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Debabrata Mishra| Mr. Book Reviewer|Bookstagram

@strings_2_book

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श्री कृष्णं सदा सहायते 🪄
हारा वही जो लड़ा नही✍️
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In the contemporary Indian digital landscape, where overnight virality often masquerades as success, the story of Manisha Rani feels refreshingly grounded in struggle. "Munger ki Rani" is not merely a memoir of internet fame; it is the chronicle of a young woman who had to wrestle with social stigma, familial fracture, and the suffocating expectations of a small-town upbringing before she could even begin to dream. At its heart, the book is an emotional excavation of identity. Born in Bihar’s town of Munger, far removed from the glamour corridors of Mumbai’s entertainment industry, Manisha grew up in an environment where daughters were expected to remain invisible, compliant, and confined. Yet the very circumstances meant to silence her became the furnace that forged her stubborn resilience. One of the most striking thematic strands in the book is its portrayal of small-town patriarchy. Manisha does not romanticize her upbringing; she exposes it with startling honesty. The rigid gender norms, the judgmental neighborhood gaze, and the constant reminder that “good girls don’t dance” form the oppressive backdrop of her early life. The narrative subtly captures how ambition itself becomes an act of rebellion for women in such spaces. For Manisha, dancing was never just an art, it was a declaration of autonomy. Her story resonates with thousands of young Indians who grow up negotiating similar contradictions that dreams shaped by global media but realities dictated by conservative social structures. Another deeply moving layer of the memoir is the emotional fallout of her fractured family life. The book speaks candidly about the pain of witnessing domestic discord and the psychological scars such instability leaves behind. Instead of dramatizing these experiences, Manisha narrates them with a tone that oscillates between vulnerability and quiet strength. The message is clear, resilience is not built through heroic moments but through countless small decisions to keep going when everything feels broken. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
185
7 months ago
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💫🙏 taken in Bhubaneswar, India by @strings_2_book
8
3 years ago
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Title : Baal-O-Par Author : Gulzar translated by Rakhshanda Jalil Rating: 🌟🌟🌟🌟🌟 In the pantheon of Indian literature, Gulzar stands as a colossus, revered for his unparalleled ability to distill the essence of human experience into the most exquisite verses. It emerges as a definitive testament to Gulzar saab's literary legacy, encapsulating the profound profundity and enduring relevance of his poetic oeuvre. Rakhshanda Jalil's meticulous translation of Gulzar saab's seminal works into English offers readers a gateway into the soul-stirring beauty of his poetry. Each line, meticulously crafted, resonates with an ethereal quality that transcends linguistic barriers, allowing the essence of Gulzar saab's verses to permeate the very core of the reader's being. The collection, comprising six volumes of poetry spanning over four decades, serves as a chronicle of his artistic evolution. From the ethereal imagery of "Chand Pukhraaj Ka" to the introspective musings of "Triveni," Gulzar saab's poetic journey unfolds with an inexorable grace, leaving an indelible imprint on the reader's consciousness. Her bilingual presentation, with the original Devanagari script alongside her English translations, enhances the immersive experience, enabling readers to savor the nuances of his verse in its purest form. This juxtaposition not only preserves the integrity of the original text but also facilitates a deeper understanding of the cultural and linguistic nuances inherent in Gulzar's poetry. At its core, it is a testament to the universality of human emotions and experiences. Through his evocative imagery and profound insights, Gulzar saab transcends the boundaries of time and space, offering solace and companionship to readers across generations and continents.Her scholarly approach illuminates the socio-cultural milieu in which his poetry flourished, enriching the reader's appreciation of its enduring relevance. In conclusion, this book stands as a magnum opus, a timeless treasure trove of poetic brilliance that deserves pride of place on the shelves of every discerning poetry lover. taken in Bhubaneswar, India by @strings_2_book
11
3 years ago
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Most histories of India’s independence are written along a familiar axis, India versus Britain, colonised versus coloniser. "Asianism and the Fall of Empire" asks us to look beyond that frame to see the freedom struggle not merely as a national awakening, but as part of a much larger Asian transformation that shift in perspective is what makes Mithi Mukherjee’s book so intriguing. It does not treat Asia as a passive backdrop to India’s history. Instead, it presents Asianism, the idea of Asian solidarity and shared resistance to imperial domination, as an active historical force shaping the political imagination of the twentieth century. What I particularly appreciated is the way the book brings together two seemingly contrasting traditions of Indian anticolonialism. Gandhi’s experiments with non-violent resistance, beginning with his experiences in South Africa, are placed alongside Subhas Chandra Bose and the Indian National Army’s militant challenge to British rule. Rather than examining these movements in isolation, the author connects them through the changing political consciousness of Asia. Japan’s rise, particularly its victory over Russia in the Russo-Japanese War, becomes an important part of this story. The psychological impact of an Asian power defeating a major European empire was enormous. Alongside it, the experiences of racial discrimination faced by Indians abroad, the Amritsar massacre and the changing geopolitical realities of Asia reveal that the making of Indian nationalism was never confined within India’s borders. This is perhaps the book’s most compelling contribution: it reminds us that political consciousness often travels before political movements do. Events occurring thousands of miles away could alter how Indians understood empire, race, power and their own place in the world. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
