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STEVE REIDELL

@stevereidell

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The Hood Internet / Air Credits / Surgery Boys / Volutus Records / Bassman for Black Moth Super Rainbow
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thank you to @thesimpsons for this print featuring @hoodinternet, DJ bartholomieux, poochie and blinky šŸ© stream S36E12 ā€œthe flandshees of innersimpsonā€ if you havenā€™t already šŸ˜Ž taken in Springfield by @stevereidell
51
a year ago
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š˜‰š˜³š˜¦š˜¢š˜µš˜©š˜¦ š˜žš˜¦š˜­š˜­+ šŸ—£ļø 05 JUNE 2026 by @stevereidell
8
5 months ago
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Announcing PATCH AND CORRIDOR, a multi-channel sound work by Steve Reidell and Stacey Marquardt, premiering July 13 in Chicago at Pritzker Pavilion as part of ā€œthe urban + nature sonic pavilionā€ Curated by Giovanni Aloi @dr.aloi and Chris Hunter and presented by Experimental Sound Studio @esschicago, this exhibition explores the natural voices embedded in the sonance of the city. More info and full schedule at antennae.org.uk/sonicpavilion This exhibition is part of the @chicagodcase City of Chicago Department of Cultural Affairs and Special Eventā€™s Millennium Park Residency, supported by Pritzker Foundation and Millennium Park Foundation @millennium_park šŸ“ø @claytonhauck ARTISTS @c.manion @bbradfish @coleswansonartĀ  @hhrrssnnĀ  @felix_just_felixĀ  @nunolobo.composerĀ  @evgenia_emetsĀ  @eternalforestglobalĀ  @david_velez_rodĀ  @mozariĀ  @peter.speerĀ  @arkfrqsĀ  @michaelpalumbo_Ā  #MillenniumPark #ESS #AntennaeProject #JayPritzkerPavilion #soundart #urbanecology by @stevereidell
61
2 years ago
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šŸ€šŸ€šŸ€šŸ€šŸ€šŸ€ šŸ“ø @thepoprevue by @stevereidell
11
18 days ago
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NIGHT RIPPER REMIX (continuous version) is out today šŸ”Š u can find it on @hoodinternetā€™s @youtube, @soundcloud, @mixcloud, and @audius pages. weā€™ll try to get er on streaming services but that prob wonā€™t fly šŸš€ this is our full-album remix of the @girltalk_verified classic that dropped 20 years ago. the parameters: we took the same sample sources used on every song from the album, made a NEW remixed version of each track, keeping the original tempo intact but fully rearranging the samples into a brand new configuration. then made music videos for all of them. and THEN assembled all of that into the final full version. half hour of power šŸ”Œ last slide is just me listening to the vinyl of the new GT collab with @chriscrackndc and @michaelchristmas, out now on @illegalartlabel and highly recommended āš”ļø šŸ”— thehoodinternet.com by @stevereidell
9
19 days ago
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TRACK 16 šŸŒ€ ā€œPEAK OUTā€ āœØ š“•š“¾š“µš“µ š“暝“®š“»š“¼š“²š“øš“· š“­š“»š“øš“¹š“¼ š“·š“®š”š“½ š”€š“®š“®š““ āœØ Night Ripper was unleashed into the world 20 years ago, and when it hit, it did the same thing to us as it did to many: rewired our brains to forever change our associations of all the songs sampled within. Weā€™d already loved 2ManyDJsā€™ ā€œAs Heard on Radio Soulwax Pt. 2,ā€ Danger Mouseā€™s ā€œThe Grey Album,ā€ the many Z-Trip mixes that bridged genresā€” and the advent of this @girltalk_verified album helped unearth even more OGs: ā€œThe Lesson(s)ā€ by Double Dee & Steinski, or Italian releases like Club House and Pink Project. It also absolutely opened the doors to peopleā€™s reception of our bootleg mp3 blog The Hood Internet, which later evolved into live DJ sets, plus all sorts of remix, editing, and composition projects. The Hood Internetā€™s initial approach was largely an already-been-done A vs B re-imagining of two songs together as a full ā€œsingleā€ or DJ edit, sourced from our own vast collections of music at that moment in time. Iā€™m trying not to use the word mashup, but thatā€™s what we made. (Picture that Winnie the Pooh meme where his usual appearance is next to the word ā€œmashup,ā€ and then wearing the tuxedo heā€™s next to the word ā€œblend.ā€) Whereas Girl Talkā€™s approach was FRENETIC: 15 to 20 samples happening within a single track, all anchored together. It made sense that heā€™d state he was ā€œnot a DJ,ā€ and that the tracks werenā€™t mashups. Night Ripper was a pop sound collage built for the dance floor. Can you even remix something like that? Eh, why not. As a nod to its 20th bday, we grabbed the samples Girl Talk used on EVERY track from the album, and created remixed versions of each track that keep the original tempo and rearrange the samples into a brand new configuration. And then made music videos for each of them! āœØ š“•š“¾š“µš“µ š“暝“®š“»š“¼š“²š“øš“· š“­š“»š“øš“¹š“¼ š“·š“®š”š“½ š”€š“®š“®š““ āœØ by @stevereidell
