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@_charlespas_

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PERFORMING ARTIST
AMSTERDAM | BRUSSELS

POSTS STORIES REELS TAGGED

past few months on film <3

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Our performance ETA (2026) featured in @flashartmagazine for @minor.attractions.

Big thanks to
@sophiebarrettpouleau
@jacob_pbarnes

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fecal appearances 💵

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Today is your final day to come see ETA, a durational, site-specific performance presented by Amsterdam-based performance art platform Trespassing, commissioned by Minor Attractions 2026

Today’s performance starts at 15:30.

50 Newman Street, Fitzrovia, London, W1T 3EB, United Kingdom

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In ETA , A lone figure endlessly moves through the hallways, stairwells and rooms of The Newman Hotel, carrying luggage that suggests an itinerary, a booking, a waiting room.

Yet,he never seems to arrive.

As exhaustion takes over, movement gives way to involuntary moments of sleep. Searching for comfort, the figure’s body folds itself around his luggage, as it settles into temporary sculptural positions.

Set within a hotel temporarily transformed into an art fair, the work places the intimacy of sleep and a state of non-arrival against a culture organised around purpose, progress and destination.

ETA is presented at Minor Attractions 2026 as Trespassing’s first self-authored performance as a collective.

The work was conceived by Puck van der Werf and Charles Pas and will be performed by Charles Pas.

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Amsterdam-based performance art platform Trespassing presents ETA, a new
durational, site-specific performance commissioned by Minor Attractions 2026.
_____________

In ETA , A lone figure endlessly moves through the hallways, stairwells and rooms of The Newman Hotel, carrying luggage that suggests an itinerary, a booking, a waiting room. Yet he never seems to arrive.
As exhaustion takes over, movement gives way to involuntary moments of sleep. Searching for comfort, the figure’s body folds itself around his luggage, as it settles into temporary sculptural positions.

Set within a hotel temporarily transformed into an art fair, the work places the intimacy of sleep and a state of non-arrival against a culture organised around purpose, progress and destination.

ETA will be presented at Minor Attractions 2026 as Trespassing’s first self-authored performance as a collective. Commissioned by Minor Attractions, the work was conceived by Puck van der Werf and Charles Pas and will be performed by Charles Pas.

_____________

Performance times:
14.10.26 — 15:30 - 18:30
15.10.26 — 15:30 - 18:30
16.10.26 — 15:30 - 18:30

Location:
The Newman
50 Newman Street, London W1T 3EB, United Kingdom
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GRAPHIC DESIGN : Juli Chaos @juli_chaos

more about Trespassing on www.trespassing.nl

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🎬 Bringing Vision to Life: Art Meets Immersive Technology 🎬

At Cinaglyph, we are passionate about bridging the gap between artistic vision and cutting-edge technological innovation. That is why we are incredibly proud of our team's contribution to the extraordinary art project by @schippersenvangucht!

Cinaglyph played a key role in the project's technical realization: Our very own @rick_cosijn served as the project's Creative Technologist. From Cinaglyph, we developed and safeguarded the core technology while managing the technical execution on site.

To capture this unique artistic experience in true spatial reality, we shot using the pioneering @blackmagicnewsofficial URSA Cine Immersive camera; pushing the boundaries of immersive filmmaking. 🎥✨

Additionally, our colleague @marijn.mannien brought his expertise to the project's visual atmosphere as part of the Color Grading team alongside Thijs Paijmans.

It is always inspiring to see what happens when creativity, powerful storytelling, and state-of-the-art technical execution align. A big thank you and congratulations to the entire team, the creators, performers, and all partners who helped bring this ambitious project to life! More to come soon!

Pictures by @wannescre

#ursacineimmersive #appleimmersivevideo #virtualreality #vrart #creativetechnology #spatialvideo

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Presented by Trespassing at Swimming Pool Gallery, Berlin, RED – marked the second chapter in an ongoing collaboration with artist-duo Kitty Maria and Elise Ehry (@unemployed_airhostesses)

Their performance showed 2 nights long at Lenaustraße 6.

