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Studio x01

@studio_x01

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A Creative Production Company Inspired by True Stories.
Partnering with @rental_x01 and @san_secondo
Publisher of @aside_doc

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Advanced by design.

Elemento.

@wizard_cycling_crew
@siriovanelli
@studio_x01

#KaskSport by @studio_x01

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2 months ago

we’ve extended the deadline.

the Studio — x01 call is open to independent non-fiction and hybrid film projects, from short to feature-length films.

one selected project will receive up to €10,000 in production services and will be developed in collaboration with our team.

new deadline: august 7
apply through the link in bio. taken in Studio x01 by @studio_x01

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2 months ago

Felice has been selected for Visioni Incontra – Final Development, the industry section of the 12th Visioni dal Mondo International Documentary Festival in Milan.

Directed by Francesco Imperato and written by Francesco Imperato and Donato Dallavalle, the film is co-produced with Magenta Film and will be presented among 18 selected Italian and international documentary projects on September 16–17 as part of the festival’s industry program.

More updates soon! by @studio_x01

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3 months ago

Applications are now open for the second edition of the Studio — x01 Call, our annual open call dedicated to supporting independent documentaries and hybrid film projects.

Are you a director, filmmaker, writer, artist, or storyteller with a cinematic vision?

Studio — x01 is looking for projects that challenge conventions, explore reality through original perspectives, and push the boundaries between documentary and cinema.

Selected projects will join the Studio — x01 work-in-progress slate and will be developed in close collaboration with our team, from development through production and completion.

One winning project will receive up to €10,000 in production services, helping transform an idea into a film.

Submissions are open until July 31.

Apply through the link in our bio.

Studio — x01
Inspired by True Stories taken in Studio x01 by @studio_x01

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3 months ago

Sky views of various archaeological sites in Central-North Sardinia.

Inspired by aerial archaeology as a methodological tool for both scientific documentation and speculative imagination, like the controversial crop circle phenomenon of the ‘80s and ‘90s, @stellakamikaze became or drone operator to scout graphic and abstract patterns from above, wherever Google Maps brought us into the middle of nowhere and our eyes could find more than grass, trees and abandoned dusty trails.

Pages from: “Fields of mystery” by Andy Thomas, 1996

@salietabacchijournal
@studio_x01
@leonardo_pellegrino
@elisacarassai
@nicolapietromarchi by @studio_x01

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4 months ago

We followed @wizard_cycling_crew on his recent trip to Senegal, a journey through desert landscapes and encounters. Here some moving postcards from this ten-day ride, a short documentary is coming soon. taken in Senegal by @studio_x01

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5 months ago

Fairy spreads of the Old Rocks shot last year in Sardinia for the @salietabacchijournal new issue 🗿🧚
“I began to see something in the Old Rocks at the end of 2024. An article published in Internazionale talks about a story I know absolutely nothing about: that of the Giants of Mont’e Prama. They are anthropomorphic statues found buried in 1974 near Cabras, in northwestern Sardinia. They look like caricatures: there are archers, warriors, boxers. They have friendly faces and no one has any idea what they are or why they are there. A few years ago, in 2018, people argued over whether to call them Giants or Heroes. They cannot decide for themselves, for two reasons: the first is that they are statues, and statues have never decided much of anything. The second is that they belong to the archaeological heritage of the Nuragic civilization, a thousand years of people and cultures who lived in Sardinia between 1700 and 700 BC. They left us no written traces, and for this reason every time we stumble upon one of their old rocks, there is much whispering about the why and how that rock came down to us. [...] The gaze of pseudo-archaeology is the same that seduced us, too, to the point of endangering the feasibility of our expedition itself. Before leaving, we tried to speculate, arrogating to ourselves the right to discover something that others hadn’t yet discovered. [...] A spirit of discovery so sincere, curious, and ignorant that it almost led us to reject the request for shooting authorization from the Archaeological Superintendence of Sassari. All to find meaning, finally, in the Old Rocks. False, misleading, but meaningful nonetheless. Everything we could imagine had already been imagined by others, with words and signs vague enough to leave a bit of space for us, too. That was all we could do to find a reason to depart. For a few moments, that possibility had become the only thing that mattered in our days.”

Excerpt from the wonderful story written by @stellakamikaze about our project.

