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هبة

@tabideee

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Space: Civil Engineer + @spaceblack__
&
Sound: DJ + Archivist
📐💿

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A 2024 music highlight.

Closing the Electronic Dark Star stage at @nyegenyegefest Jinja, 3 hours from Kampala and at the source of the River Nile.

7am sunrise set, that continued beyond the allocated hour, as the stage was getting de-rigged and the crowd stood their ground- right until the speakers blew and we had to go home.

A core memory ❤️ taken in Jinja, Uganda by @tabideee

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2 years ago

Sudanese ELECTRONIC music to the WORLDddddd taken in Cairo, Egypt by @tabideee

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6 months ago

On my 28th Birthday, I ran 16k and then closed for @saliahgram at @parallel.am

Now up on Soundcloud, the chaos that was 3-5am and my best set to date ❣️ taken in Amsterdam, Netherlands by @tabideee

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9 months ago

💦 sweaty poscards from Corp.cast on the 28 June @clubcontrol with @tabideee , @varteniuc_octavia and @vonbuelove
🫂 thank you for dancing and see you on the next one! taken in Control Club by @tabideee

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25 days ago

THE FINALEEEE 🇷🇴❣️

Tonight joining the huns at @corpplatform for CORP.CAST at @clubcontrol

Endless love to @chlorysss for beautiful hospitality and company and sharing the best sounds this week and inviting me to play so many spaces ❤️❤️❤️❤️❤️ taken in Bucharest, Romania by @tabideee

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a month ago

Before joining @corpplatform for a talk and performance over the weekend, @tabideee drops by the station later today!

Join the British Sudanese DJ and engineer for an hour of Afro-Arab electronic music, and get over this rainy day!

📡 Listen live from the link in bio.
🔗 If you missed the show, you can listen back through our website, Mixcloud, and Soundcloud. by @tabideee

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a month ago

❤️‍🔥 Hello, corp.ses! Our second installment will take place @clubcontrol on the 28th of June!
💦 This time we sweat on music by British Sudanese DJ @tabideee, local heiress @varteniuc_octavia and our @vonbuelove !
🧟‍♀️ See you very soon!

⛱️ Tabideee is a British Sudanese DJ, Civil Engineer and one half of Space Black, exploring the critical contributions of Black communities across the African continent and its diaspora to electronic music. Her sound in the club honours Afro-Arab electronic productions, drawing from her Sudanese heritage and its neighbouring regional influences, alongside the UK club sounds that soundtracked her introduction to rave culture. @tabideee

🪩 Madame 8 is a multidisciplinary artist with a passion for culture which explores the vast world of the ‘4 on the floor’ music. She is especially drawn to house music due to its impact on many communities, their subcultures and subsequent cultures; being a guest herself in ballroom. Madame 8 researches the multivariate facets of house music and the various ways in which they lead the body to the dancefloor. Expect anything from groovy basslines & jazzy progressions to psychedelic drum machines & sweat-inducing percussions. @varteniuc_octavia

🫂 A recurring gathering by the community, moving through favourite topics, club & music culture, weird obsessions and everything orbiting the dancefloor, with DJ sets and occasional international guests.

📀 Every installment includes music, some will also open space for talks, with the format announced in advance. Always close to the people building the culture from inside it.

🧧 19:00. Free entry.
😮‍💨 Come see where it goes.
💌Artwork by @adm1na taken in Control Club by @tabideee

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a month ago

🎧 Sounding the Archive. Counter-Histories in Everyday Life

📍 Control Club, Constantin Mille 4, Bucharest
📅 June 21
🕖 19:00–23:00

Join us for an evening of conversation and sound exploring how archives can reveal overlooked histories of solidarity, cultural exchange, and everyday life.

Beginning with a discussion on sonic archives and their role in recovering stories often absent from official historical records, the event reflects on the informal networks, communities, and cultural practices that emerged beyond state-sanctioned narratives during the late socialist period in Romania and beyond. Drawing on research developed through A World in a Negative, the conversation will also revisit lesser-known histories of exchange connecting Romania with Sudan, and East Africa, tracing forms of cultural solidarity that unfolded outside dominant geopolitical narratives.

