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Studio Mut

@studiomut

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«Italy’s Friendliest Graphic Design Studio»
Martin Anni Giulia Friederike.
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Breaking news! We’re happy (and sad) to announce that Thomas @thomaskronbichler joined COLLINS New York as Design Principal @thisiscollins — Martin and Anni are continuing to lead Studio Mut alongside the team, and we couldn’t be more excited for what’s next. Congrats to all! 🗽🏔️🍾 #studiomut #thisiscollins #bolzano #newyork #designnews by @studiomut

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a month ago

For the reopening of Astra, Brixen’s youth culture centre, we built a campaign around a simple reversal: when in doubt, do it — a wording that doubles as their guiding principle. Spread across the whole town, it gently encourages you as you pass by. And now: Stop worrying. Do it!

Design: Studio Mut, Martin Kerschbaumer, Friederike Osing
@astrabrixen by @studiomut

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9 hours ago

The best ideas aren’t invented, they’re found — you just have to look close enough.
Massimo is a photographer who, stereotypically or not, uses a lot of tape. So we took that gesture and turned it into his identity: a red sticker that goes along with his work, marking it, but never overshadowing it. Check him out!

Design: Studio Mut, Anni Seligmann
Photography: Massimo Spada @massimo.spada76 by @studiomut

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2 days ago

From the archives: a poster for Friday Late at the V&A in London @vamuseum. That month’s edition sent the museum on holiday — and we met it with a bold, joyful poster, brightening up a late night out, before anyone’s even stepped through the door. by @studiomut

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6 days ago

Next up: a ceiling painting for the DOREMI Kindergarden near Vicenza, made in collaboration with AMAA Office.
Squares, circles, rectangles, triangles, diamonds — primary colors doing what they do best. Call it a nod to Munari, or Albers, or just really good taste in shapes and colours. The kids won’t care either way – they‘ll just love it.

Architecture by AMAA Office @amaa_office
Photography by Johan Dehlin @johan_dehlin by @studiomut

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8 days ago

Over the years, our ongoing collaboration with AMAA Office, a leading architecture practice with offices in Arzignano and Venice, has grown to cover many parts of their business.
Things is their collection of objects, developed for their clients and projects and born out of specific spatial and material conditions — pieces that evolved beyond their original use in their architecture into a body of work of their own.
We designed the visual identity to match: hangtags, packaging, tape, and a small website to be launched soon to slowly but steadily bring the collection together.
Neon-green is always a guarantee, isn’t it?

@amaa_office @marcellogaliotto

Photo Slide 1 & 3: Simone Bossi @simonebossiphotographer
Photo Slide 4: Marcello Maranzan @marcellomaranzan by @studiomut

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12 days ago

Our friends from Moving on Stone @movingonstone make climbing apparel built on detail, resilience, and sensory pleasure. Clothing that stays close to the roots of the sport. They start with recovered warehouse overstock of premium technical textiles, turning what already exists into performance pieces made for the mountains.
Hand-tailored, unisex pieces that are constructed to move with you in any direction — quiet, soft, and responsive. Our visual identity for them follows the same approach.

Design: Studio Mut, Anni Seligmann by @studiomut

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14 days ago

Issue #138 marked four decades of Turris Babel magazine — and instead of just looking back, we let the magazine’s own history speak. Every director over the years chose their favourite spreads, which were scanned, reproduced, and annotated by hand with their own reflections.

The layout follows a strict chronology, with a color-coded timeline running through the full 40-year history, and showcasing all of the previous 137 covers. The 138th cover itself pays tribute to everyone who has shaped the magazine over time.

Beyond the retrospective, three essays go deeper into the subjects that run – alongside architecture itself – through every issue: graphic design of architectural magazines by Jonathan Pierini @jonathanpierini, photography by Marta Tonelli @martaamartita and Quirin Prünster @q_________________________p, and advertising by Paolo Guglielmoni @paologuglielmoni.

As always, directed with mastery by Alberto Winterle @albertowinterle @architekturstiftung.altoadige

Design: Studio Mut, Giulia Giordano @grappaiulia, Martin Kerschbaumer
Print: Longo, Bozen by @studiomut

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16 days ago

Full circle moment ⚽️ ASV Albeins wasn’t just a client — it’s the club Martin grew up playing for, right through the peak of his remarkable career 🙃 So when the chance came to design their shirts, it wasn’t just another kit project.  We refined the crest, built a new color scheme, and set the back numbers in GT Cinetype by @grillitype on these classic @adidasfootball shirts. On top of that we also stepped in as main sponsor. Final whistle. by @studiomut

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20 days ago

«Dare Beauty» is the topic of the first Gazette we designed for our long-term client Historic South Tyrol @historicsouthtyrol.
 A made-to-last newspaper, edited and printed in three languages, with chapters spanning Art, Cuisine, Literature, and Forgotten Hotel Objects. 
Developed together with author and editor-in-chief Lenz Koppelstätter @lenz_koppelstaetter , photographs by Franziska Unterholzner @franziska_unterholzner and a fantastic drawing by the one and only Martin Fengel @martinfengel

Design: Studio Mut, Martin Kerschbaumer, Arturo Anghinoni Campedelli @arturoanghinonicampedelli by @studiomut

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22 days ago

Franco Pepe books waiting to be signed in the Italian embassy in London in fall 2025.

@francopepeingrani @phaidonpress @mimiterragni

Ferran Adrià and Franco Pepe – two chef‘s who redefined their craft. And in between a legendary book 🤭

@francopepeingrani @elbullifoundation_ferranadria

A quick flip through Franco Pepe Pizza Chef we designed for Phaidon @phaidonpress @francopepeingrani @brimcgi @realadambricker @julia.hasting by @studiomut

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a month ago

«It feels almost as if Franco Pepe invented pizza… his is probably the best pizza in the world.» Nancy Silverton @nancysilverton made a point – and we’ve had the pleasure of designing the book for the world’s best pizza chef.

We designed the book around seven distinctive chapters, moving from Caiazzo, his family and personal story, to flour and dough, and finally to the pizzas themselves. The recipes are rooted in ingredients and produce, which take centre stage in Pepe’s creations, rather than technique — turning the usual cookbook narrative on its head.

What an honour to have worked alongside Netflix Chef’s Table director Brian McGinn @brimcgi, who, together with Adam Bricker @realadambricker, masterfully captured Franco Pepe and his family, his craft, the producers and their surroundings, the produce, and every single detail of this remarkable story unfolding in Caiazzo, near Naples.

Beautifully written by Elisia Menduni @elisiamenduni. A huge thank you to Franco @francopepeingrani and Francesca Pepe @pepefrancesca_, and to Phaidon’s Emilia Terragni @mimiterragni for their trust, and to Julia Hasting @julia.hasting for her thoughtful direction. And not to forget Ellie and Rachel @rachelmalig, who kept the dough together while shaping this beauty, and Rebecca for her frictionless production support.

Design: Studio Mut, Anni Seligmann, Martin Kerschbaumer
Fonts: James Stencil by Eliott Grunewald OTT @ornamental_title_type
LL Bradford by Laurenz Brunner @lineto_com
Friedel by our friends Kirsty and Emma @apracticeforeverydaylife @apfeltype by @studiomut

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a month ago