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Trevor Greenwood

@t2designllc

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Laser Design & Ops | LSO | Audio/Visual Technology
I make photons and photon accessories - Serving Planet Earth and nearby star systems 👽
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Thank you again to @madz.fxs for the opportunity to program and design content for this event, and trusting me to meet a tight deadline with no corners cut. 10/10 will help you blow minds any day 🫡 ✨Sanctuary 2026✨ Production: @evolutionevents_asia Laser Ops: @madz.fxs On a personal note- Trance, along with progressive house, was some of the very first electronic music I ever discovered and really was the gateway to an entire world of music for me. After several years of mainly working with bass music, it was really fun to get back to roots a little bit, and consider what kind of laser content would look best on this stage and with this lineup. by @t2designllc
High-velocity beamshow for Sullivan King & Excision’s mind-bending track “Four Dollar Bill.” 🔥 This song from their collab album “Raise the Dead” is a technical masterpiece of sound design and composition, and presented some really interesting and unique sounds to program for. 🎵 // TRACK: Four Dollar Bill - @excision & @sullivanking ©️2025 @subsidiarecords 👽 // TIMECODE: Yours truly, programmed in @pangolinlasersystems Beyond 5.5 ⚙️ // LASERS: Slickbeam 15/30’s provided by @beammeuplasers 🚫 // Absolutely zero AI or generative effects. Proudly 100% human-made, real-world art. PROCESS: Programming this track proved delightfully challenging. The result was a variety of new cue design techniques I had not tried before to allow for the “velocity” I wanted in the movement animation, without sacrificing frame rate and smoothness. The song is tastefully chaotic (a signature trait of the artists’ sonic identity), and a perfect candidate for some high precision, synesthetic programming. The many layers of sound design and deep syncopation throughout the composition was really fun to work through, and allowed for a more exploratory process while designing the look and feel of the hits. Blink and you miss it! I will definitely be revisiting this one to tackle the intro guitars and tempo change of the second drop. Thanks for watching 🤘 [lasers, laser show, edm, bass music, dubstep, timecode, pangolin, programming, Subsidia, raise the dead, Excision, Sullivan King] by @t2designllc
(Part 2/2) Fresh beam show for Wolfie and John Kroon’s remix of House of Pain’s all-time classic, “Jump Around.” I had a ton of fun putting this together, this track has some serious energy (especially this second half) 🔥🔥 🎧 REMIX: @wolfiesounds @johnkroonmusic 🎵 ORIGINAL TRACK: Jump Around - House of Pain ©️1992 Tommy Boy Records 👽 TIMECODE: Yours truly, programmed in @pangolinlasersystems Beyond 5.5 ⚙️ LASERS: Slickbeam 15/30’s Programming this track was all about stretching laser fundamentals to their limit. Most of the show is made up of 3 basic shapes- lines/waves, circles/cones, and point fans. The call and response of the music plays nicely with the snappy movement and sudden change in brightness lasers excel at and the sound design was super fun to program for. Thanks for watching 🙏 [lasershow, lasers, edm, bass music, timecode, pangolin, slick lasers, programming, remix, Wolfie, John Kroon] by @t2designllc
More laser array tests with @depence_official software…what shapes should I try next? 👽 by @t2designllc
Some laser experiments using @depence_official 👽 it’s been really fun learning a new software and exploring some new creative possibilities. Depence R4 is the undisputed champion of laser visualization…the ability to get realistic pre visualization in real-time without being constrained to the practical limitations of physical lasers (or space to set them up) is an absolute game changer for my programming workflow. Stay tuned for some more timecode and live laser content coming soon! 🫡 by @t2designllc