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𝐑𝐄𝐃 – 𝐌𝐚𝐧𝐮𝐚𝐥 𝐟𝐨𝐫 𝐚 𝐖𝐢𝐭𝐡𝐝𝐫𝐚𝐰𝐢𝐧𝐠 𝐁𝐨𝐝𝐲 showed a newly commissioned performance and installation drawing on the visual language of Italian thriller cinema ‘Giallo’ of the 1960s and 1970s.

Through text, movement, and scenography, RED– attempts to propose a counter-cinema: new scenarios that refuse the female body as object of dread and desire, and insist instead on her interiority: her withdrawal, her neurosis, her survival, as the only narrative worth investigating.

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This work was part of The Living Room series.
Since 2026, the series has expanded internationally and will continue to present performative interventions across different metropolitan contexts.

Find out more information about our upcoming interventions
at www.trespassing.nl

pictures: @lonnekevanderpalen

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Throwback with a sambinha, crazy shoutout, a grind and twerk for the team of 𝒜 𝒯𝑅𝐼𝐵𝒰𝒯𝐸 𝒯𝒪 𝐸𝒱𝐸𝑅𝒴𝒯𝐻𝐼𝒩𝒢 𝒯𝐻𝒜𝒯 𝐵𝑅𝐸𝒜𝒦𝒮. 💔🥀 And all the partners, technicians and venues, thank you. 🫶

A tour continues 🏹:
3rd of October MURF/MURW Festival, Tilburg
4th of October Nederlandse Dansdagen, Maastricht
4th & 5th of December Frascati, Amsterdam

@murfmurw @nederlandstheaterfestival @frascatiamsterdam

Can’t wait to perform this piece again! Hope to see you there.

📸 1, 4, 8 and 11 shot by @lichtronald

“ᴀɴ ɪꜱᴏʟᴀᴛᴇᴅ ʙᴏᴅʏ ɴᴀᴠɪɢᴀᴛᴇꜱ ᴛʜᴇ ᴛᴇɴꜱɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴀ ꜰʀᴀᴄᴛᴜʀᴇᴅ ᴘᴇʀꜱᴏɴᴀ ᴀɴᴅ ɪᴛꜱ ᴜɴᴅᴇʀʟʏɪɴɢ ᴘʀᴏᴛᴇꜱᴛ. ɪᴛ ꜱᴛᴀᴛᴇꜱ ᴀ ᴘᴇʀᴘᴇᴛᴜᴀʟ ɴᴇɢᴏᴛɪᴀᴛɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴄᴏɴᴛʀᴏʟ ᴀɴᴅ ʀᴇꜱɪꜱᴛᴀɴᴄᴇ, ᴅʀᴀᴡɪɴɢ ᴏɴ ᴛʜᴇ ᴇꜱᴛʜᴇᴛɪᴄꜱ ᴀɴᴅ ᴇᴍᴏᴛɪᴏɴᴀʟ ɪɴᴛᴇɴꜱɪᴛʏ ᴏꜰ ɴᴇᴏ-ɴᴏɪʀ ᴀɴɪᴍᴇ”

#anime #breaksatanbreak #performance #visualart

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Presented as part of 48 Stunden Neukölln at Swimming Pool Gallery, Berlin, RED – marks the second chapter in an ongoing collaboration between artist-duo Kitty Maria, Elise Ehry (@unemployed_airhostesses) and the Amsterdam-based performance art manifestation Trespassing. (@trespassing______ )

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𝐑𝐄𝐃 – 𝐌𝐚𝐧𝐮𝐚𝐥 𝐟𝐨𝐫 𝐚 𝐖𝐢𝐭𝐡𝐝𝐫𝐚𝐰𝐢𝐧𝐠 𝐁𝐨𝐝𝐲 is a performance and installation drawing on the visual language of Italian thriller cinema ‘Giallo’ of the 1960s and 1970s. Trench coats, gloved hands, and unstable points of view are emblematic within the genre’s eroticised imagery of femicide. While the first chapter of Kitty and Elise’s performance, BLU- (2025, Amsterdam), focused on the spectacle of violence central to Giallo cinema, RED– turns its attention to what remains after the violent act itself.

