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Sharing some stills from a western inspired DnD spec Ad that i had the privilege of shooting beginning of this year. Big shoutout to such an amazing cast and crew during some of the hottest weather. Big respect to the lighting assistant for this one. 

Cast:
DM/Executor: @kristie.corkill 
Jester: @miachisholmm 
Boxer: @drj548 
Sheriff: @22parul22 
Prospector: @darcyijackson 

Director: @zeph_bh 
Producer: @vivian.m.hinz 
Writer: @joshuabakerjb 
1st AD: @vivian.m.hinz 
Dop:🧍‍♂️🤪
Continuity: @narom_nnyf 

1st AC: @zoemorison 
2nd AC: @maxine_paloma @george__webster 
DIT: @thomasjt1234 

Gaffer: @olliewint 
Lx: @selina.maccheroni 
Lx: @haydenwimhurst 
Lx: @odette.smyth_ 

Sound Recordist: @carmennhol 
Boom Op: @brandon___seebaran 

Production Design: @joshuabakerjb 
Art Director: @tom__butler__ 
Art Assistant: @natalie_doolette 
Hair and Makeup: @aishawilson.mp4 
Costume Designer: @leestilly 
Costume Assistant: @fai_filmmaking 
Bts: @george__webster 

Editor: @tom__butler__ 
Colour: @joe_lederhose 
Post-Sound: @tom__butler__ 

PA: @ev.younger 
PA: @unatalnata
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Locking out for a second 🔓
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All 5 episodes of The Cost of Living are now out! I’ve been so excited to share this project with everyone, it’s the longest narrative project I’ve shot with a total runtime just over 54mins (not bad for a 7 day shooting block). It’s truly been a labour of love to bring this piece together and I couldn’t be more proud of it so it’s been great to see the positive reception it’s received.

A lot of people were fundamental in making this work but I just wanted to give a special shout out to @clancyem for jumping on B cam for the whole series. Giving up a level of control for operating can be daunting especially for a project like this with plenty of zooms and handheld tracking but Clancy was able to put my worries at ease. I really appreciated being able to lean on him when I needed, so thank you man, this format wouldn’t have been possible without you.

Also a massive thanks to @melo_keating for trusting me to help tell this story, I couldn’t have asked for a better director to work with, nor a better script! It’s crazy to think that this show is essentially the result of a snowball of ideas that started with a 48hr film back in 2024 but it’s been a great journey nonetheless and you’ve been an awesome collaborator to work with. Keen for the next one!

Cameras: Red Helium 8k / Red Komodo 6k
Lenses: Fujinon Cabrio 19-90mm / Canon C-NE 18-80mm

Starring: @sienadarienzo @william_kasper_ @chrisslater67 @meg.hargraves @22parul22 

Director: @melo_keating 
Producer: @emily_holden68 
1st AD: @madzalee 
Production Designer: @coejurtis 
DOP/Colourist:🧍🏻‍♂️ 
Gaffer: @thornelyons

Editors: @ruby.bobin @jakob.keaney @dylan_man_ee_on 

B Cam Op: @clancyem 
A Cam 1st ACs: @robintampoe_cine @trolleyfox_ @jarrod.cr3 
B Cam 1st ACs: @remy.a.keys @devanannda 
2nd ACs: @trolleyfox_ @madelyn.finster @liilybeck 

Best Buddy: @_bellapettersen_ 
LX Assists: @callmelarkin_ @thomasmatthewss 

+ Many more, unfortunately I can’t tag everyone :(

@bbtd_productions @pre_to_post_
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