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@s_sergeant_t

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bxl plunderphonic kraut trio
(( 'Symbols' out on @stroom.tv ))
🎼F B & G
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💌 [email protected]
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Finally here! So happy to be holding Symbols (STRLP-115) in our hands - limited to 300 copies. 💙🤍🖤 𝘐 𝘥𝘰𝘯’𝘵 𝘧𝘦𝘦𝘭 𝘧𝘪𝘯𝘦 𝘐 𝘧𝘰𝘳𝘨𝘦𝘵 𝘪𝘵 𝘐 𝘥𝘰𝘯’𝘵 𝘵𝘩𝘪𝘯𝘬 𝘵𝘸𝘪𝘤𝘦 𝘐 𝘧𝘰𝘳𝘨𝘦𝘵 𝘪𝘵 Once mainly something that existed in a live setting, the group drifts further into its own orbit with a second collection of songs. What began as a collaboration between two voices now expands with the presence of a third, adding new layers that sometimes verge on something almost familiar. The work continues to explore a method that feels less like collecting from the outside and more like rearranging from within. Fragments are taken apart and reassembled: rhythms, echoes, remnants of recognizable forms. This time, there is a stronger sense of movement, though it never quite settles. The vocals wander through it all, as if searching without urgency to arrive. At unexpected moments, other sounds surface briefly, then disappear again. The whole seems to find comfort in its own instability. The titles exist somewhat independently, like small pieces that don’t fully explain themselves. In that distance, they open up space for interpretation. Language itself feels uncertain: questioned, reshaped, exchanged. The work circles around ideas of expression and relevance without resolving them, touching lightly on themes that resist being stated directly. The result feels suspended between places, moods, or states, never entirely grounded. There’s a sense of contrast throughout, as if different impulses coexist without needing to agree. If it seems out of step at times, it may simply be following a rhythm of its own. Difficult to pin down, more immediate in experience than in description. It recalls unlikely combinations and shifting textures, at once playful, disoriented, and quietly precise. The people behind it move between different disciplines, carrying traces of those practices into this work. released May 12, 2026 Produced by @s_sergeant_t Mixed by @milan__w Mastered by Mathieu Savenay @probablyhenri Design by Ferre Marnef by @s_sergeant_t
4
5 months ago
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Sergeant are taking their songs, flutes and vaguely autumnal feelings on the road! 🍂 SERGEANT — AUTUMN TOUR 2026 🍂 Bring a friend. Bring a jacket. 18-20/09/2026 — @makingtimeisrad ∞ — Philadelphia, US 23/09/2026 — @night_club_101 — New York 27/09/2026 — @cactusmuziekcentrum — Brugge 03/10/2026 — @murfmurw — Tilburg 08/10/2026 — @palacestgallen — Sankt Gallen 09/10/2026 — @cafee_koz — Frankfurt 10/10/2026 — Mülheime Zóngtage @makroscope_mh — Mülheim an der Ruhr 13/10/2026 — @silent.green — Berlin 17/10/2026 — @cinetolamsterdam — Amsterdam 19/10/2026 — @strange_brew_briz — Bristol 21/10/2026 — @theoldhairdressers — Glasgow 22/10/2026 — @thelubberfiend — Newcastle upon Tyne 23/10/2026 — @cafeotodalston — London 24/10/2026 — @beursschouwburg — Brussel 28/11 /2026 — @botanique_bxl — Brussel by @s_sergeant_t
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2 months ago
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💙 some Sergeant - Symbols reviews online 💙 @pitchfork @thequietus @firstfloor_newsletter @knackfocus by @s_sergeant_t
7
5 months ago
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A memento of our NYC trip 🩵 Playing some tunes/own music @thelotradio 🎶 Natch - Cornershop 🎶 🎶 Pas De Deux - Lonely Guys 🎶 … more favs online now taken in The Lot Radio by @s_sergeant_t
9
19 days ago
