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《 好陶市 @sogoodmarket 》16-18 Oct Taipei
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Stockists @jiuspace @hoteluketamo
Tea Journey @_tearoom_balcony_
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Every time I come to Paris,I find something different to take home with

I’m here for a little while.
Come hang out with me,or come see my work at @1000vases Sep 11–13 💖🤎🇫🇷 taken in Paris, France by @studio_florero
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a month ago
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𝐏𝐞𝐭𝐫𝐢𝐜𝐡𝐨𝐫 雨 後 泥 土 的 氣 息
July 10 - July 27  2026
週五六日一 Fri. to Mon.  13:00 - 17:00
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OPENING 藝術家導覽 | 07.11(Sat.) 14:00
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@pomaproject 
台北市忠孝東路二段64巷6號2F
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工藝聯展 Craft Group Exhibition 
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王翎嶽 Wang Ling-Yueh @nathan_urushi_1998 
王 瑜 Wang Yu @__wang.yu__ 
吳家瑩 Wu Chia-Ying @studio_florero 
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Curator 主辦 | 究屋 @jiuspace by @studio_florero
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3 months ago
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😅 by @studio_florero
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a month ago
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Day of @1000vases taken in Le Marais - Paris by @studio_florero
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a month ago
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蓋碗專門💪🦊💗
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📸 de @jiuspace taken in 究屋 Jiū Space by @studio_florero
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2 months ago
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𝐏𝐞𝐭𝐫𝐢𝐜𝐡𝐨𝐫 雨 後 泥 土 的 氣 息
July 10 - July 27  2026
週五六日一 Fri. to Mon.  13:00 - 17:00
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工藝聯展 Craft Group Exhibition
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@pomaproject 
台北市忠孝東路二段64巷6號2F
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王翎嶽 Wang Ling-Yueh @nathan_urushi_1998
王 瑜 Wang Yu @__wang.yu__ 
吳家瑩 Wu Chia-Ying @studio_florero 
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策展與海報設計| 究屋 @jiuspace 
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第三年了,能夠像這樣做陶真的很幸福,因為做陶還有喝茶而認識的人,謝謝你們😘😘😘
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Foto por @minda_shang by @studio_florero
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3 months ago
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Real speed taken in 究屋 Jiū Space by @studio_florero
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3 months ago
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' 𝐏𝐞𝐭𝐫𝐢𝐜𝐡𝐨𝐫 雨 後 泥 土 的 氣 息 '

工藝創作者 Artist Profile

| 陶器、茶道具Ceramics, Tea Ware 

吳家瑩Wu Chia-Ying 

2016 台灣藝術大學 工藝系陶瓷組畢業 
BFA in Ceramics, Department of Crafts,
 National Taiwan University of Arts, Taiwan 

工作營
2025 化妝土研製與應用研習 陶瓷釉藥研究協會 鶯歌
2018 〈 Matters of Clay 〉Domaine de Boisbuchet 法國 

國際聯展
2026 《1000 VASES 》 Le Marais ,巴黎,法國
2025 《Basel Art Summer Camp》 HYVE,巴塞爾,瑞士
2024 《海峽兩岸陶瓷藝術家作品展》 三宝瓷谷藝術館,景德鎮,中國 

來自台北的陶藝家,她的創作以花器與茶器為主要形式,並以絞胎技法作為核心創作語言。透過不同土胎的堆疊、延展與塑形,她探索材料在製作過程中的可能性,使不同土色交錯形成無法完全複製的紋理與結構。她關注材料、工藝與功能之間的關係,並透過對技術的持續研究,探索功能性與藝術性並存的可能,以及器物如何參與人們的日常生活。 

Wu Chia-Ying is a ceramic artist based in Taipei whose work explores the relationship between function, material, and everyday use.

Her work primarily takes the form of vases and tea wares, with nerikomi serving as her principal artistic language. Through layering, stretching, and shaping different clay bodies, she explores the possibilities inherent in ceramic materials and processes. The interaction of contrasting clay colors produces patterns and structures that cannot be precisely replicated. Her practice focuses on the relationship between material, craftsmanship, and function, while continually exploring the coexistence of utility and artistic expression, and the ways objects participate in everyday life.

