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Tabitha Soren

@tabithasoren

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This put a smile on my face. Can anyone ID the huggers?⁠ .⁠ Surface Tension RVB Book available TODAY.⁠ Surface Tension Mills College Art Museum Exhibit opens SEPT 18TH.⁠ .⁠ Heartfelt thanks to #noelleflorestheard, @joannamilter @jiatortellini @newyorkerphoto @millsartmuseum @rvb_books . Link in bio ⬆️ taken in Mills College by @tabithasoren
58
5 years ago
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I’m so thankful to be a small part of the 💪@designingmotherhood team. I admire these individuals so much as artists, as curators, as thinkers, as feminists and as human beings. And the press is nice too - yesterday's coverage from the Boston Globe (🔥 @cate.mcquaid ) gave the show a lovely and thoughtful review. The exhibit @maamboston also got great coverage from local radio stations -- @WGBH and @WBUR -- and local news outlets too. Juliana, Zoe, Amber, Gabriella, Michelle and all the artists with whom I’m sharing walls are very special to me. Every once in a while, you meet your people in the art world. These are mine. A huge and heartfelt thank you to everyone who made this happen. #blessed — Advisors Nashira Baril | Adrianne Edwards | Tekara Gainey | Porsche Holland | Jessie Laurore | Karen Pollack | Sabrina Taylor | @maternitycarecoalition @neighborhoodbirthcenter Curatorial Designing Motherhood was curated by: Juliana Rowen Barton, Michelle Millar Fisher, Zoë Greggs, Gabriella Nelson, and Amber Winick with assistance from Michaela Blanc, Lisa Tung, and Chloe Zaug. The project team acknowledges that DM stands on the shoulders of the work of reproductive justice advocates locally and globally across generations. Education Curator of Education Brian Hone Student and Program Manager Erin Gallagher Museum Attendants: Logan Heilman ‘23 | Gabby Kay | Sylvia Lagor 24’ | Mikaela Murphy ‘22 | Alexa Payne ‘24 | Ella von Huene | Lily Judge ‘23 | Margarite Carroll ‘23 | Jourdin Craig-Lashley ‘23 | Kylie Marden ‘24 | Alice Yingrong Shao ‘23 | Emily Canales ‘24 Exhibitions Exhibition Manager Joy Feasley (‘09) Freelance Preparator: Paul Swenbeck (’91) Art Installers: Logan Heilman | Gabby Kay | Sylvia Lagor | Mikaela Murphy | Ella von Huene | Alexa Payne | Emily Canales | Alice Yingrong Graphic Design: Michael Keys, Shaz Madani Vinyl: J-Hung Graphics Printed Materials: Aryn Tedstone Operations and Outreach Associate Director Chloé Zaug All MAAM’s positions, including interns and fellows, are paid. taken in MassArt Art Museum by @tabithasoren
17
4 years ago
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Just in!! from the British Journal Of Photography 📷️ @bjp1854 ⚡️⁠ ⁠ How Ocean Vuong And The Pandemic Inspired A Haptic Photo Show⁠ by DIANE SMYTH @dismy⁠ ⁠ A new show at Princeton University Art Museum suggests the physical, the intimate, and the lived as key concerns in photography and culture...⁠ ⁠ https://www.1854.photography/2024/05/photography-and-touch-susan-bright-susannah-baker-smith-princeton/⁠ ⁠ @ocean_vuong @susan_curator #surfacetension @walklew ⁠ Richard Renaldi @renaldiphotos @susannahbakersmith_photograph @princetonu_artmuseum⁠ taken in Princeton University, Princeton, NJ by @tabithasoren
14
2 years ago
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TOMORROW | Tabitha Soren at the Griffin Museum! The Griffin Museum of Photography is honored to present Tabitha Soren (@tabithasoren) as the Keynote Speaker of this year’s New England Portfolio Review. 🗓️ Join us on September 18 from 7 to 8:30 pm and celebrate the start of this year’s New England Portfolio Review with a presentation from this creative and dynamic artist. by @tabithasoren
8
17 days ago
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The spoils of my youth... 👑 #ripgloriasteinem #dianesawyer 👑 #womensupportingwomen @gloriasteinem taken in NYC by @tabithasoren
33
a month ago
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As summer winds down, we've been captivated by a newly arrived piece from @tabithasoren's latest series, "Lightness of Being".⁠ ⁠ Soren begins by photographing in the field with an 8x10 camera and available light. She then layers acrylic, varnish, or oil onto the print to draw out hidden dimensions, and rephotographs the altered image using extended exposures and handmade lighting — using light itself as both subject and tool to explore the gap between what we see and what exists.⁠ ⁠ Please inquire for details or reach out to schedule a viewing in person through the link in our bio ↖️ taken in Jackson Fine Art Gallery by @tabithasoren
6
a month ago
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This is the final week to see GET IN THE GAME at its final stop at the Perez Art Museum in Miami, Florida. 🌴⁠ ⁠ I'm so proud to have my work on the same walls as the artists in this exhibition. To spotlight some new pals....Kevin Beasley, Betsy Odom, Cara Erskine, Katrina Majkut, Cheryl Pope, Savanah Leaf, Titus Kaphar, and Jean Shin.⁠ ⁠ Shown in these slides is suave PAMM director Franklin Sirmans, curator Fabiana Sotillo (can we take a moment to honor her shoes!) plus the fabulous work of: Derek Fordjour, Deborah Roberts, Felandus Thames, Lee Moriarty, and of course, Net Impact by moi 🧡. ⁠ ⁠ If you're in southern Florida, get on over to PAMM: 🏃🏽‍♂️⁠ Monday 11am-6pm⁠ Tuesday-Wednesday CLOSED⁠ Thursday 11am-9pm⁠ Friday-Sunday 11am-6pm⁠ taken in Pérez Art Museum Miami by @tabithasoren
