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Ryan Clifford

@supergraphix2000.lib

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Always 👀 for work - “cash or terms”

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by @supergraphix2000.lib

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19 hours ago

We are super excited to be hosting The Gotobeds (12xU / Sub Pop), The Whiffs and Dirt Feeder at the White Schoolhouse later this month!

Wednesday, August 26th, 7pm $15 All Ages!
Tickets available now through our site and @wonderfair and @lovegardensounds next week!

Hot off an opening slot for Pavement last month, The Gotobeds are tearing through Lawrence on their way to Denver for @ghostcanyonfest

Come early for @laandks debuts for The Whiffs and Dirt Feeder as well! This is gonna be a great one!

Amazing Poster by @supergraphix2000.lib
Bar by @thebourgeoispig

@gotobeds
@thewhiffs
@whiteschoolhouse
@sbrackbill

Cutting corners and putting it plainly: Masterclass (and the Gotobeds as a whole) sounds like what people meant when they talked about “indie rock” in the 20th century. You like Sonic Youth, Dinosaur Jr., Pavement‘s earlier, noisier stuff—the college radio all-stars? You’d probably like the Gotobeds. (Yeah, the name comes from Wire’s drummer’s assumed name, and if you understand how Chairs Missing basically spawned every prominent indie rock subgenre of the ‘80s and ‘90s, you already have a good idea of what the Gotobeds are working at here.) Riffs and hooks drenched in noise, melodies that fit perfectly but sound a little busted somehow, an exuberance and love of sound that’s free-spirited but rooted in adult experience, intentionally crafted chaos: the Gotobeds really are back out here once again showing us how it’s done. And about as concisely as possible—they blast through 10 songs in 31 minutes, which is tied with “two songs in 45 minutes” as the ideal length for an album.
As always, they do it with humor and a fair amount of bite. These aren’t 21st century kids channeling their parents’ record collection: the Gotobeds are grizzled pros who remember first-hand that this whole “indie rock” thing grew out of punk, shedding its stifling genre orthodoxy but holding on to a decent chunk of its animating ethos. It’s not the tepid singer-songwriter broth or untalented careerism that the tag “indie” came to represent in the ‘00s—it’s in the older tradition of the form, the truer tradition, the one worth celebrating.
– Garrett Martin, Paste by @supergraphix2000.lib

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2 months ago

by @supergraphix2000.lib

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4 months ago

taken in Lawrence, Kansas by @supergraphix2000.lib

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6 months ago

by @supergraphix2000.lib

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6 months ago

New Work!

Final Boss Band/VIP-only “you gotta know someone or be someone to get one”, printed at 11x17 w/bonus cut instructions and marks & bleed, Hubba Bubba 1986 colorway, edition of 30

Poster for Night Moves & Discotek Mama at the White Schoolhouse, courtesy of LAAND, w/my favorite collaborator & typographic genius Joe Galbreath.

* always 👀 for work, cash, terms or secret handshakes accepted taken in Lawrence, Kansas by @supergraphix2000.lib

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8 months ago

Maximum Headroom taken in Lawrence, Kansas by @supergraphix2000.lib

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10 months ago

“They Live, We Sleep”

Letterpress, 2-color photopolymer by @supergraphix2000.lib

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10 months ago

taken in Lawrence, Kansas by @supergraphix2000.lib

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10 months ago

Killer Escape Hatch promo by @oliverpepin by @supergraphix2000.lib

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10 months ago

New poster for Escape Hatch Three, “A Headlong Voyage Into the Unknown”.

Thursday, December 11, deep beneath Liberty Hall in Lawrence, KS. taken in Liberty Hall by @supergraphix2000.lib

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10 months ago

Poster design for Squirrel Flower at the White Schoolhouse, courtesy of @laandks

3-color RISO print, Fluorescent Pink, Yellow, and Black. taken in Lawrence, Kansas by @supergraphix2000.lib

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10 months ago