6
3 days ago
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We often encounter monumental sculptures only after they are complete. We see the finished face, the imposing scale, the polished stone and rarely pause to imagine the uncertainty, labour and human hands that made them possible. The Golden Chisel attempts to reverse that gaze. Instead of looking only at the monument, it looks at the maker. At its heart is sculptor Arun Yogiraj, whose journey is closely associated with some of India’s most prominent contemporary statues, including Ram Lalla at Ayodhya, Adi Shankaracharya at Kedarnath and Netaji Subhas Chandra Bose at India Gate. But the book’s real subject is larger than sculpture. It is about what happens when an artist is asked to transform history, faith and collective memory into something physically permanent. The most engaging sections are those that take the reader behind the finished work. The search for the right stone, the immense technical challenges, research into facial features and proportions, deadlines, negotiations and the physical demands of working with enormous blocks of rock reveal how little of monumental art is actually effortless. The finished idol may appear serene; the process behind it is anything but. Yogiraj emerges not merely as a sculptor but as someone negotiating between artistic instinct and public expectation. His family, colleagues, officials and collaborators add a human dimension to what could otherwise have become a straightforward account of achievements. Particularly compelling is the tension between creating an artwork and creating an image that millions of people will attach meaning to. Once sculpture enters the public sphere, it ceases to belong entirely to its creator. The book is also quietly interested in the relationship between faith and craftsmanship. In the case of Ram Lalla, the distinction between artistic creation and devotional experience becomes deliberately blurred. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
2
4 days ago
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There are moments when we do not necessarily need another book telling us how to live better; we need one that simply asks us to pause and understand what is happening within us. "Just Like Therapy" by Avanti Desai approaches mental and emotional well-being from precisely this space, offering readers a combination of reflection, practical exercises and accessible psychological insights. Rather than presenting itself as a dense psychological one, the book adopts a conversational, workbook-like approach. It explores familiar but important aspects of everyday emotional life, stress, anxiety, overthinking, self-doubt, negative thoughts, habits, relationships and grief, while encouraging readers to examine their own responses and patterns that makes the book approachable is its simplicity. The author does not burden the reader with excessive terminology or complicated explanations. Psychological concepts are introduced in language that feels conversational and easy to understand, making the book particularly accessible to readers who may be new to mental-wellness literature. The workbook format is perhaps the book's most effective feature. There are questions and exercises throughout that encourage the reader to stop and participate rather than simply turn pages. This makes the experience more personal. Instead of reading about self-awareness as an abstract concept, the reader is repeatedly encouraged to apply it to their own thoughts, emotions and experiences that distinction gives the book its practical value. One can read a great deal about anxiety or negative thinking and still remain exactly where one started. The book at least attempts to bridge that gap between understanding and application. Its emphasis on the inner critic is particularly relatable that internal voice that constantly questions our choices, magnifies mistakes and reminds us of what we "should have" done is something many readers will recognise. The book encourages us to question these thoughts instead of automatically treating them as facts that is a simple idea, but an important one. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ by @strings_2_book
12
5 days ago