The evening continues with a live DJ set by Space Black (Tabideee) and Chlorys, featuring curated selections and sound materials gathered through the research behind A World in a Negative. Through music, samples, and archival fragments, the set traces histories of exchange, connection, and loss, activating the archive as a living space for remembrance and reclamation.

Program
19:00–20:00 — Introduction & Conversation
20:00–23:00 — Live DJ Set with Space Black (@tabideee) & @chlorysss

Free entry

This event is organized by the Salonul de proiecte Association as part of the project A World in a Negative.

Supported by: Foundation for Arts Initiatives

Partners: Space Black; RIWAQ; Nazra; Control Club; The National Museum of Art of Romania; The National Center for Dance Bucharest; Electromureș; Scena9

Cultural project co-financed by @fondul_cultural_national

@spaceblack__ @nazra__project @riwaq_palestine @clubcontrol @muzeulnationaldearta @cndb.ro @electro.mures @scena_9 taken in Control Club by @tabideee

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a month ago

Works in Progress by @tabideee

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2 months ago

Join us this Friday for a presentation and listening session with Space Black presented by Heba Tabidi 🤎

Friday 22 May 2026
7-9 pm
📍Black Archives Sweden, Falkenbergsgatan 4A, Malmö

Door opens: 7 pm
Event starts: 7.30 pm

📼
Centered on the migration of cassette tapes during the 1980s and 1990s between Sudan and the UK, this session will explore the movement of music, sound, and cultural memory across borders via cassette technologies, as well as distribution and recording practices among Sudanese communities.

Songs were collected, parties and gatherings recorded, mixtapes made – challenging ideas of belonging and authorship. These practices not only documented moments of collective life and the spatiality of music, but also extended them, allowing listeners in Sudan and the diaspora to share experiences of sound, atmosphere, and sociality across distance and time.
📼

➿About Heba Tabidi:
Heba is a DJ, researcher, and archivist. Her sonic practice explores the critical contributions of Black communities across the continent and diaspora to electronic music. Heba’s sound in the club honours genres shaped by Black pioneers, with a sonic focus on Afro-Arab electronic productions drawing from her Sudanese heritage and neighbouring regional influences, alongside the UK club sounds that soundtracked her introduction to rave culture.

Through this, she has developed an archival practice focused on Sudanese electronic music that moves beyond traditional institutions — drawing from platforms like SoundCloud, cassette mixtapes, phone recordings, and personal fieldwork. The tracks are a living archive and sample pack, serving as a method of documentation and a palette of sounds used in productions to bring the genre to contemporary club spaces.

🔎Learn more about @spaceblack__ via the link in bio
🔗 Läs om eventet på svenska via länken i bio

***
Graphic design: Linda Hallstan
Tape Memories is supported by Riksantikvarieämbetet. taken in Malmö, Sweden by @tabideee

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2 months ago

If You Are a Big Tree #4

From the archive to the club ❤️

📷: @jvdphotography & Felix Meritis by @tabideee

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3 months ago

IASPIS Research Residency: reimagining ‘club’ spaces for Sudanese Sounds
(WIP project)

Space Black in Conversation with Fadlabi

With the support of IASPS, we were honoured to host visual artist, curator Fadlabi in Stockholm for a collective dinner and conversation. Falabdi was invited to share his practice and the inception of the Khartoum Contemporary Art Center (KCAC), a deeply loved space in Oslo, Norway @khartoum_contemporary

KCAC was a beautiful, fully flexible, self-designed and self-built space created by Fadlabi and his team. Named after Sudan’s capital, it paid tribute to Sudanese identity, its expansive arts and culture scene, and its precolonial role as a crossroads of trade and cultural exchange linking different parts of Africa. This was reflected through its design and curation; the centre facilitated artists from across the global majority and its diasporas, offering an extensive programme of exhibitions, film screenings, panel discussions, debates, book launches, reading circles, and club nights.

Fadlabi generously shared archival materials documenting how KCAC was acquired and designed, and provided virtual insights contributing to our ongoing research .

A huge thank you to @magnus.ericson.se and @iaspis.se for making this event possible, and Fabaldi for such a generous offering of his amazing work taken in Stockholm, Sweden by @tabideee

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3 months ago