@nicolapietromarchi @studio_x01 @leonardo_pellegrino @elisacarassai by @studio_x01

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5 months ago

🇸🇳🇸🇳🇸🇳
- 𝒮𝑜𝓂𝑒𝓌𝒽𝑒𝓇𝑒
- 𝐵𝑒𝓉𝓌𝑒𝑒𝓃 𝒽𝑒𝓇𝑒
- 𝒜𝓃𝒹 𝓉𝒽𝑒𝓇𝑒
- 𝐸𝓋𝑒𝓇𝓎𝓉𝒽𝒾𝓃𝑔
- 𝒞𝒽𝒶𝓃𝑔𝑒𝓈
- 🥀♻️🌹

Pedaling through Senegal hits different. Red roads, sandy tracks, endless straights, salt flats, baobabs and people playing football at every corner waving at you as you pass.
We took it slow and took time to soak in the culture, and that made all the difference.
This trip wasn’t just about the miles.
We rode alongside the work that the Sunugal association is doing on the ground here and honestly, it put everything in perspective.
Senegal gave us a lot. We’re trying to give a little back.
Visit the link in BIO and help us to improve the Italo-Senegalese Socio Cultural centre of Thiès.

Project partners:
@kask_sport
@attaquer
@ciq_milano
@andem.senegal

Supporters:
@miss_grape_official
@fizikofficial
@exposure.lights
@studio_x01 taken in Senegal by @studio_x01

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5 months ago

As Red As Water kicks off filming in Carloforte. Postcards from the set, more coming soon. taken in Carloforte, Italy by @studio_x01

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5 months ago

Prova a guardare il muro. Guardalo. A cosa stai pensando? Riesci a pensarci? A cosa stai pensando quando non stai pensando a niente?
Continua a guardare il muro. No, non tornare qui. Insisti. Lo senti, vero? Quel formicolio striscia addosso, la trachea inizia a sibilare, le orecchie fischiano. Guardalo! Non sottrarti a esso, il muro ti parla, il muro ti dice chi sei, il muro ti implora di guardarlo!
Cambia scheda, Alt+Tab. Prendi il telefono, sbloccalo, il pollice si muove: apri Instagram, una storia, avanti avanti avanti, richiudi. Sbatti lo schermo sul tavolo. Torni alla scheda. La gamba destra salta spasmodica. Prendi l’acqua, stappa il tappo, bevi. Devo andare in bagno. È ora di una sigaretta. Alt+Tab. Inizia a scrivere un’email, dimenticatela. Apri la chat, due messaggi, leggi quelli degli altri, sei cullato dal rumore di fondo e non c’è spazio per la paura.

Siamo partiti a Pasqua perché sapevamo di aver bisogno di avere paura, ma non riuscivamo più ad averne. I muri, qui, erano troppo lisci e rasati, in Sardegna sembrava ce ne fossero di più spigolosi. Dei sassi, dei vecchi sassi, che sono diventati Vecchi Sassi: la storia di una spedizione per raccontare l’archeologia nuragica, partita dalla curiosità per chi aveva tirato su quei sassi senza lasciare nulla di scritto. Se non è scritto non puoi leggerlo. Se non è scritto devi tornare al muro.

Siamo arrivati in Sardegna e lì, nei Vecchi Sassi, io, @alessiokeilty e @nicolapietromarchi non ci abbiamo visto niente. Abbiamo visto altri vederci tutto. Qui, finalmente, abbiamo ricominciato ad avere paura.

Ieri, su @salietabacchijournal è uscito il nostro racconto di un’esplorazione in Sardegna, nata per leggere ciò che non era stato scritto, e continuata perché anche lì, davanti ai Sassi muti, tutto avremmo fatto pur di non guardare il muro.

Grazie a @elisacarassai e @leonardo_pellegrino per averci lasciato lo spazio per iniziare questo progetto, e grazie a @studio_x01 per averci aiutato nella produzione e realizzazione del tutto.

«The road goes upward towards the light; but the laden traveler may never reach the end of it.» - Ursula K. Le Guin, The Tombs of Atuan by @studio_x01

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5 months ago

Anderson Wright directs ‘The Diver’.

The Diver follows Yasuo Takamatsu twelve years after the 2011 Tōhoku earthquake and tsunami, as he continues to search the depths of the Pacific for his wife’s remains — an act that becomes both a meditation on love and a ritual of remembrance. Through delicate and intimate imagery, the film transforms grief into a quiet presence that lingers in every frame, revealing the strength of love that endures beyond absence.

Director: @andersonwright
Production Company: @madewithtrust

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Documentaria is our selection of films that moved us—shorts, features, and forms in between. True stories, possible lies—moments that struck us and caught our attention. by @studio_x01

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6 months ago

Individuals, instinct, and the fragile line that connects them.
A first glimpse into Giulia Bertuletti’s work in progress.

Studio X01
Inspired by real stories.

#studiox01 #giuliabertuletti #documentary by @studio_x01

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6 months ago