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Ali Ahmed

@alielsayed.15

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High cinema institute
cinematography
In light we trust 🎥💡

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The camera package we took into the desert. 🎥

For this project, every camera choice had a reason.

We chose the ARRI ALEXA 35 for the night scenes, taking advantage of its exceptional dynamic range to hold detail in both the highlights and deep shadows.

For the day scenes, we went with the ARRI ALEXA Mini LF, paired with Cooke 1.8x Anamorphic and Prism Filters to create the look we wanted.

For movement:
• Steadicam
• MoroCrane + Freefly MōVI XL
• RONIN R2 + EasyRig

The goal was simple: the right camera and movement system for every shot.

Photographed by: @ahmedmagedph @mohamedbayoume.official

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#XGlobal #CinemaEquipment #CameraRental #BehindTheScenes #OnSet

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$12 days. 300+ cast & crew. One mission. This is what it took. The final image lasts only seconds. What it takes to create it lasts much longer. Over 12 production days, 300+ cast and crew joined forces with the Ministry of Interior to deliver one of our most demanding productions to date. Every day brought a new challenge—from rough seas and underwater sequences to remote landscapes and large-scale practical fire scenes. Every frame demanded precision, planning, and complete trust across every department. These behind-the-scenes moments capture only a fraction of what happened before the camera rolled. To everyone who made this production possible—thank you. Full technical package in the first comment. ↓$

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