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still room studio

@stillroomstudio

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Graphic design for humans. Founded by Jessica Fleischmann in 2004
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The Paglalayag Series public programming kicked off with the Sea of Love / Dagat ng Pag Ibig Catalogue Launch yesterday, 27 June at the Arsenale. We thank everyone for joining us at the Philippine Pavilion at @labiennale. The #inminorkeys exhibition will run until 22 November 2026. Salamat, artistic team @maragladstone @jomscuartero ,contributors, sponsors, friends, family! Mabuhay, @philartsvenice @flypal @stillroomstudio @bloombergconnects @thomasbrowncomms , Darwin Gutierrez and our amazing invigilators. 🙏🏽 taken in Arsenale Biennale Di Venezia by @stillroomstudio
4
a month ago
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Our expanded website is now live, showcasing select completed and upcoming work. We invite you to browse the work we produce, spanning architectural design, interior design, project management, furnishing, and art acquisition for residential, commercial, and community-based projects. Big thanks to our collaborators and friends: @stillroomstudio @jacknicholasstaffen @theculturecreative Visit the link in our bio for more. by @stillroomstudio
2
a month ago
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Book design, exhibition graphics, postcard, 2026 112 page catalog for the 81st Scripps College Ceramic Annual at Ruth Chandler Williamson Gallery Curated by Reniel del Rosario, Means to an End challenges notions of “real ceramics” , showcasing “artists who not only work with clay as a medium, but also incorporate other forms of media in their pieces.” While the design system forefronts the artists’ works by presenting images as large as possible, Still Room uses typography to show the confrontational nature of the exhibition with broken grids, shifted baselines, and bent text boxes, using a combination of odd, angular serif Fugit, open source Selectric Mono (via Use & Modify) skewed AND rotated, and super standard Akzidenz Grotesk. Alongside del Rosario, gallery director Erin Curtis and editor Liz Hamilton completed the dream team for this publication. Means to an End considers contemporary artists’ enduring fascination with clay, a medium that demands precision, patience and resilience. The artists in this exhibition embrace clay’s challenges, using ceramics as a springboard for innovation and dialogue across diverse media. Del Rosario has selected artists who integrate ceramics into broader artistic approaches, combining clay with video, collage, painting, performance and more. Their work challenges conventional ideas about the utility and limitations of the medium and demonstrate its unique dynamism. Works by Debra Broz, Paola de la Calle, Cathy Della Lucia, Fred DeWitt, Matt Goldberg, Dana Hemenway, Stephanie Temma Hier, Haylie Jimenez, Sahar Khoury, Karen Kuo, Cathy Lu, Kari Marboe, Patrick Martinez, and Victor Saucedo challenge conventional ideas about the utility and limitations of the medium and demonstrate its unique dynamism. @ruthchandlerwilliamsongallery @adrenieline @zebrazorb @saharkhoury2010 @cathy_dellalucia @brotherdewitt @goldmatt @stephanie.temma.hier @karimarboe @_h4yli3 @_cathyclu_ @patrick_martinez_studio @karenkuo.studio @nomorewhitewomen2 @paoladelacalle @dana_t_h Typefaces Fugit @counter__forms Selectric Mono (Use & Modify) Photography @cntnprdctn by @stillroomstudio
0
3 months ago
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Book design, exhibition graphics, postcard, 2026 112 page catalog for the 81st Scripps College Ceramic Annual at Ruth Chandler Williamson Gallery Curated by Reniel del Rosario, Means to an End challenges notions of “real ceramics” , showcasing “artists who not only work with clay as a medium, but also incorporate other forms of media in their pieces.” While the design system forefronts the artists’ works by presenting images as large as possible, Still Room uses typography to show the confrontational nature of the exhibition with broken grids, shifted baselines, and bent text boxes, using a combination of odd, angular serif Fugit, open source Selectric Mono (via Use & Modify) skewed AND rotated, and super standard Akzidenz Grotesk. Alongside del Rosario, gallery director Erin Curtis and editor Liz Hamilton completed the dream