoncharlesparis @berndgoeckler @lisalampshadelady @studiovandenakker @johnlyledesign @davidsutherlandshowroom @grietjeschepers @rademakersgallery

Textiles & Wallcoverings
@efcarpetmakers @taipingcarpets @misia_paris @karin_sajo @kravet1918 @fromentaldesign @rubelli_group @houles_official @angelabrownltd @sandrajordanprimaalpaca

Objects & Accessories
@mfisher_nyc @davidsutherlandshowroom @hostlerburrows @ralphpucciintl by @richardhaining

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17 days ago

I’m thrilled to host @richardhaining for a talk one-on-one at @wexlergallery at the New York Design Center. Thursday, September 17th at 3:00 pm, 200 Lexington Ave. by @richardhaining

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18 days ago

Join us this Thursday for a conversation between Richard Haining and Daniella Ohad. The 30 min talk will take place at 3:00 PM, presented as part of the New York Design Center’s What’s New, What’s Next 2026.

Through material samples, works in progress, and sketches from the studio, Haining and Ohad will explore his distinctive STACKED process, the transformation of reclaimed wood, and the place of his work within the broader histories of American art, craft, and design.

September 17, 2026 | 3:00 PM Wexler Gallery | New York Design Center 200 Lexington Avenue, NYC taken in New York Design Center by @richardhaining

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18 days ago

Richard Haining’s STACKED Side Tables, handcrafted from salvaged walnut and now on view at Wexler Gallery in New York.
Using his signature STACKED process, Haining builds each piece layer by layer from reclaimed wood before sculpting and finishing the surface entirely by hand. The result celebrates the material’s natural variation while transforming what was once discarded into an enduring work of functional design.

Join us on September 17 at 3:00 PM for a conversation between Richard Haining and design historian Daniella Ohad, presented as part of the New York Design Center’s What’s New, What’s Next 2026. Together, they’ll explore Haining’s process, influences, and approach to material and craft.

Wexler Gallery | New York Design Center 200 Lexington Avenue, NYC by @richardhaining

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a month ago

From a decommissioned NYC Water Tower to Venice.

My STACKED Pronghorn Vessel, made from salvaged Alaskan Cedar with a charred surface, has been selected for Homo Faber 2026: An Island of Light, opening tomorrow at the Fondazione Giorgio Cini in Venice.

Still feels a little surreal.

🇮🇹 September 1–30, 2026 taken in Fondazione Giorgio Cini by @richardhaining

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a month ago

Join us for a conversation between Richard Haining and Daniella Ohad on September 17 at 3:00 PM, presented as part of the New York Design Center’s What’s New, What’s Next 2026.

Through material samples, works in progress, and sketches from the studio, Haining and Ohad will explore his distinctive STACKED process, the transformation of reclaimed wood, and the place of his work within the broader histories of American art, craft, and design.

September 17, 2026 | 3:00 PM Wexler Gallery | New York Design Center 200 Lexington Avenue, NYC taken in New York Design Center by @richardhaining

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a month ago

Thrilled to be showing during this year’s Venice Biennale at Homo Faber 2026: An Island of Light.
Artistic direction by @esdevlin and curated by the Michelangelo Foundation.
1 - 30 September 2026
Venice, Fondazione Giorgio Cini
Curated by @homofaber in partnership with @fondazionecologni and @fondazionecini taken in Fondazione Giorgio Cini by @richardhaining

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a month ago

Shout out to @minorobsession_ for this reel featuring an assortment of my STACKED work ❤️ If you’re in NYC a bunch of my pieces are on view at @wexlergallery at 200 Lexington Ave

#stacked #sustainabledesign #interiordesign #functionalsculpture @wexlergallery taken in New York City by @richardhaining

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3 months ago

On view at 200 Lex! Richard Haining’s “STACKED 10 Bulb Chandelier” transforms salvaged walnut into a luminous architectural presence. At 60 inches in diameter, this monumental work expands upon the artist’s celebrated 36-inch chandelier, merging influences from Art Nouveau and the American Studio Craft movement through Haining’s distinctly contemporary approach to design.

Crafted from thousands of individually stacked pieces of reclaimed wood sourced from New York City’s discarded architectural and industrial landscape, the chandelier embodies a process of renewal. Built layer by layer like a coiled ceramic vessel or an analog 3D print, each form is shaped by hand before being refined into a seamless surface. The subtle shifts in color and grain reveal the material’s previous life—preserving a visible record of time, place, and transformation within a singular sculptural object. taken in New York Design Center by @richardhaining

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3 months ago

STACKED Mirror . Salvaged Walnut

Available via @wexlergallery

#stacked #sustainabledesign #sculpture #mirror #woodenmirror

📷 @joeinstakramm taken in New York City by @richardhaining

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3 months ago

60” diameter STACKED 10-bulb Chandelier in salvaged walnut. Available and on view at Wexler Gallery’s NYC Showroom at 200 Lex.
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#richardhaining #stacked #sustainabledesign #chandelier #interiordesign
📷 @joeinstakramm taken in New York City by @richardhaining

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4 months ago

Floor Lamp No.3 is a bit over 7-1/2’tall.

Made of California Redwood salvaged from decommissioned NYC Water Towers.

DM for details.

On view and available for purchase via @wexlergallery

#stacked #sustainabledesign #interiordesign #richardhaining #functionalsculpture

📷 @joeinstakramm taken in Manhattan, New York by @richardhaining

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4 months ago