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ROENN

@roenn.co

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ROENN is a collection of material-led collectable objects developed by designer @amy_yalland

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As some of you know I’ve been working on a very limited edition of handmade objects from reclaimed materials under my practice @roenn.co which is informed by contemporary design, sculptural minimalism and collectible object culture

I’m proud to offer the first unique object to be available in 2026:

Big Round-Edge Bowl in Custard Oatmeal
Process: Formed inside bowl
Size: 7cm tall x 31.5cm diameter

A decorative bowl designed for an intentionally curated home

This @roenn.co piece has been handmade slowly by Amy Yalland in Tamaki Makaurau Auckland NZ, is 1 of 1, and is carbon negative   78% shredded confidential office paper
8% wood pulp 7% wood glue as binder  2% white vinegar to sterilise
3% pigment saved from waste

Thank you for the beautiful sites to photograph my work in @studio_11_11 @casabella__nz @publiclibrarypr

Enquire to purchase

#paperpulp #collectibleobjects #contemporarydesign taken in Auckland, New Zealand by @roenn.co

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Vases by @roenn.co made of paper, wood pulp and ink in morning light at Dune House

(chair by @residentnz)
#paperpulpobjects taken in Mangawhai, New Zealand by @roenn.co

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The paper pulp tiles on the Yordana desk were handmade by @amy_yalland, whose practice is known as @roenn.co. Amy’s process is a highly physical one, involving the mashing and dehydrating of natural fibre paper, wood, and pigment to create bespoke tiles and other objects from materials otherwise destined for landfill. Developed in her home studio over the past three years, this sustainable, custom technique transforms discarded matter into unique, handmade pieces. For this latest project, created in collaboration with Annabel of @studio_11_11 , Amy 3D-printed molds to contain and shape the pulp, expanding both the scale and precision of her practice at ROENN - a home for paper pulp objects designed for considered interiors. She also produced the large, organically shaped paper pulp mirror base, working on-site to shape it as a sculptural piece

Amy creates the tiles by blending shredded paper and sawdust with water, then squeezing out the excess moisture by hand. After mixing in PVA glue and pigments, she presses the pulp into 3D-printed trays, where the tiles are left to dry for about a week under the sun and with the help of her heat pump. During this time, Amy regularly turns them to ensure even drying. Once they’re ready, she pops the tiles out of the trays - reusing the trays for the next batch. by @roenn.co

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