team for this publication. Means to an End considers contemporary artists’ enduring fascination with clay, a medium that demands precision, patience and resilience. The artists in this exhibition embrace clay’s challenges, using ceramics as a springboard for innovation and dialogue across diverse media. Del Rosario has selected artists who integrate ceramics into broader artistic approaches, combining clay with video, collage, painting, performance and more. Their work challenges conventional ideas about the utility and limitations of the medium and demonstrate its unique dynamism. Works by Debra Broz, Paola de la Calle, Cathy Della Lucia, Fred DeWitt, Matt Goldberg, Dana Hemenway, Stephanie Temma Hier, Haylie Jimenez, Sahar Khoury, Karen Kuo, Cathy Lu, Kari Marboe, Patrick Martinez, and Victor Saucedo challenge conventional ideas about the utility and limitations of the medium and demonstrate its unique dynamism. @ruthchandlerwilliamsongallery @adrenieline @zebrazorb @saharkhoury2010 @cathy_dellalucia @brotherdewitt @goldmatt @stephanie.temma.hier @karimarboe @_h4yli3 @_cathyclu_ @patrick_martinez_studio @karenkuo.studio @nomorewhitewomen2 @paoladelacalle @dana_t_h Typefaces Fugit @counter__forms Selectric Mono (Use & Modify) Photography @cntnprdctn by @stillroomstudio
1
3 months ago
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Book design, exhibition graphics, postcard, 2026 112 page catalog for the 81st Scripps College Ceramic Annual at Ruth Chandler Williamson Gallery Curated by Reniel del Rosario, Means to an End challenges notions of “real ceramics” , showcasing “artists who not only work with clay as a medium, but also incorporate other forms of media in their pieces.” While the design system forefronts the artists’ works by presenting images as large as possible, Still Room uses typography to show the confrontational nature of the exhibition with broken grids, shifted baselines, and bent text boxes, using a combination of odd, angular serif Fugit, open source Selectric Mono (via Use & Modify) skewed AND rotated, and super standard Akzidenz Grotesk. Alongside del Rosario, gallery director Erin Curtis and editor Liz Hamilton completed the dream team for this publication. Means to an End considers contemporary artists’ enduring fascination with clay, a medium that demands precision, patience and resilience. The artists in this exhibition embrace clay’s challenges, using ceramics as a springboard for innovation and dialogue across diverse media. Del Rosario has selected artists who integrate ceramics into broader artistic approaches, combining clay with video, collage, painting, performance and more. Their work challenges conventional ideas about the utility and limitations of the medium and demonstrate its unique dynamism. Works by Debra Broz, Paola de la Calle, Cathy Della Lucia, Fred DeWitt, Matt Goldberg, Dana Hemenway, Stephanie Temma Hier, Haylie Jimenez, Sahar Khoury, Karen Kuo, Cathy Lu, Kari Marboe, Patrick Martinez, and Victor Saucedo challenge conventional ideas about the utility and limitations of the medium and demonstrate its unique dynamism. @ruthchandlerwilliamsongallery @adrenieline @zebrazorb @saharkhoury2010 @cathy_dellalucia @brotherdewitt @goldmatt @stephanie.temma.hier @karimarboe @_h4yli3 @_cathyclu_ @patrick_martinez_studio @karenkuo.studio @nomorewhitewomen2 @paoladelacalle @dana_t_h Typefaces Fugit @counter__forms Selectric Mono (Use & Modify) raphaelbastide Photography @cntnprdctn by @stillroomstudio
1
3 months ago
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Branding, assets, and styles for the first ever Santa Monica International Jazz Festival that will take over downtown Santa Monica in May 2026. Misty bright colors evoke the soft light of the seaside town and the progressive sounds of massive jazz talents. An active orange and blue logo accompanies photographs treated with duotones for a consistent look that unifies a wide range of performers. Typefaces Power Grotesk @powertypefoundry Aventa Variable @ellen_luff @smjazzfest Produced by @rumandhumble and @stanleyclarke in conjunction with @broadstage_sm by @stillroomstudio
3
4 months ago