5
22 days ago
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@dollyparton cover for 9/25 šŸ«§ RIP by @stevereidell
8
22 days ago
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TRACK 15 šŸŒ€ ā€œOVERTIMEā€ Night Ripper was unleashed into the world 20 years ago, and when it hit, it did the same thing to us as it did to many: rewired our brains to forever change our associations of all the songs sampled within. Weā€™d already loved 2ManyDJsā€™ ā€œAs Heard on Radio Soulwax Pt. 2,ā€ Danger Mouseā€™s ā€œThe Grey Album,ā€ the many Z-Trip mixes that bridged genresā€” and the advent of this Girl Talk album helped unearth even more OGs: ā€œThe Lesson(s)ā€ by Double Dee & Steinski, or Italian releases like Club House and Pink Project. It also absolutely opened the doors to peopleā€™s reception of our bootleg mp3 blog The Hood Internet, which later evolved into live DJ sets, plus all sorts of remix, editing, and composition projects. The Hood Internetā€™s initial approach was largely an already-been-done A vs B re-imagining of two songs together as a full ā€œsingleā€ or DJ edit, sourced from our own vast collections of music at that moment in time. Iā€™m trying not to use the word mashup, but thatā€™s what we made. (Picture that Winnie the Pooh meme where his usual appearance is next to the word ā€œmashup,ā€ and then wearing the tuxedo heā€™s next to the word ā€œblend.ā€) Whereas Girl Talkā€™s approach was FRENETIC: 15 to 20 samples happening within a single track, all anchored together. It made sense that heā€™d state he was ā€œnot a DJ,ā€ and that the tracks werenā€™t mashups. Night Ripper was a pop sound collage built for the dance floor. Can you even remix something like that? Eh, why not. As a nod to its 20th bday, we grabbed the samples Girl Talk used on every track from the album, and created remixed versions of each track that keep the original tempo and rearrange the samples into a brand new configuration. And then made music videos for each of them! by @stevereidell
2
25 days ago
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TRACK 14 šŸŒ€ ā€œDOUBLE PUMPā€ Night Ripper was unleashed into the world 20 years ago, and when it hit, it did the same thing to us as it did to many: rewired our brains to forever change our associations of all the songs sampled within. Weā€™d already loved 2ManyDJsā€™ ā€œAs Heard on Radio Soulwax Pt. 2,ā€ Danger Mouseā€™s ā€œThe Grey Album,ā€ the many Z-Trip mixes that bridged genresā€” and the advent of this Girl Talk album helped unearth even more OGs: ā€œThe Lesson(s)ā€ by Double Dee & Steinski, or Italian releases like Club House and Pink Project. It also absolutely opened the doors to peopleā€™s reception of our bootleg mp3 blog The Hood Internet, which later evolved into live DJ sets, plus all sorts of remix, editing, and composition projects. The Hood Internetā€™s initial approach was largely an already-been-done A vs B re-imagining of two songs together as a full ā€œsingleā€ or DJ edit, sourced from our own vast collections of music at that moment in time. Iā€™m trying not to use the word mashup, but thatā€™s what we made. (Picture that Winnie the Pooh meme where his usual appearance is next to the word ā€œmashup,ā€ and then wearing the tuxedo heā€™s next to the word ā€œblend.ā€) Whereas Girl Talkā€™s approach was FRENETIC: 15 to 20 samples happening within a single track, all anchored together. It made sense that heā€™d state he was ā€œnot a DJ,ā€ and that the tracks werenā€™t mashups. Night Ripper was a pop sound collage built for the dance floor. Can you even remix something like that? Eh, why not. As a nod to its 20th bday, we grabbed the samples Girl Talk used on every track from the album, and created remixed versions of each track that keep the original tempo and rearrange the samples into a brand new configuration. And then made music videos for each of them! by @stevereidell
1
a month ago
