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Qianzhi Shen 沈千之

@71yan

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Mid-year Catch 🆙
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this week was my swan song… In 2017 I moved to NYC knowing one person in the industry I was so passionate about pursuing. I starting as a PA with no idea what he was doing. I was blessed with friends and mentors who helped me chase my crazy dream. Last year I was mentally struggling with the slow down in work and decided it was time to move on. I feel grateful for everyone who believed in me and for all the opportunities I had to make art and have a few laughs. I was grieving it for a while, but now I’m excited to chase the next dream :) life can throw some curveballs, but don’t ever give up on yourself
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Stumbled upon something I shot a few years ago. @kimstands asks me to shoot something for her. Let’s do it! dp | @jmlee534 steadi | @71yan 2D content, bts, edit | @youngjacklord disguise op | @spooky__isa led tech | sam music | @pink Glitter in the Air
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US Army Rendezvous Series “Los Angeles” with @yehslacks for @nbcuniversal NBCU Creative Director / Director: @jduplessis5 Senior Exec Producer: @janellealbino Exec Producer: @lancebillington Project Manager: @shuyboy Prod Coord: Jonathan Coello TDDB: Shannon Arthur irissa_anne_ @griddypieee @anniblah Prod Co: @humanelement.tv EP: @matt_marenyi LP: @mike_martino_machin Prod Sup: @ursiebrown DP: @alexanderdpaul Cam Ops: @steadi_spaghetti @71yan 1st ACs: @hartayj @steelecarrington 2nd AC / Data lord: @culturemaria CLT: @culorado.hickman KG: John Spezzano Sound: @dbsoundvision.com_la HMU: Kait Matlock
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‘Rosemead’ - Vertical (Join the Lens Addiction Community - Link in bio) 🔎1- PANAVISION E Series 50mm T2 🔎2- PANAVISION E Series 100mm T2 🔎3- PANAVISION E Series 75mm T2 🔎4- PANAVISION E Series 135mm T2.8 🔎5- PANAVISION E Series 50mm T2 📹 ARRI Alexa 35 Dir. @holdtheframe DP. @lylevincent Writer. @marilynsfu Producer. @mynettelouie Producer. @uncorked85 Producer. @lucyliu Distributor. @verticalentertainment Featuring. @lucyliu @lawrenceshou A Cam Op. @tinxchan B Cam Op/Steadicam. @71yan A Cam 1st AC. @yuo_were B Cam 1st AC. @bobby.ghoulz A Cam 2nd AC. @rachelfedorkova B Cam 2nd AC. @hallie.arias Loader. @paul_spang DIT.i @pomovision 1st AC LA unit. @camerachannel 2nd AC LA unit. Bianca Brennan Operator LA Unit. @jquiros13 Post. @company_3 Colorist. @tomopoole Editor. @approcomm Gaffer. @sethalancoleman Gaffer. @passthekubasieyy Best Boy. Alex DiBacco Key Grip. @sbailey1987 Best Boy.n @mike___wils Dolly Grip. sethcrosby713 Key Grip LA unit. @griplife Script Supervisor. @yabiyabiyajing Production Design. @evalinewuhuang Props. Meghan Chou Sound. @dennisrainaldi Boom. Sam Stevenson-Yang Costumes Designer. @verachowdesigns Hairstylist. @annemariembradley Makeup Head. @roxannerizzo 1st AD. @daynsiusmaximus 2nd AD. Liz Peace-Power . . #lensaddiction #panavisioneseries
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@williamenta found me in 2012 and said: “Give me two years… and I’ll try to jam as much money in your pockets as I can.” True to his word — over a decade later, the journey is still going strong. Two lessons he drilled into me early: Tour under other gaffers. Learn everything. I was lucky to make my rounds with some of NY’s finest: Leo Alvarez @gosteryter Yusuke Naito Marcus Ray @spellman_tim @theteejmeister @ki_hwang But more important than the technical — he taught me the business. Most producers appreciate my candor: “As much as I’d love to take your money… this isn’t an LED shoot.” And you know what? They come back. Relationships > quick wins #FilmIndustryLife #VirtualProduction #SetLife #FilmmakingJourney #ProductionBusiness