Presented behind the gallery’s storefront window, the performance unfolds as a cinematic situation in which viewers become witnesses, suspended between looking and intervening.

Through text, movement, and scenography, RED– attempts to propose a counter-cinema: new scenarios that refuse the female body as object of dread and desire, and insist instead on her interiority — her withdrawal, her neurosis, her survival — as the only narrative worth investigating.

Throughout the festival, the scenographic installation will be on view at Swimming Pool Gallery. The installation will be activated through two live performances on the evenings of 3 and 4 July, after the streets of Berlin have turned dark.
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Performance times:
3.07.26 — 23:00 - 23:30
4.07.26 — 23:00 - 23:30

Exhibition opening times:
15:00 - 23:30 (3th and 4th of July)
13:00 - 19:00 (5th and 6th of July)

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Location:
Lenaustraße 6, Berlin

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PERFORMANCE & INSTALLATION: Kitty Maria & Elise Éhry @unemployed_airhostesses

SOUNDTRACK: Leandro Barzabal

CURATOR: Puck Isabel van der Werf @_puckvdwerf

GRAPHIC DESIGN : Juli Chaos @juli_chaos

PRODUCTION: Trespassing (AMSTERDAM) & Swimming Pool Gallery (BERLIN)

more about Trespassing on www.trespassing.nl

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Zoveel stralen op een grijze dag ✨🌫️Stukje bij beetje steeds een stapje dichter bij NERGENS. We schoten deze week een bijzonderen scène in samenzang met de koorleden van @nederlandsgebarenkoor ✨🩶 De nieuwe theatrale installatie NERGENS gaat in première @festival_boulevard ✨🎪 #theater #virtualreality #gebarenkoor #samenzang #✨

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bruxelles amsterdam marseille fontainebleau BRIANZA

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𝗪𝗼𝗻𝗱𝗲𝗿𝗹𝗮𝗻𝗱 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝟮𝟬𝟮𝟱 | 𝗡𝗼𝘃𝗲𝗺𝗯𝗿𝗲 - 𝗽𝗮𝗿𝘁𝗲 𝗜𝗜

Wonderland nel vivo della festa, quando tutto sembrava accadere nello stesso istante. Un tempo sospeso che abbiamo abitato insieme.

C’è un momento che ti è rimasto impresso? Raccontacelo nei commenti 💬

In foto: HO VISTO GLI ORSI DANZARE e BRIGITTE ET LE PETIT BAL PERDÚ di Nadia Addis (@addis_nadia); CI SONO COSE PIÙ IMPORTANTI DI CUI PARLARE - LE CARIATIDI e OTTANTANOVE di Frosini / Timpano (@elvirafrosini @daniele.timpani.3); JE VOUS AIME e PAS MOI di Diana Anselmo (@nata.aria); THE BRIGHTER THE LIGHT, THE DARKER THE SHADOW e L’AMORE DEL CUORE di lacasadargilla (@lacasadargilla); FALLEN ANGELS e DRAUNARA di Michael Incarbone (@michaelincarbone); QUAL È IL CENTRO?; THE HOUSE OF BEAUTY - Itinerario Centro Storico con Manuela Bondavalli (@i.dan.ce), Emmanuele Bettari (@manushki.io), Collettivo Ruth (Giovanni Consoli e Aichatou Cherif @collettivo_ruth), REQUIEM FOR A YOUNG SOUL di Charles Pas - Rint Mennes (@_charlespas_ @rintmennes); PROVE TECNICHE SULL’INFELICITÀ DIFFUSA di Umberto Maria Giardini (@u.m.giardini)

Gli spazi che abbiamo attraversato: Teatro IDRA (@idra_teatro), MO.CA - Centro per le Nuove Culture (@mo.ca_brescia); Teatro Sant’Afra (@teatrosantafra), Cavallerizza - Centro della fotografia italiana (@cavallerizza.fotografia), Spazio Arte Duina (@spazioarteduina), Matrici Aperte (@matrici.aperte)

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✶ La rubrica dedicata ai momenti condivisi di Wonderland Festival 2025: non è un archivio completo, ma una costellazione di momenti che raccontano l’esperienza del festival.

#wonderlandfestival #idrateatro

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