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TRACK 13 šŸŒ€ ā€œWARM IT UPā€ Night Ripper was unleashed into the world 20 years ago, and when it hit, it did the same thing to us as it did to many: rewired our brains to forever change our associations of all the songs sampled within. Weā€™d already loved 2ManyDJsā€™ ā€œAs Heard on Radio Soulwax Pt. 2,ā€ Danger Mouseā€™s ā€œThe Grey Album,ā€ the many Z-Trip mixes that bridged genresā€” and the advent of this Girl Talk album helped unearth even more OGs: ā€œThe Lesson(s)ā€ by Double Dee & Steinski, or Italian releases like Club House and Pink Project. It also absolutely opened the doors to peopleā€™s reception of our bootleg mp3 blog The Hood Internet, which later evolved into live DJ sets, plus all sorts of remix, editing, and composition projects. The Hood Internetā€™s initial approach was largely an already-been-done A vs B re-imagining of two songs together as a full ā€œsingleā€ or DJ edit, sourced from our own vast collections of music at that moment in time. Iā€™m trying not to use the word mashup, but thatā€™s what we made. (Picture that Winnie the Pooh meme where his usual appearance is next to the word ā€œmashup,ā€ and then wearing the tuxedo heā€™s next to the word ā€œblend.ā€) Whereas Girl Talkā€™s approach was FRENETIC: 15 to 20 samples happening within a single track, all anchored together. It made sense that heā€™d state he was ā€œnot a DJ,ā€ and that the tracks werenā€™t mashups. Night Ripper was a pop sound collage built for the dance floor. Can you even remix something like that? Eh, why not. As a nod to its 20th bday, we grabbed the samples Girl Talk used on every track from the album, and created remixed versions of each track that keep the original tempo and rearrange the samples into a brand new configuration. And then made music videos for each of them! by @stevereidell
0
a month ago
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TRACK 12 šŸŒ€ ā€œBOUNCE THATā€ Night Ripper was unleashed into the world 20 years ago, and when it hit, it did the same thing to us as it did to many: rewired our brains to forever change our associations of all the songs sampled within. Weā€™d already loved 2ManyDJsā€™ ā€œAs Heard on Radio Soulwax Pt. 2,ā€ Danger Mouseā€™s ā€œThe Grey Album,ā€ the many Z-Trip mixes that bridged genresā€” and the advent of this Girl Talk album helped unearth even more OGs: ā€œThe Lesson(s)ā€ by Double Dee & Steinski, or Italian releases like Club House and Pink Project. It also absolutely opened the doors to peopleā€™s reception of our bootleg mp3 blog The Hood Internet, which later evolved into live DJ sets, plus all sorts of remix, editing, and composition projects. The Hood Internetā€™s initial approach was largely an already-been-done A vs B re-imagining of two songs together as a full ā€œsingleā€ or DJ edit, sourced from our own vast collections of music at that moment in time. Iā€™m trying not to use the word mashup, but thatā€™s what we made. (Picture that Winnie the Pooh meme where his usual appearance is next to the word ā€œmashup,ā€ and then wearing the tuxedo heā€™s next to the word ā€œblend.ā€) Whereas Girl Talkā€™s approach was FRENETIC: 15 to 20 samples happening within a single track, all anchored together. It made sense that heā€™d state he was ā€œnot a DJ,ā€ and that the tracks werenā€™t mashups. Night Ripper was a pop sound collage built for the dance floor. Can you even remix something like that? Eh, why not. As a nod to its 20th bday, we grabbed the samples Girl Talk used on every track from the album, and created remixed versions of each track that keep the original tempo and rearrange the samples into a brand new configuration. And then made music videos for each of them! by @stevereidell
2
a month ago
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THIS FRIDAY AT @elasticarts šŸ”Š me and tim @gootiming are debuting the soundwork we composed for the CLEAT (chicago laboratory for electro-acoustic theatre) multichannel system this was our first time workin together, it was a challenging and fun thing to createā€” and we are just gonna run it this one time. rare commodity and! there will also be CLEAT performances from @alexander_panos and squonk aka @laserofthebride x @gayinsurance. will be rad. starts at 8pm elastic arts šŸ“ 3429 w diversey #208 by @stevereidell
2
a month ago
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