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Spinnin Era

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Martin Garrix playing the early version of ‘The Only Way Is Up’ for Tiësto in the studio. Hearing the potential instantly, Tiësto immediately declared it his set opener, leading to their official mainstage collaboration.

Released in 2015, this track became one of the defining Progressive House anthems of the golden era.

#martingarrix #tiesto #theonlywayisup by @spinninera

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Bringing together three distinct sound designs, 2017 marked a peak moment for future house.

Released in 2017 on Spinnin' Records, "Let's Go" seamlessly fused Lucas & Steve's euphoric chord progressions, Mike Williams' signature future bounce lead melodies, and Curbi's raw, aggressive bass design into a single mainstage anthem.

Captured live behind the decks at the SLAM! radio studio during their Igmarathon set, this 4-way B2B performance showcases the genuine camaraderie, studio chemistry, and high-energy fun of four producers sharing a single booth.

It remains a defining snapshot of how Spinnin' Records fostered a dominant new generation of talent that reshaped mainstage festival sets worldwide.

Track: Lucas & Steve x Mike Williams x Curbi – Let's Go by @spinninera

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When two Dutch electronic powerhouses redefined the future house sound

Released in 2015, Tiësto and Oliver Heldens’ “Wombass” combined metallic bass synth leads with crisp mainstage percussion and heavy low-end bounce.

Issued on Musical Freedom under Spinnin’ Records, the collaboration merged Heldens’ signature groove with Tiësto’s festival-scale production authority.

Years later, those metallic bass stabs and relentless driving rhythm remain a gold standard for peak-era future house.

@oliverheldens @tiesto by @spinninera

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When production design reached a whole new level at Amsterdam RAI in 2019

Released in 2013, Martin Garrix’s “Animals” defined a generation of big-room house with its sharp woodblock synth lead and heavy mainstage kick drum.

Issued on Spinnin’ Records, the breakthrough record catapulted Garrix to international superstardom and remains one of the most recognizable electronic music tracks in history.

Years later, pairing the iconic anthem with the massive custom kinetic ceiling during his headline ‘The Ether’ show at ADE 2019 proved just how timeless this drop truly is.

@martingarrix @amsterdamdanceevent by @spinninera

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The relentless power of 2015 big-room mainstage energy

Released in 2015, Firebeatz’s “Go” delivered a high-octane blend of distorted synth leads, aggressive basslines, and pounding festival kick drums.

Issued on Spinnin’ Records, the standalone anthem solidified the Dutch duo’s reputation as master producers of peak-time festival weapons.

Years later, that raw drop architecture and explosive driving tempo continue to stand as a benchmark for peak-era electro house.

@firebeatz @spinninrecords by @spinninera

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Peak Musical Freedom energy hit different in 2015

Released in 2015, Tiësto and Tony Junior’s “Get Down” brought together explosive electro house synth leads with heavy, driving club bounce processing.

Landed on Musical Freedom under Spinnin’, the high-powered collaboration instantly became a staple mainstage weapon across global festival circuits.

Years later, those raw synth drops and relentless basslines still capture the wild, high-octane energy of peak peak-hour club culture.

@tiesto @tonyjunior.official by @spinninera

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When Koningsdag turned into complete festival madness

Released in 2017, Ummet Ozcan and Lucas & Steve’s “Higher” combined signature electro synth brass with driving future house rhythms.

Issued on Spinnin’ Records, the collaboration brought together two distinct sound profiles, resulting in a high-energy mainstage weapon built for massive outdoor crowds.

Years later, that explosive drop and driving baseline continue to light up festival sets worldwide.

@ummetozcan @lucasandsteve by @spinninera

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Early Maxximize Records hit different

Released in 2016, Boostedkids’ “Get Ready! (Blasterjaxx Edit)” paired sharp big-room synth lines with aggressive mainstage drop processing.

Landed as MAXX003 on Maxximize Records under Spinnin’, the track became one of the foundational releases that helped Blasterjaxx establish the sound identity of their newly formed imprint.

Years later, those driving festival builds and heavy big-room kicks still capture the peak energy of that mainstage era.

@boostedkids @blasterjaxx by @spinninera

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Quintino dropping “Work It” from his Go Harder EP Part 2.

Released on Spinnin’ Premium, the track combined heavy electro house and trap dynamics to deliver a high-octane club weapon straight from the Dutch dance music scene.

@spinninrecords @quintino by @spinninera

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A sea of orange taking over the SLAM! stage in 2018 as “Narco” dropped live.

Released on Maxximize Records alongside Timmy Trumpet, the track’s driving kick drum and signature brass lead provided a mainstage anthem for King’s Day celebrations across the Netherlands.

@slamofficial @blasterjaxx by @spinninera

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R3HAB dropping “Tiger” live at S2O Songkran Music Festival in 2016.

Released on Spinnin’ Records alongside Skytech and Fafaq, the track’s driving kick and aggressive synth leads made it a staple for mainstage festival sets across Asia.

@r3hab @s2ofestival by @spinninera

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Martin Garrix mixing “Wizard” in the KISS FM UK radio booth (2013).

Released on Spinnin’ Records alongside Jay Hardway, the track showcased Garrix’s signature melodic big-room sound in an intimate studio setting. by @spinninera

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