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Robert Bevis

@robertbevisdp

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FIELD MOUSE (2025) . It’s hard to fully articulate how special this project was for me. Grayson is my longest creative partner, going back to F1s (first semester films) at @fsufilm, and ‘Field Mouse’ is the outgrowth of a particular visual and pacing style we’ve been developing since our time there. The story unfolds in a rather disjointed fashion, paralleling the main character’s inner torment and increasing disconnection from reality. For me, it’s a melancholic tone poem of grief, cowardice, escape and ideation. ‘Field Mouse’ is currently on the festival circuit, stay tuned! 🙏🏼 . shot on: Arri Amira + Panavision Ultra Speeds MkII / Panavision Primo 17.5 - 75mm Zoom . writer/director: @graysogo cast: @gabefraiv Sophia Claire Smith, Jon Lonoff, Lola Lukas producers: @storaroblue @raymondknudsen @rbevis @patsilver2000 co-producer: @mollymartha_ editor: @patsilver2000 colorist: @katie_jordan_color first ac: @willapisarski second ac: @lilymars__ Collin Hassler gaffer: @oliviermetzler key grip: @no_cargo swing: @chris_violette art dept: @i_hate_skins @aidanpkaye vfx: @reidlauff @erikforall . @panavisionofficial by @robertbevisdp
5
a year ago
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WEAPONS AND THEIR NAMES (2023) . ‘Weapons’ was a true labor of love from start to finish, shot back in 2021 alongside some of my very best friends from film school, over some of the hottest days of a south Florida summer. Melina wrote a gorgeous, nuanced script and I poured everything I had into helping her bring it to life. We shot 15 rolls of film over 5 days with no dailies and a very shitty SD video tap — everything had to come from the gut. Thankfully we’d prepped a ton both in New York and then on location in Florida the week prior, creating the space and time for the story to lead. Our cast and crew were truly phenomenal, and despite my resting internal terror shooting the whole film without dailies and 300 miles from the rental house — every night still brought a feeling of warmth that’s hard to describe. . shot on: Arriflex SR3 [Kodak Vision3 7219, 7207] + Zeiss Ultra16 Primes . writer/director: @mmelinavv cast: @cecilia__rene @greta.c.hicks @lilia.karst @bdawk511 producers: @raymondknudsen @5thfloorpictures @bigbluepictures exec. producer: Alan McConnell assoc. producer: @bandrybarry production design: @cowboyblonde editor: @jake_o_lanternnn colorist: @katie_jordan_color first ac: @trevorviner second ac / loader: @tylereverettcook gaffer: @no_cargo key grip: @chris_violette . @kodakshootfilm @sundanceorg @cinevideotech @tcsfilm #shotonfilm #sundance #sundancefilmfestival #sundance2023 by @robertbevisdp
2
2 years ago
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DIDN’T THINK I’D SEE YOU HERE (2024) . Dylan reached out with the script for DTISYH in 2022 and we met over fried chicken at the Commodore 💥. I was sold pretty quickly — not just because the script was beautifully written, but Dylan’s creative vision felt totally and uniquely distinct. It was also clear that he wanted a visual collaborator to invest emotionally into the project and help bring it to life, which is what I live for. This kind of thing never feels like doing a job, because even the most technical decisions tend to come from an emotional response to the story, or a certain location, or performance, etc — it’s all alchemy. We faced a fair amount of challenges on this one (smash cut to getting kicked out of our first location day 1), and a super tight schedule, small crew, all that, but a great script will make you forget those things and just bust your ass to make it all happen. Very proud of this one. . shot on: Arri Alexa Mini + Kowa Cine Prominars / Angenieux Optimo 24-290mm Zoom . writer/director: @dylanguerra cast: @getyaron @marquisrodriguez producers: @getyaron @lduppz editor: @getyaron colorist: @katie_jordan_color first ac: @mmelinavv second ac: @steff_elainee @chris_violette gaffer: @oliviermetzler key grip: @no_cargo . @sundanceorg @tcsfilm @arri @newfest #sundance #sundancefilmfestival #sundance2024 by @robertbevisdp
2
2 years ago