📡 Transmission 002 // Crystal Grove The Crystal Grove Live Mix is now streaming. Recorded live during our debut performance at Crystal Grove, this live recording captures an unforgettable night of good tunes, connection, and APOG magic. From the opening moments to the final track, the journey unfolds exactly as we intended it to be experienced. This experience wouldn’t have been possible without an incredible community of artists, builders, performers, and friends. 💡 Crystal Grove Production @tiagasoundandlighting, @5skyes, @t2designllc, @beammeuplasers and @jaysondoeslighting for bringing the ASTROSTEPS energy to life at Crystal Grove and absolutely melting that place down with your production and sound. 🌱 Any Patch of Grass @anypatchofgrass, Evan Schmidt, @aka_unknownplayer, @hydef, and the entire APOG crew for believing in our vision and giving ASTROSTEPS a home at Crystal Grove. 👾 Wanga Crew @de.wannawanga_art and the entire Wanga crew for coming out to our away team game and bringing the energy, the vibes, and the composure that made Crystal Grove feel like home. 🎥 Media @jaogaz_photography, @aus.greer, @killingsworth.vibe, @crimnll and @maxbenedict.photo for capturing moments we’ll never forget and helping tell this story. 🎭 Performers @tonictribe, @lyd_viciouz, and @gil.pole for bringing movement, energy, and artistry to Crystal Grove. 🎶 Music @lukepetruzzi and @crucial.wav for trusting us with unreleased music that helped make this set even more special. And to everyone who danced with us, believed in the vision, and helped create the energy on that dance floor, thank you. You are what made Crystal Grove unforgettable. 🎧 The full Crystal Grove Live Mix is now streaming on SoundCloud. Link in bio. 📡 A new track we debuted during this set is coming soon. Stay tuned for the next transmission. 👽🚀 by @t2designllc
A new level of portable control - coming soon to a laser rig near you! 🤘 The goal of this side project is to deliver a simple, fun, useful set of parallel controls for audience participation, and to allow multiple operators to control the show in unison without needing an entire second station in FOH. So far so good! Lots more testing to do before it’s polished and ready for a gig, but I can’t wait to give it a test drive sometime soon 👽 🎵 // Bass Shake - @liquidstranger @drfresch & @boknero 💻 // @pangolinlasersystems Beyond 5.5 #lasers #beyond #programming #interactive by @t2designllc
@ashezmusic at APOG by @t2designllc
APOG 2026 More footage to come, but here’s a crazy drop from @popthatrunk on Saturday night. by @t2designllc
Beams for one of my all-time favorite Liquid Stranger tracks, "Lose It" with the new and improved 4x4 setup. 🎵 Lose It - @liquidstranger & @flozonebass - © 2025 ‪WAKAAN 👽 Timecode by yours truly, programmed in ‪@pangolinlasersystems Beyond 5.5 ⚙️ ‪@slick_lasers SlickBeam 6x15W, 2x30W units 🎥 Recorded on iPhone 15 Pro using ‪@blackmagicnewsofficial Camera app, processed with DaVinci Resolve. This was a complete re-do of some quick timecode I did last year for the same track, optimized for the new video method and re-structured for 8 lasers instead of the 6 I had originally programmed for. This time, instead of maximizing "smoothness" I tried experimenting with dynamically throttling frame rates to artistically control the flicker/rolling shutter effect. More beamshow content to come! #lasers #wakaan #bassmusic #liquidstranger #flozone by @t2designllc
(Part 1/2) Fresh beam show for Wolfie and John Kroon’s remix of House of Pain’s all-time classic, “Jump Around.” I had a ton of fun putting this together, this track has some serious energy 🔥 🎧 REMIX: @wolfiesounds @johnkroonmusic 🎵 ORIGINAL TRACK: Jump Around - House of Pain ©️1992 Tommy Boy Records 👽 TIMECODE: Yours truly, programmed in @pangolinlasersystems Beyond 5.5 ⚙️ LASERS: @slick_lasers Slickbeam 15/30’s Programming this track was all about stretching laser fundamentals to their limit. Most of the show is made up of 3 basic shapes- lines/waves, circles/cones, and point fans. The call and response of the music plays nicely with the snappy movement and sudden change in brightness lasers excel at and the sound design was super fun to program for. Stay tuned for Part 2! Thanks for watching 🙏 #lasers #bassmusic #remix #wolfie #johnkroon by @t2designllc
Fresh beams for Mport's Eyes Cut Deeper remix. Y'all loved the last one so I had to follow it up with another! Also trying out a new and improved widescreen format. 👽 Timecode by yours truly, programmed in ‪@pangolinlasersystems ​Beyond 5.5 ⚙️ @slick_lasers 🐢 REMIX: ‪‪@mportmusic ​ 🎵 ORIGINAL TRACK: Eyes Cut Deeper (feat. Inéz) - Subtronics x Inéz - © 2026 Cyclops Recordings @subtronics @inez_inez_inez__ This time around, with a more riddim-forward mix, I wanted to try visualizing the envelope of the bass sounds as they progress through the various evolutions. Once again @blackmagicnewsofficial Davinci Resolve proved invaluable in post-process to really get those colors looking *deeper* Thanks for watching, and congrats once again to Mport on a killer track. PS: For maximum enjoyment, feel free to check out my YT for the long-form, 4k/60fps version (link in bio). #ecdremix2026 #lasers #mport #subtronics #inez by @t2designllc

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