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Wed 21st Oct a night of @stroom.tv with Sergeant , Daisy Ray and Glasgows own Gichard… A night of music from Belgium and Glasgow… Sergeant makes music like editing an erratic film: cutting, splicing, and reassembling sounds into a whirlwind of unexpected turns. The trio – filmmaker/composer Benjamin Cools, search-singing actor Ferre Marnef, and sonic surfer Geraldine Vanspauwen – strike a delicate balance between post-punk’s jagged edges, krautrock’s relentless drive, and an unpredictable pop energy that keeps your heart racing. Their sound is a plunderphonic mess of fractured rhythms and clashing textures: always on the move, never in balance. It’s like The Avalanches throwing a party with pagan whistles, distorted bells, and dubby basslines. Flutes squawk as if they’re trying to outrun the beat, and melodies splinter into chaotic joyrides. Imagine Micachu & The Shapes playing hopscotch with Robert Wyatt, or Sonic Youth dissolving in a glass of sparkling water and vodka: fizzy, intoxicating, yet brutally honest at the end. Live, Sergeant stretch their music to experimental heights, pushing songs into a fever pitch, scrambling them into something even more untamed. The room fills with foolish critique, a controlled stumble, a sound that keeps running even when it’s lost track of where it’s headed.   Gichard are Chas Lalli and Lisa Jones, a Glaswegian duo writing surrealistic, post-punk-inflected vignettes laden with hooks and with a foot in the underground. Previously collaborating in the band Dragged Up. Daisy Ray’s (BE) music hovers between whimsical EDM, witty art-pop, and nursery rhyme-like storytelling. Once in a while described as cartoonish yet cerebral, her work channels a surreal, tongue-in-cheek spirit. taken in The Old Hairdressers by @s_sergeant_t
1
13 days ago
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One week until we welcome a trio of artists for the Stroom label showcase! The Lubber Fiend loves record labels - there is no better way to discover music. A good record label should coalesce around a scene or a city or a genre - and a great record label should mark out its own world. Stroom does exactly this and has consistently been putting out some of the best music of the last 5-10 years. The label hops from genre to genre and artist to artist but seems to weave it all together into a coherent whole. It’s wholly committed to experimental music but does not stray away from an approachable sound that encompasses pop and electronic music as much as it does the avant-garde. We are extremely pleased to announce two bands from the label roster will be joining us in the form of Sergeant and Felicity J Lord, alongside Daisy Ray! “Sergeant have a crystalline vision for their murky, misty, psychedelic music, and here it is executed brilliantly.” - The Quietus “If their last record was “DJ Shadow in reverse”, made from collaged elements and half-songs, ‘Symbols’ is a suite of proper compositions that dissolve as they play out, with tempos fluctuating and components mutating and vaporizing as Marnef sings. It’s pop music that’s engineered with Martin Hannett’s ear for wacked-out production - fans of Ariel Pink (before he went full fash) or Panda Bear’s ‘Person Pitch’ should investigate without delay.” -Boomkat Felicity J Lord is a band, a word which usually means a group of musicians (which is also true) but here means a group of misfits, internet lurkers, poets, polka-dotted ballerinas, CEOs, time travellers, and forever-kids. Felicity J Lord is a company, a family, a video game, a never-ending play in two acts. You are in Act I, welcome. Daisy Ray offers up screwed selections ranging from new beat gunk to lo-fi digidub and grimy noise, somewhere between Petronn Sphene, Lolina and Ace of Bass?! by @s_sergeant_t
2
3 days ago
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FRI 23 OCT: SERGEANT + DAISY RAY A night of @stroom.tv! Belgian trio Sergeant make music like an erratic film edit: sounds cut, spliced and reassembled into songs that keep swerving away from where they seemed to be heading. Filmmaker/composer Benjamin Cools, actor and vocalist Ferre Marnef and Geraldine Vanspauwen pull together post-punk, krautrock and pop through fractured rhythms, dubby basslines, whistles, bells, squawking flute and sudden melodic turns. Their music has a deliberately unstable logic, with the precision of montage constantly threatening to fall into chaos. Live, that instability is pushed further, songs stretched and scrambled until the joins start to show and the whole thing feels perpetually on the verge of outrunning itself. Also from Belgium, Daisy Ray works somewhere between whimsical sharply comic art-pop and nursery-rhyme storytelling. Her music has been described as both cartoonish and cerebral, using surrealism and a deliberately tongue-in-cheek sensibility to make pop feel strange without losing its immediacy. A double bill united by a shared pleasure in taking pop apart - one through restless collage and rhythmic derailment, the other through absurdity, miniature narratives and warped electronic form. 🎟 £15 adv / £10 members → Tickets via Stories and cafeoto.co.uk → Doors 7:30pm taken in Café OTO by @s_sergeant_t