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Fresh off a phone call with DP. @lylevincent, we dive into ‘The Beast In Me’ through the optical character of the Panavision Ultra Panatar II. Guided by Lyle’s voice, we explore these beautiful anamorphic lenses — which he considers the very best @panavisionofficial has to offer — and how their character shaped the visual language of the series. Watch the full breakdown video - link in bio ‘The Beast in Me’ 🔎1- PANAVISION Ultra Panatar II 65mm T2.8 🔎2- PANAVISION Ultra Panatar II 50mm T2.8 🔎3- PANAVISION Primo Zoom 17.5-75mm T2.3 🔎4- PANAVISION Ultra Panatar II 135mm T2.8 🔎5- PANAVISION Ultra Panatar II 50mm T2.8 🔎6- PANAVISION Ultra Panatar II 35mm T2.8 🔎7- PANAVISION Ultra Panatar II 40mm T2.8 🔎8- PANAVISION Ultra Panatar II 50mm T2.8 🔎9- PANAVISION Ultra Panatar II 65mm T2.8 🔎10- PANAVISION Ultra Panatar II 40mm T2.8 🔎11- PANAVISION Ultra Panatar II 40mm T2.8 📹 ARRI Alexa 35 Dir. Antonio Campos Dp. @lylevincent Show Runner. Howard Gordon Writer/Producer. @rotterworkstv Writer/Producer. @danielpearl Featuring. @clairedanes , Mathew Rhys. @moveablefeastny @brittanysnow @bubbaweiler @susanpourfar @tim_guinee A Cam Op. @erin.m.henning B Cam Op/Steadicam. @71yan A Cam 1st AC. @ripofff B Cam 1st AC. @wiezorek A Cam 2nd AC. @jamesdrummond and @ddibologna B Cam 2nd AC. @sancheevrav Loaders. @shortstack.__ and @tom_parrish DIT. @pomovision Colorist. @damienvdc and karimelkat Post. @harborpictureco Editor. @ralfsedits Gaffer. @jmolk3 Best Boy Electric. @hectorherrera Key Grip. @sir_grips_a_lot Dolly Grip A Cam. @danstagram820 Dolly Grip B Cam. Al Delia Script Supervisor. madamonz Production Designer. @lweeksdesign Set Decorator. @nallan_drome Costumes Designer. @arjunbhasincostume Hair. @satokohair Makeup Head. tisahowardmakeup Makeup Key. @maralynnpalumbo Unit Production Manager. Caroline Baron Line Producer. @fogelsean Co Producer. @ale_vv Stand-ins. @kmmconnors and @eric_j_carlson Special thanks. @m_p_carter and Sal Giarratano @panavisionofficial . . #lensaddiction #panavisionultrapanatar2
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The Beast in Me episode 102 Ending featuring @tim_guinee and Hettienne Park. Director Antonio Campos Show Runner Howard Gordon Writer/Producer Gabe Rotter @rotterworkstv Writer/producer Daniel Pearl @danielpearl A Cam Op @erin.m.henning B Cam Op/ Steadicam Qianzhi Shen @71yan A Cam 1st AC Anthony Coan @ripofff B Cam 1st AC Chris Wiezorek @wiezorek A Cam 2nd AC @jamesdrummond and @ddibologna B Cam 2nd AC Sancheev Ravichandran @sancheevrav Loaders Brett Norman@shortstack.__ and @tom_parrish DIT Michael Pomorski @pomovision Colorist Damien Vandercruyssen @damienvdc & Karim Elkatari @karimelkat Post at @harborpictureco Editor Jean Pierre @ralfsedits Gaffer Jerad Molkenthin @jmolk3 Best Boy Electric @hectorherrera Key Grip Cesar Baptista @sir_grips_a_lot Dolly Grip A Cam Dan Trauger @danstagram820 Dolly Grip B Cam Al Delia Script Supervisor Amina El Etreby @madamonz Production Designer Loren Weeks @lweeksdesign Set Decorator Michael Nallan @nallan_drome Costumes Designer Arjun Bhasin @arjunbhasincostume Hair Satoko Ichinose @satokohair Makeup Head tisahowardmakeup Makeup Key @maralynnpalumbo Unit Production Manager Caroline Baron Line Producer Sean Fogel @fogelsean co producer Alexandria Vivas @ale_vv co producer Alexandria Vivas @ale_vv
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The Beast in Me episode 102. Directed by Antonio Campos. One of my favorite sequences from the whole show when Wrecking Ball played by @tim_guinee breaks into Aggie’s @clairedanes house culminating with a split diopter shot with a camera attached to the door to build the tension. Show Runner Howard Gordon Writer/Producer Gabe Rotter @rotterworkstv Writer/producer Daniel Pearl @danielpearl A Cam Op @erin.m.henning B Cam Op/ Steadicam Qianzhi Shen @71yan A Cam 1st AC Anthony Coan @ripofff B Cam 1st AC Chris Wiezorek @wiezorek A Cam 2nd AC @jamesdrummond and @ddibologna B Cam 2nd AC Sancheev Ravichandran @sancheevrav Loaders Brett Norman@shortstack.__ and @tom_parrish DIT Michael Pomorski @pomovision Colorist Damien Vandercruyssen @damienvdc & Karim Elkatari @karimelkat Post at @harborpictureco Editor Jean Pierre @ralfsedits Gaffer Jerad Molkenthin @jmolk3 Best Boy Electric @hectorherrera Key Grip Cesar Baptista @sir_grips_a_lot Dolly Grip A Cam Dan Trauger @danstagram820 Dolly Grip B Cam Al Delia Script Supervisor Amina El Etreby @madamonz Production Designer Loren Weeks @lweeksdesign Set Decorator Michael Nallan @nallan_drome Costumes Designer Arjun Bhasin @arjunbhasincostume Hair Satoko Ichinose @satokohair Makeup Head tisahowardmakeup Makeup Key @maralynnpalumbo Unit Production Manager Caroline Baron Line Producer Sean Fogel @fogelsean co producer Alexandria Vivas @ale_vv co producer Alexandria Vivas @ale_vv
