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Congratulations to the recipients of the Alastair Swayn Foundation’s 2026 Australian Design Grants.

This year’s Australian Design grants support five projects exploring new ideas and approaches across architecture, design, policy, fashion, landscape and community.

Congratulations to:

Dr Amina Kaskar
- Farm Gate Commons: Designing Reciprocal Infrastructures for Migrant Agrarian Life

OFFICE
- Rain Makers: Forensic Cartography and First Nations Water Rights in Ali Curung [Kaytetye Country]

Dr Marius Foley, Associate Professor Natalia Radywyl, Professor Andrea Siodmok OBE & Professor Jung-Joo Lee
- Signals >> Future Policy Design

Dr Tassia Joannides & Dr Daphne Mohajer
- Fashion Refusal: Acts of Resistance and Regeneration

Matthew Bird
- Reimagining Fountains

Callan Green & Lindsay Le Gros
- Off-Grid Architecture for Regional Communities

We look forward to following the development of these projects and sharing their research and outcomes over the year ahead.

Farm Gate Commons explores how migrant communities in Western Sydney build shared spaces through cultivation, making, exchange, and care—reimagining the farm stall as a site of collective life and a social commons.

@amina_kaskar 

Rain Makers will use techniques in geo-spatial analysis and digital modelling to investigate and document cultural and environmental destruction caused by the intensive water extraction on Kaytetye Country.

@___office
@runningwatercommunitypres
@aridlandsec
@arlpawe.artists
@liminal_laboratory 

Signals >> Future Policy Design recognises the consequential role policy design plays in Australian design and innovation and creates a network to make design a prominent contributor to Australian public decision-making.

Drawing on Australia’s post-war fountains, the project explores how civic infrastructure can support urban cooling, biodiversity, social connection and vibrant public spaces.

@studiobird 

A publication documenting the research and ideas of the Fashion Refusal exhibition, which examines the regenerative opportunities of ‘refusal’ as a way of resisting and reimagining the systems, norms, and aesthetics that underpin dominant destructive models within the fashion d
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