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Marko Gutić Mižimakov

@akvae

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(mostly Brussels, sometimes Zagreb, sometimes Skopje)
co-org of @poslijesvijet

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After two years back at @ricerca_x (Lavanderia a Vapore, Collegno) — where mountains are either as close as a kiss or gone like a ghost…

Grateful for the dedicated company of William Mazzei, Jovana Malinarić, Yasen Vasilev, Ambra Pittoni, Elisa d’Amico and Francesco Dalmasso, in our recurring attempts to make sense of artistic research.

Surrounded mostly by asphalt, it feels as though we are walking the bogs, trying to sense where human steps might hold. It seems to happen where riddles find us sustaining each other…

👣 How can dramaturgy — the making-agentive of actions — be developed through the body rather than through the “intellectual mind”?

🪄 How to tweak artistic disciplines so they no longer disable forms of fundamental investigation and of figuring-it-out?

🪩 How to declare our alterity as a means of production while making sure everyone involved can own and celebrate the process.

🕳️ How can we become truly plural — maintaining and cherishing difference — opposed to being tricked into illusory sameness?

🔮 What kind of excellence and virtuosity do we inspire for if to avoid provoking idealizing worship or inducing inferiority?

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Što ne vidimo može nas dotaknuti
Catalina Insignares
11.10. | 15–18 h
TALA PLE(j)S, Radnička 27, Zagreb

Pozivamo vas na radionicu umjetnice, koreografkinje, plesačice i dramaturginje Cataline Insignares.

Radionica istražuje načine uspostavljanja odnosa s nevidljivim kroz tijelo, dodir, glas, slušanje i pažnju. Koristit ćemo prakse dodira, vokalizacije, dubokog slušanja i kolektivne usmene poezije, istražujući kako tijelo i prostor mogu postati mjesta razmjene informacija koje naše oči možda ne vide.

Catalina Insignares @rubiolainsignares je koreografkinja, plesačica i dramaturginja rođena u Bogoti, a od 2010. živi i radi u Europi. U svojoj praksi istražuje senzorne i fikcionalne mogućnosti tijela i dodira te načine komunikacije s nevidljivim. Kao pedagoginja i mentorica surađivala je s programima DAS Choreography, P.A.R.T.S., University of Giessen i Antwerp’s Conservatory, a trenutno predaje na Master programu Live Art Forms na Akademiji likovnih umjetnosti u Nürnbergu.

Radionica se održava u suradnji festivala PoslijeSvijet i programa Glasno pitanje / Tjelesno vokalni laboratorij.
Mjesto na radionici možete rezervirati prijavom do 9.10. na lana.hosni@hotmail.com.
Radni jezik radionice je engleski.

Vidimo se 11.10. u TALA PLE(j)S! @tala_plejs

photo: @alanjeuland

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𝕳 𝕺 𝕷 𝕷 𝕺 𝖂
𝗖𝗮𝘁𝗮𝗹𝗶𝗻𝗮 𝗜𝗻𝘀𝗶𝗴𝗻𝗮𝗿𝗲𝘀
𝗽𝗿𝗲𝗱𝘀𝘁𝗮𝘃𝗮
𝘂 𝘀𝘂𝗿𝗮𝗱𝗻𝗷𝗶 𝘀 𝗽𝗿𝗼𝗴𝗿𝗮𝗺𝗼𝗺 𝗚𝗹𝗮𝘀𝗻𝗼 𝗽𝗶𝘁𝗮𝗻𝗷𝗲
𝟭𝟳.𝟭𝟬. 𝟮𝟬 𝗵
𝗧𝗔𝗟𝗔 𝗣𝗟𝗘(𝗷)𝗦, 𝗥𝗮𝗱𝗻𝗶č𝗸𝗮 𝟮𝟳 @tala_plejs

𝕳 𝕺 𝕷 𝕷 𝕺 𝖂 nastanjuje polufikcijski lik koji rezonira s pričama i nevidljivim zvukovima što ih nose zidovi, pod, strop, kosti, vene, utroba i predmeti koje sa sobom donose drugi. Njezino grlo i glas pojačala su frekvencija koje kruže materijom. Stvari imaju žile, a tim žilama prolaze krhotine i ostaci života.

Različite pjesme i tekstovi pojavljuju se unutar kanala podešavanja, satkanog od šumova, zvukova i sjećanja. Glazbenica 𝗦𝗵𝗲𝗿 𝗗𝗼𝗿𝘂𝗳𝗳 materijalizira se kao jedno od tih pojavljivanja, pridružujući se izvedbi nizom pjesama u onome što nalikuje posthumnom kabaretu.

