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for @fastandup_india 
shot by @_architish
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(∩,。◕‿◕。)⊃━☆+ ゚. ꕤ.+ .゚*.゚。 ゚♡
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ANOTHER DREAM - LIVE NOW 🏇

Www.Dujaindia.com - EXPLORE NOW 🔗🔗🔗🔗
Dream team 
Photos @_architish 
In frame @heymanshe 
Creative direction @ustat.kharbanda 
Hmu by @makeupbyshwetamittal
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Few machines as beautiful as an E30. Back when BMWs had soul ☯️

Shout out @k24_karan for taking care of this work of art
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@catleemomos da hottest man in GK1 . Hard to get, worth the wait 🥟📈
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What gives a piece its personality? For us, it’s the colors, textures and a bit of organized chaos.

DM us your work, it could be featured next.

Visuals by:

[1] @killhous3 @sh4akchunna 
[2] @_architish 
[3] @muskanriazhaider 
[4] @parmejaaan @h4rshil.__ 
[5] @camera.derie 
[6] @channelchutney 
[7] @s444esha 
[8] @the_rest_ofme 
[9] @noorranix
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Raunak Singh Rana jokes in his bio that he is a chef, and this week he proved it by cooking up a set of Nike image tests set inside a Nai ki Dukaan, where tubelights, plastic stools and handwritten signs feel as natural as a swoosh.

In those frames you see how @raunakq works from the street level up, making a global brand sit in a neighbourhood shop without irony, with a kind of ease and humour that turns Nike from imported symbol into something that belongs on this side of the counter.

Before any of this, he was a graphic designer who learned by doing. @allstarsauceoffline was his first kitchen, a Delhi studio founded by @kunalschhabra where posters and identity were made between friends and late nights. That was where he first understood that design is most honest when it grows out of the people who will see it, wear it and argue with it.

That belief followed him into @riseindia. His first Nike lookbook placed product on brown skin without apology. A store launch in Ahmedabad turned into 48 hours of wandering through markets and old city gates, looking for a version of Nike that felt like it belonged there. The vintage rework workshops did something similar and became a reason for strangers to sit together, cut cloth, and talk.

Along the way, certain collaborations stopped feeling like work. His friendship with @ustat.kharbanda led to @dujaindia, where jerseys carried bichoo motifs and embroidery from the pind. He saw artisans translate sketches into embroidery and understood that community is not a theme, it is labour.

That same trust shaped Converse’s Uncut Gems, a campaign that placed crystal sneakers next to really special women creators. It was a small drop, only a handful of pairs, but it showed he could scale intimacy without losing sincerity.

And somewhere in between all of this, Raunak admitted he has not made something for himself in a long time. Maybe that is the story still waiting. After years of making others feel seen, there is room now for him to turn the camera around and cook something that belongs only to him.
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