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MOONGATE EP is out now.
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@amalgam510 and I have been working on mixes/masters for his upcoming release in the last few days at @haciendamastering. I’ve introduced a new practice of patching artists’ DAW digitally into the source channel of my mastering DAW so that I can build a mastering chain on the couch while the artist refines their mixes in the mix position. It has been a very effective, organic, and linear system for completing mixes/masters so far. 

On Dillon’s second day at Hacienda @slackshane and @gekkobass developed a new classification of maximizer never seen before in audio which operates on alternate mechanics to traditional dynamic processing and is capable of raising perceptual detail/fullness without impacting dynamic range/peak level/distortion/harshness. We used this processor on its first ever master with one of Dillon’s tunes.

Our forthcoming plugin got some use on this album not only for mastering, but also for sound design purposes on basses in the mix stage and it proved more than capable for this application as well.



This plugin has received praise from multiple grammy winning engineers, industry leaders in electronic music, and purist/audiophile engineers in the last week alone, and we are working tirelessly to finalize it so you can all try it out.

Great couple of days at the studio, both Dillon and I both picked up some great new tricks.
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