𝕳 𝕺 𝕷 𝕷 𝕺 𝖂 poziva publiku na usklađivanje sa suptilnim strujanjima koja prolaze kroz tijela i prostore. Kroz suptilni pokret, svjetlo i zvuk, nevidljivo postaje opipljivo, od nečujnih vibracija do dodirljivih tišina. Otvara se prostor u kojem se osjetilno i fikcionalno prepliću, a svaka rezonancija ostavlja trag.

𝗞𝗼𝗻𝗰𝗲𝗽𝘁 𝗶 𝗶𝘇𝘃𝗲𝗱𝗯𝗮: Catalina Insignares @rubiolainsignares
𝗚𝗼šć𝗮: Sher Doruff @sher_doruff
𝗗𝗿𝗮𝗺𝗮𝘁𝘂𝗿𝗴𝗶𝗷𝗮 𝘀𝘃𝗷𝗲𝘁𝗹𝗮 𝗶 𝘁𝗮𝗺𝗲: Carolina Mendonça @carolmendonca
𝗢𝗱𝗿𝗮𝘇𝗶, 𝘇𝗿𝗮𝗸𝗲 𝗶 𝘀𝗷𝗮𝗷: Leticia Skrycky @leticiaskrycky
𝗗𝗶𝗼 𝗸𝗼𝘀𝘁𝗶𝗺𝗮: Anna Schall @zerfix__
𝗙𝗼𝘁𝗼𝗴𝗿𝗮𝗳𝗶𝗷𝗲: Alan Jeuland @alanjeuland

𝗩𝗶𝗱𝗶𝗺𝗼 𝘀𝗲 𝟭𝟳.𝟭𝟬. 𝘂 𝗧𝗔𝗟𝗔 𝗣𝗟𝗘(𝗷)𝗦!

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𝕻𝖔𝖘𝖑𝖎𝖏𝖊 𝕾𝖛𝖎𝖏𝖊𝖙 · 𝕬𝖋𝖙𝖊𝖗 𝖂𝖔𝖗𝖑𝖉

𝟐𝟎𝟐𝟔

Swipe for program timetable!

Let us call this moment of transition — from a roughly four-hundred-year-old rationalist epoch toward an unknown age — AfterWorld [PoslijeSvijet]. Instead of catastrophe, the end perhaps opens up the possibility for us, as cultural workers, to shape artifacts that carry different values into the new epoch, introducing something unknown or magical into a plastic reality shaped by language. Magic as a network of relations, in place of the imperative of linear progression of economic-technological progress; as gestures of listening that precede any agreement; a ceding of space without knowing what will actually emerge. At a moment when what is recognizable to us is rapidly disappearing, we propose AfterWorld as a speculative, transportable object, or a bridge toward another world. Resisting canonization, it is an artifact that strives so that something — perhaps entirely unlike itself — might continue after it.

(web and details coming soon!)

Nazovimo ovaj trenutak prijelaza iz četrstotinjak godina stare racionalističke epohe, prema nepoznatom dobu, PoslijeSvijet. Umjesto katastrofe, kraj nam možda otvara mogućnost da kao kulturne djelatnice oblikujemo artefakte koji u novu epohu prenose drugačije vrijednosti, unoseći nešto nepoznato ili magično u plastičnu stvarnost oblikovanu jezikom. (Campagna, 2013) Magično kao mreža odnosa, u zamjenu za imperativ linearne progresije ekonomsko-tehnološkog napretka, kao geste slušanja koje prethode bilo kakvom dogovoru, ustupanje prostora ne znajući što će zapravo nastati. U trenutku kada ono nama prepoznatljivo ubrzano nestaje, predlažemo PoslijeSvijet kao spekulativni prenosivi objekt ili most prema drugom svijetu. Odolijevajući kanonizaciji, ono je artefakt koji teži da se nešto možda njemu posve ne nalik, može nastaviti nakon njega.

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Recursive Accident by Marko Gutić Mižimakov @akvae (Galerija Manuš @galerijamanus ) at miart 2026 @miartmilano

Looking back at the Emergent section of the 30th edition of miart, I had to stop and deeply appreciate this visual research by Zagreb-based artist Marko Gutić Mižimakov.

Automatically, my mind linked these pieces to the dismemberment of an entity caught in constant resistance. But far beyond a mere medievalist or aesthetic whim, the recursive signal appears here as a cast and a low relief. Mižimakov recalls the organic architecture of a conch shell—not through a direct representation, but by applying its logic to a medieval glove, scanning and modeling it through an acrylic material that undergoes a thermal mutation.
Through this process, the artist replicates himself as a perfect idea, generating artificial echoes within a digital matrix. He embeds his own intimate parts, cast in plaster, which remain protected high above by the knight's armor gloves.

