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Space Time

@space.time.art

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SPACE TIME cultivates the creation and presentation of time-based artworks in San Diego.

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RIP Bill Viola. One of the great pioneers of video art. His show at SFMOMA helped get me into this whole thing. Changed the game for me. 🫥 -nick by @space.time.art

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2 years ago

Space Time’s Nick Lesley (me) will be DJing this amazing show on Friday at @theloftatucsd ! DM here or @seriouslywarchild to get a discount code for freeee tix!

Posted @withregram • @theloftatucsd Join us for a performance with American Primitive guitarist Marisa Anderson and drummer Jim White. Their second album of in-the-moment collaborations, Swallowtail, finds the duo completely attuned to each other and their musical conversation. They are joined with Montreal-based artist and @thrilljockey label mate, Myriam Gendron.

Friday, May 24 | 8PM
The Loft at UCSD
$14.73 GA / Free for UCSD with ID
Tickets on DICE
Link in BIO @theloftatucsd
All Ages

Limited silkscreen posters for sale at the show by @aaron.demuth . taken in UCSD - University of California San Diego by @space.time.art

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2 years ago

Friends, check out this show of legends! Use promo code SPACETIME for free tickets!

Posted @withregram • @theloftatucsd CHRIS CORSANO / MIKE WATT / JOE BAIZA
Thursday 2/8/24
ALL AGES
$20 GA / Free for UCSD students
Tickets on DICE
LINK in BIO

CHRIS CORSANO is a New York-based drummer who has been working at the intersections of free jazz, avant-rock, and experimental music since the late ‘90s.

MIKE WATT is an American bassist, singer and songwriter and co-founder of the rock bands Minutemen, Dos, and fIREHOSE.

JOE BAIZA is an American punk rock and jazz guitarist best known as the guitarist for Saccharine Trust. After Saccharine Trust’s 1986 break up, Joe led the Universal Congress Of. taken in UCSD - University of California San Diego by @space.time.art

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3 years ago

Posted by @mcasandiego In collaboration with Space Time (@space.time.art), join us on Free Third Thursday, December 21 at 5PM for the screening of Ulysses Jenkins’ 𝘐𝘯𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘵𝘪𝘢𝘭 𝘋𝘰𝘨𝘨𝘦𝘳𝘦𝘢𝘭 (1981) followed by a performance of at 6PM of 𝘍𝘢𝘵𝘦𝘴, 𝘉𝘰𝘰𝘵𝘴 𝘢𝘯𝘥 𝘉𝘰𝘣: 𝘈 𝘏𝘪𝘫𝘢𝘤𝘬𝘦𝘥 𝘏𝘰𝘰𝘵𝘦𝘯𝘢𝘯𝘯𝘺 𝘏𝘰𝘭𝘪𝘥𝘢𝘺 𝘏𝘶𝘭𝘭𝘢𝘣𝘢𝘭𝘰𝘰 by beck haberstroh, Maria Antonia Eguiarte, mika Castañeda, and Victor Castañeda H.

About 𝘐𝘯𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘵𝘪𝘢𝘭 𝘋𝘰𝘨𝘨𝘦𝘳𝘦𝘢𝘭
Initially created as an editing exercise for his students at UCSD, Jenkins’ 𝘐𝘯𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘵𝘪𝘢𝘭 𝘋𝘰𝘨𝘨𝘦𝘳𝘦𝘢𝘭 mixes poetic narrative fragments of self-shot footage with moments ripped from the unending flow of TV news, advertising, and entertainment.

About 𝘍𝘢𝘵𝘦𝘴, 𝘉𝘰𝘰𝘵𝘴 𝘢𝘯𝘥 𝘉𝘰𝘣: 𝘈 𝘏𝘪𝘫𝘢𝘤𝘬𝘦𝘥 𝘏𝘰𝘰𝘵𝘦𝘯𝘢𝘯𝘯𝘺 𝘏𝘰𝘭𝘪𝘥𝘢𝘺 𝘏𝘶𝘭𝘭𝘢𝘣𝘢𝘭𝘰𝘰
Bob Cratchit is on his way to work when a spaceship crash lands in his path. In this extraterrestrial twist on a holiday classic, an alien, a museum educator, and an enormous piece of sacred toast help Bob navigate his existential workplace woes.

Through a series of sing-alongs, the audience will help Bob decide whether to give in, organize, or burn it all down.

Refreshments will be available for purchase from The Kitchen (@kitchenatmcasd).