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‘Sunburnt at Tribeca’ - a photo series #tribecafilmfestival #indiefilm #featurepremiere taken in Tribeca Film Festival by @robertbevisdp
17
4 months ago
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Willa’s bday was the other day and also that feature we shot a few years ago is finally premiering so it’s time to release the photo series. by @robertbevisdp
3
6 months ago
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NOT MY PROBLEM Laila! . label: IIIXL Studio artist: @prodlaila director: @_ot production company: @newyerrk producer: @jamiemdolan associate producer: @debtam // @radish dp: @robertbevisdp production design: amelia martinez editor: @jacquelinexerri management: jessica chong 1st ad: @cosmo_sweeney steadicam op: @authorizeddealer 1st ac: @willapisarski gaffer: @oliviermetzler key grip: @no_cargo production sound mixer: @jskyproduction stylist: @tifffanyhelena HMUA: eve marie colorist: @lorenjameswhite . shot on: Arri Alexa Mini + Cooke Speed Panchros / Century Compact Zoom . @arrirental @cookeoptics @arri . #cinematography #commercial #musicvideo #dırectorofphotography by @robertbevisdp
2
7 months ago
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bolt x bts #cinematography #mrmc #boltx #commercial #production taken in New York, New York by @robertbevisdp
0
7 months ago
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BTS from ‘Cora, Eat Your Spaghetti’ back in September (dir. @shannonm.sutherland), in post now! // 📸 @aaronkudja by @robertbevisdp
2
10 months ago
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Shot a commercial! . DEAR JOHN DENIM x LOVE, JADE . So grateful to @jacquelinexerri and @yachtclubfilms for bringing me on. Big shout to @joshtreadaway the absolute best moco operator in town, my IG-less 1st AC Gianfranco Bello who hopped on the day after we wrapped a feature lol, terrific gaffer @jewtangclan and key grip @samstulin, and my ride or die colorist @katie_jordan_color. Such a fun shoot with great tools and a great crew! . shot on: RED V-Raptor X + Angenieux Optimo Ultra Compact Zoom / Zeiss Master Primes . director: @jacquelinexerri cast: @jadeshenker @enola.bedard @nuriparkdance @laina.laprell @lili.espo @deepadots @laylah_unique @dtran126 @ohmy_caprisun @sarahhglassnerr @abigailalfrey @dayleembleton choreographer: @dancelai exec producer: @joeydepasquale producer: @producedbymaddy production company: @yachtclubfilms client: @dearjohndenim chaamomile @claireannataylor production manager: jonah_witz production coordinator: marquis wallace production assistants: @gracepommy manny polakoski 1st ad: @christine.gee 2nd ad: @krathjen2 production designer: matt schroepfer dp: ;) 1st ac: gianfranco bello 2nd ac: @mattmorganmattmorgan moco operator: @joshtreadaway moco tech: @steadical gaffer: @jewtangclan key grip: @stulinsta swing: @jakeladehoff swing: chris yannaco post sound mixer: @baritobobb colorist: @katie_jordan_color vfx artist: amin ali xr / post supervisor: @zach_and_captain xr screen operator: @mikaman3 stylist: @deniseg.stylist wardrobe assist: @miacristinaaauaa . @angenieuxlenses @reddigitalcinema @zeisscameralenses by @robertbevisdp
5
10 months ago
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Found this in my spam folder today 😅🥵 so it’s a few days late, but so grateful to @the__asc for the opportunity to take part in their 2025 Vision Mentorship program! by @robertbevisdp
25
a year ago
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primos v ultra speeds v master primes v s4s [all on S16 Kodak V3 500T 7219]. Big thanks to Chris Bieler at @panavisionofficial NYC for letting us come in for this test, and @kodak_shootfilm for the great service. The full comparison and exposure test is up on vimeo, dm me for link if anyone’s interested . 1st ac: @steff_elainee loader: @johnjenne gaffer: @oliviermetzler . #shotonfilm #panavision #arri #kodak #16mm #16mmfilm @cookeoptics @arri @zeisscameralenses taken in Panavision by @robertbevisdp
0
a year ago
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from the vault // sundance #2 (2024) with ‘Didn’t Think I’d See You Here’ // this place is really expensive taken in Park City, Utah by @robertbevisdp
2
a year ago
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