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There is something unsettling about a peaceful town, not because peace is frightening, but because silence can conceal what ordinary life refuses to reveal. Anuja Arora’s "Crimson Nacre" begins in that deceptive quietude. Pindhauri has spent decades existing in sleepy tranquillity until a gruesome murder shatters its rhythm. What initially appears to be a conventional mystery gradually becomes a more layered exploration of guilt, jealousy, desire, resentment and the private histories people carefully protect. The murder is the catalyst, but human behaviour is the novel’s real subject. The author is deeply interested in what lies beneath behaviour. Her characters carry emotional histories shaped by insecurity, longing, fear, resentment and unresolved wounds. Their actions rarely exist in isolation; they emerge from accumulated experiences and personal justifications that is one of the book's strongest qualities. People rarely consider themselves villains. They rationalise their decisions, reinterpret their motives and construct explanations that allow them to live with what they have done. The book understands that disturbing behaviour does not always emerge from obviously monstrous people. Sometimes it comes from ordinary individuals who have allowed resentment or desire to override conscience. This gives the mystery a psychological dimension beyond the question of who committed the crime. The more revealing question becomes, what makes someone capable of crossing a moral boundary, and how do they justify themselves afterwards? Pindhauri is more than a backdrop. Its sleepy atmosphere provides the perfect contrast to the secrets gradually surfacing within it. Once the murder occurs, familiar spaces become suspicious. Conversations acquire new meanings, silence becomes significant, and rumours begin competing with evidence. The abandoned House Number Eleven deepens this uncertainty through stories of a ghostly woman and unexplained deaths. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
4
6 days ago
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There are books that tell us what to believe, books that tell us what to reject, and then there are books that ask a more difficult question, why do we believe at all? Narendra Murty’s "The Religion of Wonder" belongs to the third category. Short in length but expansive in ambition, the book examines humanity’s enduring search for meaning, from the enchanted world of early humans and the emergence of organized religion to the scientific revolution and the uncertainties of modern existence. The author is not interested in defending religion against science, nor in dismissing spirituality in favour of rationalism. Instead, he asks what happens when scientific knowledge expands while our sense of meaning fails to keep pace. The result is an intellectual and spiritual inquiry into one of humanity’s oldest questions, what lies behind existence, and can we ever truly know? Having read three of the author's books, I approached this one with a sense of familiarity, but the book feels like a particularly mature expression of his preoccupation with belief, consciousness, science and transcendence. It does not arrive with a ready-made answer. Its greater ambition is to make the reader more comfortable with the question. The author begins with humanity’s earliest relationship with the natural world. For early humans, nature was not simply physical surroundings. Storms, seasons, fertility, animals, celestial bodies and natural forces were experienced as mysterious powers. Wonder, fear and reverence existed together. Religion emerged partly from this encounter with the unknown, eventually developing into rituals, myths, institutions and systems of belief. Science later transformed that relationship. Phenomena once attributed to supernatural forces could increasingly be investigated through observation, experimentation and mathematics. The world became measurable and predictable in ways earlier generations could scarcely have imagined. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
9
6 days ago
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There are lives that collapse under catastrophe, and then there are lives that slowly become smaller through a thousand seemingly harmless postponements. "Solemn Truth" by Saurav Tripathy is interested in the latter, the quieter tragedy of a person who understands what matters, recognises what needs to be done, and yet repeatedly chooses to wait. At the centre of the book is Arjun, whose life unfolds across nearly four decades, moving between childhood memories and the year 2036, when he is forty-eight. The premise is deceptively simple. Arjun is not destroyed by one spectacular mistake; he is shaped by hesitation. He sees, understands, feels and reflects, but action remains perpetually one step beyond him. The tragedy lies precisely there, his failure is not a failure of awareness, but of translation, of turning awareness into action that distinction gives the book its emotional and philosophical weight. This is not a book particularly interested in telling readers how to live. In fact, its refusal to become a conventional self-help manual is one of its most important strengths. It does not arrange life into neat lessons or offer convenient solutions to complicated human problems. Instead, it places an uncomfortable mirror in front of the reader and asks a more difficult question, What if we already know the truth about our lives, but continue postponing what that truth demands of us? The answer, the book suggests, can be devastatingly ordinary. The most compelling aspect of Arjun's character is that he is not presented as an obvious failure. He is thoughtful, observant and emotionally perceptive. He notices things that others might overlook. As a child, he begins to understand the emotional world of his mother; as an adult, he continues to recognise patterns of pain, responsibility and avoidance and yet recognition does not automatically produce courage. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
25
7 days ago