Visit the link in bio today to learn more about the artists and reserve your free ticket.

[Slide 1: Photography: Courtesy of the artist

Slides 2, 3: Stills from 𝘐𝘯𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘵𝘪𝘢𝘭 𝘋𝘰𝘨𝘨𝘦𝘳𝘦𝘢𝘭. Courtesy of Electronic Arts Intermix (EAI), New York, NY.] taken in Museum of Contemporary Art San Diego by @space.time.art

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3 years ago

Posted @withregram • @288__am We have been working on this lovely holiday classic play, please come check it out on Dec. 21 @mcasd with @uncut.thems @_toni_eg_ @n1_abba_fan We're also accepting donations for Border Angels! Swipe for list of items to bring. taken in Museum of Contemporary Art San Diego by @space.time.art

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3 years ago

Posted @withregram • @mcasandiego Mark your calendars for next week, Free Third Thursday on July 20 for free admission all day from 10AM – 8PM and a collaboration with Space Time (@space.time.art ).

At 5PM, join us for a screening of 𝘌𝘭 𝘕𝘢𝘧𝘵𝘢𝘻𝘵𝘦𝘤𝘢: 𝘊𝘺𝘣𝘦𝘳-𝘈𝘻𝘵𝘦𝘤 𝘛𝘝 𝘧𝘰𝘳 2000 𝘈.𝘋. (1996) by Guillermo Gómez-Peña, Adriene Jenik, Roberto Sifuentes. Then, at 6PM enjoy a performance by Rancho Shampoo & The Indian Dub Orchestra.

Guillermo Gómez-Peña is a Chicano performance artist, writer, activist, and educator. He was born in Mexico City, and moved to the US in 1978, earning a BA and MA at California Institute of the Arts. He has created work in multiple media, including performance art, experimental radio, video, photography and installation art.

Guillermo Estrada (Rancho Shampoo) holds a BA in History and an MFA from UCSD in Visual Art. Within the visual arts, his work is developed between the performative, music, and film. He is co-founder of the festival "Doña Pancha Fest" and Director of the audiovisual project "La Catedral del Underground."

Rancho Shampoo & The Indian Dub Orchestra (@ranchoshampoo ) (Guillermo Estrada, Rubén Alonso Tamayo, Rodo Ibarra, Julián González, David Bautista Toledo) is a group of “Aliendígenas” from the border regions of California and Mexico. This experimental musical performance explores identities through the concept of aliendigenismo, or the shifting/transcendance of a person or group through real and spiritual borders, territories, physical bodies, and realities. Rancho Shampoo was recently included in the 2023 MexiCali Biennial, "Land of Milk & Honey" at The Cheech Marin Center for Chicano Art, Culture & Industry.

Reserve your free ticket now with the link in our bio.
@ranchoshampoo taken in Museum of Contemporary Art San Diego by @space.time.art

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3 years ago

Space Time presents: Guillermo Gómez-Peña screening + Rancho Shampoo performance

July 20, 2023 at 5:00 pm
MCASD La Jolla, Jacobs Hall
Free 3rd Thursday!
Please reserve tix here:
https://mcasd.org/events/mcasd-x-space-time

Our ongoing partnership with @mcasandiego responds to works on display, presenting rare artist videos and live performances. July’s collaboration responds to Celia Àlvarez Muñoz, featuring video work by Guillermo Gómez-Peña, Adriene Jenik, Roberto Sifuentes (El Naftazteca: Cyber-Aztec TV for 2000 A.D.) and a performance by Rancho Shampoo.

Guillermo Gómez-Peña is a Chicano performance artist, writer, activist, and educator. He was born in Mexico City, and moved to the US in 1978, earning a BA and MA at California Institute of the Arts. He has created work in multiple media, including performance art, experimental radio, video, photography and installation art.

Rancho Shampoo and the Indian Dub Orchestra (Guillermo Estrada, Rubén Alonso Tamayo, Rodo Ibarra, Julián González, David Bautista Toledo) is a group of “Aliendígenas” from the border regions of California and Mexico. This experimental musical performance explores identities through the concept of aliendigenismo, or the shifting/transcendance of a person or group through real and spiritual borders, territories, physical bodies, and realities. Rancho Shampoo was recently included in the 2023 MexiCali Biennial, "Land of Milk & Honey" at The Cheech Marin Center for Chicano Art, Culture & Industry.