18
2 months ago
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"Venice glowed and shimmered with a persistence of weather that was like a reward for virtues..."⁠ ⁠ - Henry James, The Wings of The Dove, 1902⁠ ⁠ It was true even in the hottest August sun.⁠ ⁠ ⁠ ⁠ taken in Venice, Italy by @tabithasoren
10
2 months ago
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Digital life is a menace - except when it's not. While traveling far from Edinburgh, I was able to virtually attend the opening talk for "Gwen John: Strange Beauties" at the National Galleries of Scotland. ⁠ ⁠ @MuseumWales curator Lucy Wood gave the fabulous lecture sharing what continues to make Gwen John’s work so extraordinary - from the strength and tenderness of her portraits to the subtle yet technical beauty that rewards those who spend time looking closely. This is not shouty work. Gwen John is a poet of stillness. ⁠ ⁠ Along with Wood, National Galleries of Scotland curator Charlotte Topsfield created the first major retrospective in over 40 years dedicated to one of Wales’ most accomplished artists - and to my north star artist.⁠ ⁠ I've been studying Gwen John's work since I was a fellow at #Stanford in the late 90s. But I had never seen her notes, diaries and this carte de visite (slide 1). ⁠ ⁠ Born in 1876, Gwen John studied at the Slade School of Art in London, becoming one of the first generation of women to receive a formal art education, before settling in Paris. Marking 150 years since her birth, Strange Beauties offers a fresh perspective on John’s work and artistic legacy. Rarely seen drawings and watercolors on display give an insight into her determined artistic vision.⁠ ⁠ How I wish I could see the exhibition! It includes 200 paintings, drawings and archival works of an artist whose quiet, deeply personal approach changed the course of modern art.⁠ ⁠ It's at the National Galleries of Scotland Modern TWO: 73 Belford Road, Edinburgh, EH4 3DR⁠ by @tabithasoren
5
2 months ago
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Just when I thought I couldn't love her work more...⁠ Carrie Schneider transforms a fleeting moment from a Chris Marker film into a monumental installation at the 2026 Venice Biennale. She made the world's largest photograph and I don't care HOW. It's magic. 💫⁠ ⁠ "First Living Woman"⁠ @carrie_schneider⁠ On view through November 22 in the Arsenale Building of the Venice Biennale. ⚓️⁠ ⁠ Also, 🥵⁠ ⁠ taken in La Biennale di Venezia by @tabithasoren
2
2 months ago
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Tile museum, Palermo - recommended! Grazie a @giuliaceirano, @moraime @elena_modalitademode⁠ ⁠ The owner began collecting tiles when he was 11 years old. What started as a childhood passion grew into a lifelong obsession, eventually filling an entire historic palazzo with one of the most extraordinary collections of Sicilian and Italian ceramics in the world. ⁠ ⁠ But this isn’t just a museum. It’s also his home. He lives here with his photogenic cats, surrounded by the collection he has spent decades building and preserving.⁠ ⁠ @museostanzealgenio Check their hours before you head over....⁠ ⁠ ⁠ taken in Museo delle Maioliche - Stanze al Genio by @tabithasoren
6
2 months ago
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I’m getting closer to realizing my dream of going to India by giving a virtual talk for the Mumbai-based Sister Library. Their annual art school intensive this year is on photography. Run entirely by women for women, its core mission is to make diverse artistic practices accessible and provide a safe space for creative experimentation, mentorship, and collaboration. I’m so honored to be included in the group of female photographers invited to speak. ⁠ ⁠ This is Sister Library’s big fundraiser. If you want to join us and you’re on PST, my talk will actually happen August 15th because of the crazy time zone difference ⏰. If you want to make a donation because women’s spaces matter to you, it doesn’t matter which time zone you’re on. THE GOOD KARMA WILL REACH YOU NO MATTER WHERE YOU ARE. 💫 ⁠ ⁠ EMAIL SISTERLIBRARYSCHOOL@GMAIL.COM to donate or participate.⁠ ⁠ MORE INFO:⁠ To keep education equitable, Monsoon school operates on a community-first sliding scale. Higher tier registrations directly fund reserved seats for women coming from low-income backgrounds. All the money raised goes to supporting Sister Library, South Asia’s first community-owned, community-run feminist library and traveling art installation. Located in the Bandra West neighborhood of Mumbai, which houses over 1,000 literary works exclusively by women. This includes around 700 handmade zines, graphic novels, poetry, classic fiction, and non-fiction. ISN’T THAT AMAZING?⁠ ⁠ The intensive program this year is about photography and lens-based practices- but the medium changes each year. Participants experiment with cameras, critique each other's visual work, and explore visual storytelling. The program traditionally culminates in a public gallery exhibition in Bombay (Mumbai) to showcase the participants' finished artwork. ⁠ taken in Virtual_talk_ by @tabithasoren
5
2 months ago
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