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sabrina jones

@slimeysabs

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some snippets of a recent feature for @slate about the rise of ‘edge-lords’, gore content, and violent consumption as a form of currency in online spaces. Linkinbio ❌✖️ by @slimeysabs

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5 months ago

Wrote an article about the ‘verified-face-raters’ of the looksmaxxing community for @dazedbeauty - from chads to the golden ratio to deep racial bias, I spoke with the boys knighted with the role of being able to ‘legitimately’ rate attractiveness. Link in bio 🤡 by @slimeysabs

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7 months ago

for the last few months i’ve been working on a podcast about 764, a global sextortion ring targeting kids, and run by kids. I’ve spoken with survivors, perpetrators, experts, and law enforcement to try to understand why so many young people get pulled into this world– and what happens once you’re inside.

it’s a heavy, dark story. if you watched netflix’s Adolescence, this will feel familiar: the fragility of teenage identity, the gamification of life and death, and the rise of digital radicalisation. listen at yr own caution!

I produced, hosted, and wrote the series with support from WIRED Studios + Alamo Pictures, based on original reporting by Ali Winston. second slide is a shout-out from @popularfront + more info. first 5 eps are out now — link in bio. more coming in 2026. find wherever you get your podcasts 🌟🙏 by @slimeysabs

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10 months ago

writing for @newlinesmagazine looking at the micro-trend of content creators making reels in remote regions of Papua New Guinea. a history of collecting and it’s ethics traced from curiosity cabinets to Michael Rockefeller to viktor wynd to the strange stuff I see on my reels. link in bio. 2nd pic from the Michael Rockefeller wing at the MET by @slimeysabs

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a year ago

by @slimeysabs

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a year ago

*tonight* at 7.30pm on @noboundsradio

a radio show from the remote corners of Ireland’s western coast, cilliní is a sensory exploration of death in Ireland. Drawing from my own anthropological field work, archive materials, folklore and interviews, a haunted isle is revisited to create an account of death and exclusion.

ft. the voices of Bill Lloyd, Saraí Humble from All is Well and The Fairy Council, and others met on the road.

big thanks 2 @sydnuku for the mix & collaboration on sound design.

~ link in bio by @slimeysabs

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2 years ago

A still from an excerpt of my film, ‘caoin for a dead child’, which is now playing on @sapiens_org as part of a longer essay about Irish death-scapes & testimonies of unmarked land. linkinbio by @slimeysabs

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2 years ago

@col.mm & I are putting on our first monthly film screening in the community cinema space @_atlas_cinema on the 19th of MAY. Films are a surprise until the day - but the pieces chosen in flim clubs first edition all play with the idea of fragmentation & collage. films are plucked from new and old times - hopefully you like one or two.

@_atlas_cinema was built by @_a__biba & a collective of other programmers to bring experimental cinema for affordable prices. all proceeds from our screening will go to Palestine Children’s Relief Fund 🌸

LINK IN BIO for tickets. Might sell a hot dog & beer there too 🌭 by @slimeysabs

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2 years ago

by @slimeysabs

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3 years ago

dog and fish by @slimeysabs

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4 years ago

Still from ‘Kings of Our Own Right’ a documentary by myself and @millalewis about Appleby Horse Fair

playing next Tuesday night with a collection of other films @onlyinpeckhamplex

shot by @millalewis
edited by @patricktimetravels by @slimeysabs

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4 years ago

‘Caoin for a Dead Child’, a film about Ireland, landscapes and death, will be playing alongside others @ bonnington squares winter solstice fair next Wednesday. join if you like egg nog and ghost stories 🍀 by @slimeysabs

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4 years ago