It is a stunning visual paradox that echoes Plato’s allegory of ideas and replicas. Beneath the surface, it hides a powerful metaphor: it fragments memory and presents a brutal, transmaterial critique of how technology reshapes us. It explores a fragmented identity through the strict boundaries between protection and restriction, absence and presence—a post-medieval laboratory where the body is no longer a whole, but a series of scattered, memory-charged textures.

#MarkoGuticMizimakov #GalerijaManus #miart2026 #ContemporarySculpture #EmergentArt

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20. izdanje festivala! Nastavljamo zamišljati i graditi infrastrukture koje omogućuju pravo na umjetnički rad nama i drugima.

Kad govorimo o infrastrukturi, mislimo na materijalne uvjete rada, ali i na mrežu odnosa i radnji: slušanje, ustupanje, povjerenje. Zanima nas građenje poroznih i razgradivih struktura i oblika koji ne počivaju na zahtjevu vlastite trajnosti, već na razumijevanju konačnosti, prekida i nestajanja.

Imaginarna infrastruktura 𝐏𝐨𝐬𝐥𝐢𝐣𝐞𝐒𝐯𝐢𝐣𝐞𝐭 za nas je most na kojem možemo privremeno stati. Tu smo i nismo više tu. Puštamo da to bude dovoljno kao uvjet za ono što još nema svoj oblik.

Detaljne informacije o programu, raspored i pregled lokacija stižu uskoro!

— Sonja Pregrad, Tea Kantoci, Dora Brkarić & Marko Gutić Mižimakov, umjetnički tim festivala

@pre_pre_pre_sonja
@tea.kantoci
@dorabrkaric
@akvae

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На 24ти август во Куршумли Ан, во рамките на 17. издание на @makedox се оддржа македонската премиера на Руини.
Неизмерно сме благодарни на публиката и домаќините за прекрасните реакции и магичната ноќ 🎬❤️✨

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По повеќе години работа, посветеност, истрајност и љубов кон овој филм, конечно дојде моментот кога „Руини“ ќе го прикажеме пред македонската публика. ❤️

Превозбудени сме што нашата македонска премиера ќе се одржи на @makedox , фестивалот кој со години го слави документарниот филм и неговата моќ да отвори важни прашања, да зачува спомени и да ни помогне повторно да ги погледнеме приказните околу нас.

Едвај чекаме да го споделиме филмот со вас.
Се гледаме на Македокс, 24.08.2026. 🎬❤️
#самосонотестварност

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Marko Gutić Mižimakov & Paula Tončić
Razbojna

📍 Museum of Modern and Contemporary Art, Rijeka
🗓️ 17 July – 30 August 2026

.
...Razbojna emerged as an open-ended, unfinished process of encounters with a context: the city and its surroundings, the space and institution of the museum, our encounter with one another, and new collaborators and friends. The works presented here trace this process, revealing our shared interest in the materiality and temporality of moving images and sound, as well as in things that have aged, become worn, and fallen into decay...

Marko Gutić Mižimakov is a visual, performance and text-based artist living between Brussels and Zagreb. They are interested in shaping sensory materials through intimate, collaborative and social processes. Together with Paula Tončić, they participated in the Kamov Artist Residency at the Museum of Modern and Contemporary Art in Rijeka, awarded as part of the 37th Youth Salon Prize.

Paula Tončić (b. 1997, Zagreb) is a visual artist based in Berlin. Her practice investigates archiving, materiality, and the boundaries between reality and fiction. Her work She Plays with a Knife received the Grand Prix at the 37th Youth Salon. Together with Marko Gutić Mižimakov, she participated in the Kamov Artist Residency at the Museum of Modern and Contemporary Art in Rijeka.

—

Photo 1: Paula Tončić & Marko Gutić Mižimakov
Photos 2–3: Sandro Matešin

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Hi dear Ghent, I am looking for a place to rent from the 10.09 - 10.11. (Dates can be discussed). A room in a flat share, a studio apartment or an extra room, all options are great!! Thanks for sharing, Martin <3 | mail: siewekemartin@gmail.com.

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^^^

Recursive Accident: Holding
(gauntlets pair 2)
[2025]

by

Marko Gutić Mižimakov

for

Galerija manus

at

Miart 2026

[aluminium sheet, metal glove, engraving, thermoplastic
40 × 17 × 30 cm]

#miart2026
#artweek2026
#artecontemporanea
#artmarket
#igmilan

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