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radios et DJ ◖ᵔᴥᵔ◗ ♪ ♫
multitasking avec @ondorphine
programmation/régie chez @egrego.re
résidence sur @laceradio
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HELLO ❣️took me a while but been meaning to talk abt this ever since.. so beware biggg threadd on sound tech crew memori festival report incominggg 👻🌿( if u feel like reading hehe)..

During my past years of sound-system tweaking and organizing full DIY raves, I've never really come across a fully FLINTA-led tech team, or even a majority-FLINTA collective, besides a few rare, noticeable exceptions that were clearly a once-a-year encounter for me (CRTTR crew, FBM, Psst, Reef Parties, Subglow, and recently Tornadao Riddim Festival.. i'm maybe forgetting a few here). It was also my first time managing this many stages, and recruiting for that a crew of backline/sound-tech volunteers, so I felt eager to share my experience here... 

Many months prior to Memori , Victoire (victoire vital) and I were asked to collaborate on the festival as backline managers (in short, managing the stages and audio equipment for artists, CDJs, mixers, cables, mics, and so on.. organizing soundchecks, ensuring the flow of performances, and being the bridge with the sound techs..) on the four stages Lux, Aura, Unda, and Mentis, with a team of our own choosing......

 

It was months of thinking and planning with Victoire, as we wanted to build it in a way that fit our beliefs, and, more broadly, the desire to make it "safer," to create a cocoon that could limit the sexist realities of this usual field of work. It was only natural for us to want to build it with a majority flinta crew. We wanted to give flinta techs the opportunity to connect more and have more opportunities in the scene, and it also made sense to recruit people who were less at ease with audio but wanted to learn more about it, as well as about party organizing in general. We built our team around this idea of hopefully sharing bits of knowledge and bonding with our crew.

While in the heart of the festival's action, I felt every day the opportunity to experiment with it differently than how it's normally designed, or rather how I've seen it done, and to shape-shift it to make it my own. Jobs in the "normal" world always have this hierarchical aspect of being already defined and contoured for their area of action by
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On est hyper contents de vous annoncer la programmation finale ! Avec de jolies surprises à la clef.

Il reste encore quelques billets, le lien est dans la bio 🌞

Malheureusement, Angel Rocket ne pourront pas être des nôtres certes année.
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Depuis un an et demi maintenant, j'ai la chance de collaborer régulièrement avec le collectif et label bruxellois @encore_dub 👀

Des affiches de leurs événements aux artworks des releases du label en passant par l'habillage du BandCamp et au merch, j'ai pu développer un langage graphique fort : un typogramme aussi imposant qu'un stack d'enceintes bien sanglé, et des illustrations convoquant des micro-scénarios du monde du vivant, dans lesquels on ne sait plus qui est qui.

Leur prochain événement aura lieu le 25.07.2026, avec un open air qui mutera une fois la nuit tombée en after fiesta, si vous êtes dans le coin de bxl, allez y jeter une esgourde !!

Merci énormément @elisethere___ @gustave_retour @tresque_v_d.incise @_carrageenan_ et C_C de la @distomobile 🤍🤍

#graphicdesign #partyposter #dubwise #typography
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