[poster by @rubentamayodesign ] taken in Museum of Contemporary Art San Diego by @space.time.art

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3 years ago

Space Time presents: Guillermo Gómez-Peña screening + Rancho Shampoo performance

July 20, 2023 at 5:00 pm
MCASD La Jolla, Jacobs Hall
Free 3rd Thursday!

Our ongoing partnership with @mcasandiego responds to works on display, presenting rare artist videos and live performances. July’s collaboration responds to Celia Àlvarez Muñoz, featuring video work by Guillermo Gómez-Peña, Adriene Jenik, Roberto Sifuentes (El Naftazteca: Cyber-Aztec TV for 2000 A.D.) and a performance by Rancho Shampoo.

Guillermo Gómez-Peña is a Chicano performance artist, writer, activist, and educator. He was born in Mexico City, and moved to the US in 1978, earning a BA and MA at California Institute of the Arts. He has created work in multiple media, including performance art, experimental radio, video, photography and installation art.

Rancho Shampoo and the Indian Dub Orchestra (Guillermo Estrada, Rubén Alonso Tamayo, Rodo Ibarra, Julián González, David Bautista Toledo) is a group of “Aliendígenas” from the border regions of California and Mexico. This experimental musical performance explores identities through the concept of aliendigenismo, or the shifting/transcendance of a person or group through real and spiritual borders, territories, physical bodies, and realities. Rancho Shampoo was recently included in the 2023 MexiCali Biennial, "Land of Milk & Honey" at The Cheech Marin Center for Chicano Art, Culture & Industry.

[poster design by Rubén Alonso Tamayo] taken in Museum of Contemporary Art San Diego by @space.time.art

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3 years ago

Coming up on July 20th for MCASD’s Free Third Thursday!
Rancho Shampoo & the Indian Dub Orchestra at 6pm, preceded by a screening of Guillermo Gómez-Peña at 5pm. Please reserve tix here so @mcasandiego knows you’re there for us!

https://mcasd.org/events/mcasd-x-space-time

@ranchoshampoo

Rancho Shampoo and the Indian Dub Orchestra (Guillermo Estrada, Rubén Alonso Tamayo, Rodo Ibarra, Julián González, David Bautista Toledo) is a group of “Aliendígenas” from the border regions of California and Mexico. This experimental musical performance explores identities through the concept of aliendigenismo, or the shifting/transcendance of a person or group through real and spiritual borders, territories, physical bodies, and realities. Rancho Shampoo was recently included in the 2023 MexiCali Biennial, "Land of Milk & Honey" at The Cheech Marin Center for Chicano Art, Culture & Industry. taken in Museum of Contemporary Art San Diego by @space.time.art

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3 years ago

Armando de la Torre’s performative installation, LA INOCENTE, will feature performance by endy, viola by Amy Cimini, and additional sound improvisation by Francisco Eme. This is a site specific work created for the Space Time x MCASD collaboration on the FREE 3rd Thursday! taken in MCASD by @space.time.art

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3 years ago

This Thursday, 4/20, 5-7pm, for MCASD’s FREE 3rd Thursday! A new performance piece by Armando de la Torre titled LA INOCENTE and screenings of Cecilia Vicuña’s PARACAS.

LA INOCENTE
Armando de la Torre

La Inocente features projections, musicians, and other performers interacting with a movable set resembling a house in the Sherman Heights neighborhood of San Diego, where de la Torre’s mother lived. With Earth Day approching, the performative installation connects ideas of mother & child to our relationship with nature and home, highlighting the immediacy of caring for another and caring for mother nature.

La Inocente is a site-specific work commissioned for Space Time and MCASD. taken in MCASD by @space.time.art

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3 years ago

This Thursday, 4/20, 5-7pm, for MCASD’s FREE 3rd Thursday! A new performance piece by Armando de la Torre titled LA INOCENTE and screenings of Cecilia Vicuña’s PARACAS.

Paracas
Cecilia Vicuña
(1983, 18:31 min, color, sound, 16 mm film on video)

Conceived as a visual and sound poem in seven scenes, this animation of a two- thousand-year-old textile in the collection of the Brooklyn Museum invites entrance into a different visual and sonic space: the universe of the pre-Columbian weavers who created the portrait of a ritual procession using a unique three-dimensional looping technique developed in the Paracas/Nazca region. Vicuña interprets the textile as a celebration of the harvest and the Thread of Life on the desert coast of Peru.

Courtesy Electronic Arts Intermix (EAI), New York, NY.

@mcasandiego @guavasufi @electronicartsintermix taken in MCASD by @space.time.art

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3 years ago