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5 days ago
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👀 @stroom.tv turns ten and celebrates with a two-day festival at Botanique, Brussels On 28 and 29 November 2026, the Ostend and Brussels based music label takes over Botanique for a two-day festival bringing together more than 45 artists from Belgium and abroad for a once in a lifetime gathering. Limited early bird tickets for the weekend are available for a short time! https://botanique.be/concert/10-yrs-stroom-weekender-2026 <3 by @s_sergeant_t
11
2 months ago
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THANK YOU PHILLY/NEW YORK !!! shout out to Ziggy, Wannes, Stefanie, Dave P and Gilles for making this big trip happen double shout out to Richard, Luke, Raf and Jon for the gear provision triple shout out to Dennis, Milo, Joan and Carbon for the bed supply 🩵 @stroom.tv EXPANDING UNIVERSE FOREVER love to @ciirovitiiello @nestce.pas for the best of best times by @s_sergeant_t
7
23 days ago
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Big one in New York this week! Nightclub 101 on wednesday in collab w’ @ost.music.life 🩷🖤🩷 by @s_sergeant_t
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a month ago
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Time to transcend! Making Time ♾️ festival 2026 is starting soon and a 〰️ delegation is on the way 💚❤️💛 〰️ Richard 〰️ OKO DJ 〰️ Sergeant 〰️ Ciro Vitiello by @s_sergeant_t
1
a month ago
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Sergeant (BE) & Curbside Lambsear (UK) 08.10.26 / Tür: 19:00 Eintritt: 25.- (Kulturlegi 12.50.-) @s_sergeant_t @curbside.lambsear ///Bitte nutzt den Vorverkauf. Das hilft uns bei der Planung der Abende.\\\ Grafik: @megizumstein @s_sergeant_t Ja, ja, ja! An diesem frühherbstlichen Donnerstag berauscht wieder einmal eine Kombination die Bühne, die so offensichtlich wie vielfältig scheint und die Referenzen in die angesagtesten Ecken der letztjährigen Leftfield-Popstars schlägt. Sergeant ist ein Trio aus Brüssel, deren Tätigkeiten mehrheitlich im Filmschaffen gefragt sind. Benjamin Cools ist Filmemacher und Komponist, Ferre Marnef schauspielt und singt im Dreigespann neben Geraldine Vanspauwen. Ihrer Musik ist die Filmnähe anzuhören. Collagiert, zusammengeschnippselt und erzählerisch klingt ihr im Mai erschienenes Album «Symbols». Und dennoch büsst es nicht an vertrauten Tönen und Rhythmen ein. Es sind dubbige Basslines, stacksige Gitarren und kitschige Flöten – wie sollten sie auch anders? –, die den Sound nach vorne treiben und wahnsinnig interessant machen. Gemischt wurde das Ganze von Milan W., dessen Konzert im März 2025 den einen oder anderen bestens in Erinnerung geblieben sein dürfte. @curbside.lambsear Und wenn wir schon bei den versprochenen Referenzen angekommen sind: Die zweite Band an diesem Doppelabend ist Curbside Lambsear, eine Neuformation bestehend aus Magdalena McLean, die nicht nur mit der wunderbaren Astrid Sonne bereits auf der Halbkreisbühne sass, sondern auch in der Superband caroline spielt. Zusammen mit Annabelle Mödlinger (The Umlauts) und ihrer kürzlich erschienenen EP bereichern sie diesen grossartigen Folk-Alternative-Pop-Post-Rock-Kosmos um ein weiteres Juwel, das aus verspielten Experimenten und der reinen Freude am gemeinsamen Musizieren entstanden ist. Wer's nicht glaubt, höre die erste Single «Man The Door» auf und ab und kaufe sich Billette für sich und die anderen. by @s_sergeant_t
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a month ago
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