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The Beast in Me Episode 102 Director Antonio Campos Show Runner Howard Gordon Writer/Producer Gabe Rotter @rotterworkstv Writer/producer Daniel Pearl @danielpearl Featuring @clairedanes Mathew Rhys A Cam Op @erin.m.henning B Cam Op/ Steadicam Qianzhi Shen @71yan A Cam 1st AC Anthony Coan @ripofff B Cam 1st AC Chris Wiezorek @wiezorek A Cam 2nd AC @jamesdrummond and @ddibologna B Cam 2nd AC Sancheev Ravichandran @sancheevrav Loaders Brett Norman@shortstack.__ and @tom_parrish DIT Michael Pomorski @pomovision Colorist Damien Vandercruyssen @damienvdc & Karim Elkatari @karimelkat Post at @harborpictureco Editor Jean Pierre @ralfsedits Gaffer Jerad Molkenthin @jmolk3 Best Boy Electric @hectorherrera Key Grip Cesar Baptista @sir_grips_a_lot Dolly Grip A Cam Dan Trauger @danstagram820 Dolly Grip B Cam Al Delia Script Supervisor Amina El Etreby @madamonz Production Designer Loren Weeks @lweeksdesign Set Decorator Michael Nallan @nallan_drome Costumes Designer Arjun Bhasin @arjunbhasincostume Hair Satoko Ichinose @satokohair Makeup Head tisahowardmakeup Makeup Key @maralynnpalumbo Unit Production Manager Caroline Baron Line Producer Sean Fogel @fogelsean co producer Alexandria Vivas @ale_vv co producer Alexandria Vivas @ale_vv
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The Beast in Me episode 102 directed by Antonio Campos (Day 1 ;) Show Runner Howard Gordon Writer/Producer Gabe Rotter @rotterworkstv Writer/producer Daniel Pearl @danielpearl Featuring @clairedanes and David Lyons A Cam Op @erin.m.henning B Cam Op/ Steadicam Qianzhi Shen @71yan A Cam 1st AC Anthony Coan @ripofff B Cam 1st AC Chris Wiezorek @wiezorek A Cam 2nd AC @jamesdrummond and @ddibologna B Cam 2nd AC Sancheev Ravichandran @sancheevrav Loaders Brett Norman@shortstack.__ and @tom_parrish DIT Michael Pomorski @pomovision Colorist Damien Vandercruyssen @damienvdc & Karim Elkatari @karimelkat Post at @harborpictureco Editor Jean Pierre @ralfsedits Gaffer Jerad Molkenthin @jmolk3 Best Boy Electric @hectorherrera Key Grip Cesar Baptista @sir_grips_a_lot Dolly Grip A Cam Dan Trauger @danstagram820 Dolly Grip B Cam Al Delia Script Supervisor Amina El Etreby @madamonz Production Designer Loren Weeks @lweeksdesign Set Decorator Michael Nallan @nallan_drome Costumes Designer Arjun Bhasin @arjunbhasincostume Hair Satoko Ichinose @satokohair Makeup Head tisahowardmakeup Makeup Key @maralynnpalumbo Unit Production Manager Caroline Baron Line Producer Sean Fogel @fogelsean co producer Alexandria Vivas @ale_vv co producer Alexandria Vivas @ale_vv
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The Beast in Me Episode 102 The Beast in Me episode 102 directed by Antonio Campos (Day 1 ;) Show Runner Howard Gordon Writer/Producer Gabe Rotter @rotterworkstv Writer/producer Daniel Pearl @danielpearl Featuring @clairedanes and David Lyons A Cam Op @erin.m.henning B Cam Op/ Steadicam Qianzhi Shen @71yan A Cam 1st AC Anthony Coan @ripofff B Cam 1st AC Chris Wiezorek @wiezorek A Cam 2nd AC @jamesdrummond and @ddibologna B Cam 2nd AC Sancheev Ravichandran @sancheevrav Loaders Brett Norman@shortstack.__ and @tom_parrish DIT Michael Pomorski @pomovision Colorist Damien Vandercruyssen @damienvdc & Karim Elkatari @karimelkat Post at @harborpictureco Editor Jean Pierre @ralfsedits Gaffer Jerad Molkenthin @jmolk3 Best Boy Electric @hectorherrera Key Grip Cesar Baptista @sir_grips_a_lot Dolly Grip A Cam Dan Trauger @danstagram820 Dolly Grip B Cam Al Delia Script Supervisor Amina El Etreby @madamonz Production Designer Loren Weeks @lweeksdesign Set Decorator Michael Nallan @nallan_drome Costumes Designer Arjun Bhasin @arjunbhasincostume Hair Satoko Ichinose @satokohair Makeup Head tisahowardmakeup Makeup Key @maralynnpalumbo Unit Production Manager Caroline Baron Line Producer Sean Fogel @fogelsean co producer Alexandria Vivas @ale_vv co producer Alexandria Vivas @ale_vv
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