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There was a time when losing a photograph meant losing a piece of paper. Losing a letter meant losing ink, handwriting, and perhaps a memory that existed nowhere else. Today, our memories are scattered across cloud servers, social-media timelines, inboxes, hard drives, messaging applications and platforms whose continued existence we simply assume. We click Agree without reading. We upload without asking where the file goes. We photograph without thinking about who might eventually have access to the image. We build entire versions of ourselves online and then casually hand the keys to companies we may never meet. Harish Kumar Babry's "The Eternal Vault" enters precisely this uncomfortable territory. Its central question is deceptively simple, who really owns our digital lives? The question becomes unsettling the longer one sits with it. The author's book is not just another warning about cybercrime, hacking or technological surveillance. Its larger concern is the gradual surrender of personal agency in an age where data has become one of the most valuable commodities. Photographs, messages, searches, documents, preferences, financial information and everyday interactions collectively form an enormous digital portrait of who we are. The frightening part is that this portrait can continue to exist, and potentially be interpreted long after we have stopped actively contributing to it. The most interesting idea in this book is not artificial intelligence itself. It is digital legacy. We have become accustomed to thinking of legacy in physical terms, property, jewellery, books, photographs, letters, family stories. But what happens when a significant part of a person's existence is digital? An old Facebook photograph, a childhood video stored in an abandoned account, messages exchanged with someone who is no longer alive, Emails documenting decades of professional and personal life, acloud folder containing family photographs, a social-media profile carrying fragments of a person's personality. These things may appear trivial individually, but collectively they form something much larger, a digital biography. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 taken in Bhubaneshwar by @strings_2_book
7
7 days ago
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There is a peculiar contradiction at the heart of contemporary leadership. We have never had more frameworks for managing people, more literature on productivity, more courses on influence, strategy and executive presence and yet the fundamental question remains stubbornly unresolved, who is the person doing the leading? "The Inner Charioteer" by Dr. R. Balasubramaniam begins precisely at this uncomfortable intersection. Instead of treating leadership as a collection of external competencies, it turns inward, towards the less marketable and considerably more difficult territory of self-awareness, ethical responsibility, detachment and inner discipline. Its principal interlocutor is the Bhagavad Gita, but the book's real subject is not the scripture itself. It is the human being standing before a difficult choice, carrying responsibility while simultaneously wrestling with doubt, ego, fear and desire that makes the book both ambitious and deceptively simple. At first glance, the premise appears familiar, ancient wisdom applied to modern leadership. But the author's more interesting proposition is that the crisis of leadership is, in many cases, actually a crisis of the inner life. We are remarkably comfortable discussing how leaders should influence others. We are considerably less comfortable asking whether they possess the clarity to govern themselves. The metaphor of the charioteer therefore becomes more than a reference to Krishna guiding Arjuna's chariot on the battlefield of Kurukshetra. It becomes a psychological architecture for the entire book. The battlefield is not merely an ancient geographical or mythological space. It is the modern workplace, the institution, the public sphere, the family and, ultimately, the human mind itself and perhaps that is where the book's greatest strength lies. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
16
7 days ago
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There are disasters that end when the danger passes, and there are disasters that continue to live inside the people who witnessed them. The Silkyara tunnel collapse belongs to the latter category. On 12 November 2023, 41 workers disappeared from ordinary life and into the darkness of an unfinished Himalayan tunnel. For seventeen days, their world narrowed to concrete, uncertainty, dwindling supplies and the knowledge that somewhere beyond the rubble, people were trying to reach them. For those outside, however, the rescue became a different kind of ordeal, a battle against geology, machinery, weather, bureaucracy, exhaustion and time. Every failed attempt seemed to make the mountain more formidable. Every technical solution produced another complication and every hour carried the uncomfortable possibility that hope might eventually become impossible. It is this extraordinary intersection of human vulnerability and collective determination that this book attempts to capture. Rather than treating the Silkyara rescue merely as a spectacular feat of engineering, the book reconstructs the operation as a sprawling human drama, one populated not by a single protagonist, but by workers, miners, engineers, rescue personnel, administrators, police officers, families and volunteers. Its central achievement is perhaps its refusal to reduce the rescue to one miraculous moment. The eventual extraction of the 41 workers was the visible conclusion of something far messier, seventeen days of uncertainty, failed plans, improvisation and persistence and that makes the book more interesting than a conventional disaster narrative. The greatest paradox of Operation Silkyara is that almost every reader begins it knowing the ending. The workers were rescued. The photographs exist. The footage exists. The event was reported extensively. There is no mystery about whether the men survived. Yet the author manages to create tension precisely because the reader knows what the people involved did not know that distinction matters. 𝐑𝐞𝐯𝐢𝐞𝐰 𝐂𝐨𝐧𝐭𝐢𝐧𝐮𝐞𝐝 𝐢𝐧 𝐂𝐨𝐦𝐦𝐞𝐧𝐭 𝐒𝐞𝐜𝐭𝐢𝐨𝐧 ⬇️⬇️⬇️⬇️⬇️⬇️⬇️ taken in Bhubaneshwar by @strings_2_book
4
9 days ago
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