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𝐏𝐞𝐭𝐫𝐢𝐜𝐡𝐨𝐫 雨 後 泥 土 的 氣 息
July 10 - July 27  2026

週五六日一  Fri. to Mon.
13:00 - 17:00

OPENING 藝術家導覽 | 07.12(Sun) 14:00

𝗣𝗢𝗠𝗔 𝗽𝗿𝗼𝗷𝗲𝗰𝘁 
台北市忠孝東路二段64巷6號2F

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雨停之後,來自土地、金屬、礦物與水分相遇的瞬間,也來自時間緩慢累積後留下的痕跡。

《Petrichor|雨後泥土的氣息》聚集三位台灣工藝創作者,透過漆器、掐絲琺瑯玻璃、陶作、茶道具與雕塑等不同媒材,呈現人與材料之間持續而細緻的對話。

漆的層層堆疊、金屬線勾勒出的光影輪廓、火與土共同塑造的器物肌理,每件作品都保留著材料自身的性格,以及創作者在製作過程中的觀看與感受。

Petrichor brings together three Taiwanese artists working across lacquer, cloisonné enamel on glass, ceramics, tea utensils, and sculpture. Through distinct material practices, the exhibition explores the quiet relationship between maker and matter.

Layered lacquer, delicate metal lines, and surfaces formed through fire and clay reveal the inherent qualities of each materia taken in POMA project by @studio_florero
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3 months ago
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一直泡不好的茶,突然變得好喝了。
我超怕泡貴妃凍頂,怎麼泡都泡不出那個層次豐富的韻味,花香、蜜香、焙火香,茶從我的手裡倒出來總是少一味。
今天心血來潮的決定來挑戰看看,沒想到真的被我泡出來了,花香果香蜜香焙火香,所有的note都在某個黃金交叉點被釋放出來,真好喝。
難道是因為經歷過茶會的洗禮所以進步了嗎 😂😂😂
還是因為我終於放手,不再強求🔟全🔟美,反而讓一切水到渠成了?

附上茶會的美照

A tea I could never get right suddenly turned divine.
I was always intimidated by Concubine Dong Ding (Gui Fei Oolong). I could never fully capture its floral, honeyed, fruity, roasted layers, something was always missing.
I tried again recently, and this time it all aligned. Everything met at the perfect intersection.
I’m not sure did I grow through the tea ceremony 😂😂😂 Or did I simply let go of perfection and finally achieve a perfect infusion 💅💅💅😗😗😗

Photo de @3345678__  from the winter tea ceremony taken in Taipei by @studio_florero
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8 months ago
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Winter tea ceremony 2025
Old-Tree Dongding Oolong 2025 Spring
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DM for Tea ceremony  reservation. by @studio_florero
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8 months ago
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今天泡了茶會喝的凍頂,一樣的茶,沒有壓力摧殘,喝起來可真美味。茶沒變,但能夠好好放空的時候喝的茶,喝起來特別甜。

Having the same Dong Ding that I brew for tea ceremony. Without stress, it tastes so much better. The tea hasn‘t changed, but being able to just zone out makes it taste especially sweet.

foto de  @3345678__ / 林國華 by @studio_florero
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9 months ago
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我的自我認同是「做杯子的」,大部分的人會說是「工匠 」,而不是「藝術家」,帶著這樣的身分認同參加 Basel Art Summer Camp 的時候,有一點沒有安全感,大家都是「藝術家」,而我只是一個「工匠 」。
但是和大家介紹作品的時候,發現整個創作的過程都被觀者當作創作的一部分:「 It‘s your ART ! 」they said .
 我帶著一種「啊 ! 原來如此啊 ! 」的心、還有「 廢話 ! 」的複雜心情來看待這個對話。創作的過程果然是藝術的一部分呢 !
回台灣後,一直在思考「what is my art ?」
無止盡的練土是我的 art 嗎,亂丟的抹布是我的 art 嗎 ? 
everything can be art but what is mine ?
年末的準備茶會的時候好想有點讓我想明白了,
「器物、茶,以及人與人相遇的時刻,好像就是我想創作的瞬間 」

I’ve always identified as a "cup maker." While most people would call me a "craftsman" rather than an "artist," this identity left me feeling a bit insecure at the Basel Art Summer Camp. Surrounded by "artists," I felt like "just a craftsman."

However, when I shared my work, I realized the audience viewed my entire process as the work itself. "It’s your art!" they insisted. My reaction was a complex mix of "Oh! So that’s how it is!" and a silent, "Well, obviously!" It hit me then: the process of creation is indeed an inseparable part of art.

Back in Taiwan, I kept questioning: "What is my art?" Is it the endless wedging? Is it the discarded rags in the studio? Everything can be art, but what is mine?

Preparing for this major tea ceremony finally brought me clarity:
"The vessels, the tea, and the fleeting moments when people connect—that is the art I want to create."

Photo de @3345678__ by @studio_florero
0
9 months ago
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