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Branding, assets, and styles for the first ever Santa Monica International Jazz Festival that will take over downtown Santa Monica in May 2026. Misty bright colors evoke the soft light of the seaside town and the progressive sounds of massive jazz talents. An active orange and blue logo accompanies photographs treated with duotones for a consistent look that unifies a wide range of performers. Typefaces Power Grotesk @powertypefoundry Aventa Variable @ellen_luff @smjazzfest Produced by @rumandhumble and @stanleyclarke in conjunction with @broadstage_sm by @stillroomstudio
1
4 months ago
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Branding, assets, and styles for the first ever Santa Monica International Jazz Festival that will take over downtown Santa Monica in May 2026. Misty bright colors evoke the soft light of the seaside town and the progressive sounds of massive jazz talents. An active orange and blue logo accompanies photographs treated with duotones for a consistent look that unifies a wide range of performers. Typefaces Power Grotesk @powertypefoundry Aventa Variable @ellen_luff @smjazzfest Produced by @rumandhumble and @stanleyclarke in conjunction with @broadstage_sm Website development @jacknicholasstaffen by @stillroomstudio
0
4 months ago
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Identity and website design for architect Katy Barkan’s award-winning Los Angeles-based office Now Here. We tapped into Now Here’s rich color sense and warm, generous smarts to develop a system that maximizes minimal moves. Featuring a color-coded project grid and an appendix organized by practice type, the site offers multiple modalities to interact with the work. Simple yet complex, organized yet playful, curious yet restrained, and of course, structurally sound. @nownowherehere Typefaces @xyz_displaay @lucas.bihan by @stillroomstudio
2
4 months ago
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Identity and website design for architect Katy Barkan’s award-winning Los Angeles-based office Now Here. We tapped into Now Here’s rich color sense and warm, generous smarts to develop a system that maximizes minimal moves. Featuring a color-coded project grid and an appendix organized by practice type, the site offers multiple modalities to interact with the work. Simple yet complex, organized yet playful, curious yet restrained, and of course, structurally sound. @nownowherehere Typefaces @xyz_displaay @lucas.bihan Photography @cntnprdctn by @stillroomstudio
5
4 months ago
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Identity and website design for architect Katy Barkan’s award-winning Los Angeles-based office Now Here. We tapped into Now Here’s rich color sense and warm, generous smarts to develop a system that maximizes minimal moves. Featuring a color-coded project grid and an appendix organized by practice type, the site offers multiple modalities to interact with the work. Simple yet complex, organized yet playful, curious yet restrained, and of course, structurally sound. @nownowherehere Typefaces @xyz_displaay @lucas.bihan by @stillroomstudio
2
4 months ago
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Vine Projects – Stationary Suite San Francisco-based architect Rachel Vineberg Jones established her practice, Vine Projects, after rising through the ranks at a large corporate architecture firm. Last year, when she was ready to level up her professional presence, she approached Still Room studio for branding, along with communications materials: a “holding” website (stay tuned for the full website launching in early summer), social media templates, and a full stationary suite (engraved in rich blue ink on beautifully textured @gmundpaper Verge paper). @wearevineprojects celebrates existing buildings, their histories, patina, and imperfections in the process of making new spaces for today. A starburst logo mark formed from five Vs, a sophisticated, fresh use of color, and elegant, warm typography support Rachel’s vision. The logotype is set in semi-serif @abcdinamo Arizona Flare, also used for running text typeset justified & all caps, with callouts in Mars Standard by @productiontype — these constraints create organic spacing between words, exemplifying Vine Projects’ soul and character, rigor and taste. Together, the brand we developed for Vine Projects tells the story of an architectural practice that puts community and the spirit of place first. @wearevineprojects Typefaces @abcdinamo @productiontype Paper @gmundpaper Printing @echelonfineprinting Photography @cntntprdctn by @stillroomstudio
2
4 months ago
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