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@aliasbyalien

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Finding inspiration elevates us; that is why I approached it by viewing it as a composite of emotions.

In the case of Inspicio, created in collaboration with @aliasbyalien and @serpentineuk, data is drawn directly from the brain: an EEG records seven fundamental emotions in real time and transforms them into a 3D data sculpture; this sculpture then serves as a latent input for a generative model to create the final image.

Each work originates from a person’s emotional state at a specific moment, once that state has been measured.

#digitalart #aiart #genrativeart #neuroart #sciart

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I love mixing abstract and figurative elements, code and sound.

I gave this piece, made during my
@serpentineuk @aliasbyalien
residency, a little update.
@googleartsculture

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Beyond AI now and getting into reverse-AI in search of the real - getting ready for the new ZDrilX dj set and the respawning of my 1999 album of electrofunk (the original analog Extrabonus is on all major streaming platforms) yahaaaaa and also the exhibit at @nullidgallery (DJ set by svartasand on the first night / opening) is next month yahahahaaa 2x #reverseAI #human (original self trained model using @aliasbyalien tools and expedited into the real world before being reinterpreted)

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original analog @zdrilx funky analog electro recording master reseeded in self-trained model and other intel before manual human editing and finalizing with some experimental hallucinating groove AI haha - soon a rerelease of the original ZDrilX songs from 1999 (still available on all major streaming platforms)

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Who’s who in Web3 👀

This third article by Fanny Lakoubay looks at thematic marketplaces: platforms that combine curation with a clear focus on one genre, whether that’s generative art or AI art. They are highly specialized, often appealing to collectors who want to go deep into a specific sub genre of blockchain-based art.

In Part 1 of this series, we explored open marketplaces and aggregators - platforms open to all, where anyone can mint and trade. In Part 2, we turned to curated marketplaces, where access depends on a selection process and the emphasis is on reputation and quality over volume.

Join 100 collectors to access the whole article and more. For contemporary and digital art collectors.

@fanny.lakoubay #web3marketplace #marketplaceart #artmarket

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long time project of revisiting the oldie 1999 zdrilx album (still streaming on all major platforms) coming up soon yahahahahhaa 🎉💃🪩🕺🤪🥳

original analog recording master reseeded in self-trained model and other intel before manual human editing and finalizing

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seventh album to celebrate 30 years + of webart on the zzz.ch website - Brebis on all streaming platforms - the name of the first officially cloned mammal - infinite slop will continue but with less constraints whahahahaha
infiniteslop.net for the project

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2025 | Thank you so much for everything ✨

This year changed my life and it would not have been possible without all of you. If 2024 was the year of finding the way, this 2025 has been the year of traveling it with an open heart and immense gratitude. I look back and I find it hard to believe everything we have built. It has been an unforgettable journey, not only for the destinations and exhibitions, but for the depth of connections and personal growth that each work brought with it.

From Buenos Aires to Florence, from Paris to Mexico City, my art has taken me to places I never imagined, allowing me to share my vision of the present and my dreams about the future with audiences from all over the world. It has been an honor not only to create, but also to accompany and advise new projects, returning a little of everything this space has given me.

This year I celebrate achievements that fill me with pride and I participate in residences that challenged my creativity. But beyond the achievements, what remains is the community, the constant support and the conviction that art is the bridge that unites us all.

Milestones of this year:

• Global Exhibitions: We take my work to Buenos Aires (E. Point, Palacio Libertad), Italy (Florence, Milan, Bologna), Portugal (NFC Summit), France (Paris, Saint Denis, Neuilly sur Seine), Spain (Madrid, Barcelona, Alicante, Bilbao, Seville, etc.), Mexico (CDMX) and United States (NY).

• Residences: Digital Residence with SerpentineUK FAE x Alias Studio and Primavera Digitale; in addition to my role as an Advisor in Digital Renaissance and Digital Syncretism.

• Releases: My total gratitude for the success of the Dogma, Vertigo, Sententia, Aura and Origo collections.

• Publications and Media: Interviews and releases in SuperRare, Objkt One, Objktor, Prima Monza, and the podcast “Sundays are for Contemplation”.

Thank you to each of you for believing in my work. The best is yet to come.

Dedicated with all my love and gratitude to the memory of Claudio H. 🤍🙏✨

#digitalart #generativeart #aiart #quantumart #dataart

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Портрет эпохи рилсов и скидок / №14

Номер с видом на море.

P[ai]nting art, 2025
.
.
.
#digitalart #paintingart #neuralart #aiart #postdigital
#russianart #trashaesthetic #postirony #newrealism #visualdiary #pai_ntingart #натюрмортэпохирилсов #damntrue #artguide #xuxoe

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Embodiment is a reclaiming of the body in the age of algorithmic control. Drawing from images of past performances rooted in sculpture, movement, dance, and mythology, the series extends a physical practice into the digital realm.

These figures emerge through a dialogue between human memory and machine interpretation. The Goddess body (powerful, sensual, cyclical, and connected to the natural world) becomes a symbol of resistance, echoing a time when the body was sacred rather than surveilled.

« Our Time Is Also the Future: New Corporeality » curated by Anika Meier @anika (The Second-Guess @thesecondguess ) for @cifraworld created with @aliasbyalien

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Limit Lag (2025)

A human gaze occupies the upper third; the rest dissolves into procedural haze. Interfaces play the role of judges: the
“No fast hours left” banner reads like a verdict, time becomes currency, and subscription turns into bail.

In the center is a bubble with the word MERMORY written on it, where not only memory is read, but also mer–mory – as a failure in the very structure of memory.

This is not just an error, but a human echo in the digital interface.
The word LIMIT becomes a boundary between perception and overload, between man and machine.

Where memory is no longer internal, but with a subscription.
The piece documents how creativity undergoes a proof-of-humanity hearing, where the right to continue depends
on paying for time.

P[ai]inted art,
Post-photography, mixed media (photography, AI generation, digital UI overlays).

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Short preview of a series of twelve abstract living pieces, each coded through Juno AI on @transient_labs
Images generated with my own models trained in @aliasbyalien

#generativearts #genai #abstractart #livingart #codeart

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