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Alison Wilding

@alisonrewilding

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Frieze main tent yesterday in the order I saw them: William Kentridge, Sheila Hicks, Alison Wilding, Salman Toor, Tacita Dean, Nada Elkalaawy, Joan Jonas, Tacita Dean, Jongsuk Yoon, Anya Paintsil, Anne Hardy, Kaye Donachie, Lynette Yiadom-Boakye, Lubaina Himid, Reggie Burrows Hodges, Filwa Nazer, Sarah Lucas, Hew Locke, no label, Janaina Tschäpe. Lots of other stuff I liked too but these are my faves.

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Opening this week: Alison Jacques is delighted to be participating in Frieze, London, 14 – 18 October 2026 (VIP Days: 14 – 15 October). ⁠
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Find us at Booth A25.⁠
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Alison Jacques is also participating in Frieze Masters with a solo presentation of Pacita Abad from 14 – 18 October (VIP Days: 14 – 15 October).⁠
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Robert Mapplethorpe, 'David Hockney', 1984. © The Robert Mapplethorpe Foundation. Courtesy of the Robert Mapplethorpe Foundation and Alison Jacques. ⁠
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Sheila Hicks, 'The Missing Piece of the Puzzle', 2026. © Sheila Hicks. Courtesy of Alison Jacques. Photography: Michael Brzezinski (@lelenthal).⁠
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Graham Little, 'Untitled (Chair)', 2022. © Graham Little. Courtesy of Alison Jacques. Photography: Michael Brzezinski (@lelenthal).⁠
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Flora Rebollo, 'Inside the Sun (A)', 2025. © Flora Rebollo. Courtesy of Alison Jacques. Photography: Ding Musa.⁠
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Gina Kuschke, 'The Mariner And The Whale' (detail), 2026. © Gina Kuschke. Courtesy of Alison Jacques. Photography: Michael Brzezinski (@lelenthal).⁠
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Frieze London. © Linda Nylind. Courtesy of Frieze. Photography: Linda Nylind.

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Upcoming programme at Room 10, Bow Wharf, London.

Simon Bedwell opens the space with “Everything is Great” on Thursday 1st Oct 6 - 8 pm. Bedwell is followed in November by recent Slade graduate Zane Drees (b 1999 in North Carolina, lives and works in Glasgow and London) in his first solo show anywhere. January 2027 then starts with the legendary British sculptor Alison Wilding presenting a new work.

Thank you to Alison Jacques gallery, who represent Alison Wilding, for their support.

@zanedrees @alisonrewilding @sladeschool #room10

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Gd sculpts on camera roll

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As part of our 15th birthday year, artists Alice Channer and Alison Wilding will be in conversation with writer and broadcaster Louisa Buck on Saturday 3rd October 💭

Our two recently opened exhibitions, A Living Collection and Rhythm, Dance and Everything, showcase large-scale, newly acquired sculptures that have been donated by the artists to Wakefield’s art collection.

In 2013, Alice Channer was commissioned by The Hepworth Wakefield to make a new body of work for her solo exhibition, Invertebrates, which included Homo Sapiens (Large) now on display in Rhythm, Dance and Everything.

Alison Wilding’s monumental sculpture Stormy Weather (1987) was gifted by the artist in 2025 and is on display in A Living Collection for the first time since its acquisition.

Learn more at the talk on Saturday 3rd October at 3pm. Tickets are £20 / £18 with a discounted price of £10 for Members.

Tap the link in our bio to book now 👆

Image one, Alice Channer by Christa Holka Studio (@christaholkastudio) and image three Louisa Buck by Thierry Bal (@thierry_bal.)

#HepworthWakefield #Wakefield #AliceChanner #AlisonWilding A portrait of Alice Channer stood behind a section of a metal sculpture, which one of her eyes is hidden behind.

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An uplifting summer so far with people & places that feel like sun. 🤍

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For many artists, swimming pools have long provided inspiration for studies of light and movement, transforming a familiar, nostalgic setting into a compelling and multifaceted subject. Here are some of our favourite examples:

1: Derek Fordjour, Open Swim (2021)
2: Antonio Obá, Fata Morgana no1 (2022)
3: Jean-Robert Alcindor, Swimming Pool, Un Soir d’Été (2022)
4: Chang Wei-Chiao, Surrounded by Woods (2022)
5: Kate Longmaid, Pool Grid (2021)
6: Alison Wilding, Still Water, 2018
7: Katherine Bradford, Swing over Pool (2025)
8: Renée Cox, Missy by the Pool (from The Discreet Charms of the Bougie), (2009)

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Yesterday evening 7 July at Downing St, 3 MPs came out to speak about Dr Hussain Abu Safiya @dr.hussam73 imprisoned in Israeli jails for 18 months without charge or trial, now in grave danger after torture and solitary confinement. Good, clear, powerful speeches ... who will listen?
#johnmcdonnell #hannahspencer #jeremycorbyn
@alisonrewilding keeps the flag flying (on her birthday..)
All eyes now on #drhussamabusafiya, please spread the word if you can, in all directions. photographs @malimorrisstudio

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In accompanying order to our posts on @largeglassgallery, we are featuring books made by or of the artists in our current group show, Rumours, on for our 15th anniversary at Large Glass. Today is Alison Wilding, who’s featured work in the show is her Badapples, 2012. As such we are showcasing here the book Alison Wilding, by Jo Applin and Briony Fer.

Alison Wilding is one of Britain’s foremost sculptors. Tracing the trajectory of her artistic evolution, this original publication provides the first critical survey of Wilding’s rich career.

Known for her use of contrasting materials and often pairing forms in precarious juxtapositions and balancing acts, recent works combine string, steel and hair, mirrored glass, silicone rubber, alabaster, sand and painted foam. Resisting categorisation, Wilding’s sculptural language steps beyond the so-called ‘new sculpture’ which emerged within Britain in the 1980s, to embrace the European and American vocabularies for producing large-scale abstract sculpture that appeared from the 1960s onwards.

Drawing on extensive interviews with the artist and referencing numerous secondary sources, this impeccably researched and beautifully produced publication will situate Wilding’s work within its rightful place in the history of modern abstract sculpture.

‎Lund Humphries
2018
Hardcover
24 x 27cm
192 pages

£40

Please do come to our anniversary show, and if you wish to purchase a copy of this book please enquire on DM or Email, to be found in our bio and website.

#independentbookstore #alisonwilding #photographybook

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Today’s work from our anniversary show, Rumours, is…

34. Alison Wilding, Badapples, 2012
Cast in black wax
6.5 x 11.5 x 7 cm
Exhibited in: With an Apple I will Astonish, 2013

“Secretive, transgressive, tight, crisp, bitter, sustaining and sweet, apples run through our culture like a small, firm promise in our hands. Both simply domestic and densely resonant, the apple has inspired countless artists and writers. It remains a symbol, not only of sin and The Fall, but also of knowledge, life, love and hope.” [A L Kennedy, press release]

Come and visit us, we are open Wednesday to Saturday, 11am-6pm.

#Rumours #15thAnniversary #largeglassgallery #AlisonWilding #A.L.Kennedy

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New frames for old favourites. #prints #exhibit @serenmorganjones @olivia_bax_ @alisonrewilding

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A morning of looking, talking and deliberating – judging the Jack Goldhill Sculpture Prize for this year’s Summer Exhibition at the @royalacademyarts

#SummerExhibition #RoyalAcademy #JackGoldhillPrize #Sculpture

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