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Hot animation, coming thru 🍳 Indie animation iconoclast Amy Lockhart @amy_logheart comes to @lafilmforum @2220arts September 27th showcasing her wild and wonderful films. I’ll be moderating a Q&A with her after the program!

Lockhart’s work finds power in imperfection and danger in sweetness. Care becomes control. Pleasure ferments into menace. The lines stay flat, the jokes stay deadpan, and nobody seems particularly interested in behaving.

Her women are soft, sharp, grotesque, glamorous, stupid, powerful, pathetic, and sometimes all of those things at once. Nobody here is disposable. The sweaty, the silly, the maligned; what if we loved them anyway?

Ticket link 🎟️ in bio

Notes, program, and flyer by yours truly
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LA Filmforum presents (っ◔◡◔)っ 
Mercy for the Messy: The Films of Amy Lockhart 

So so excited for this September 27th solo screening of the work of Amy Lockhart! Amy Lockhart is one of the defining voices in contemporary independent animation and one of my all time favorite filmmakers using animation.

Her films are full of cartoon superstars, sweaty women, domesticity, mass media meltdowns, and bodies pushed well past good taste. Her women are soft, sharp, grotesque, glamorous, stupid, powerful, pathetic, and sometimes all of those things at once. Nobody here is disposable. The sweaty, the silly, the maligned; what if we loved them anyway?

Lockhart’s work finds power in imperfection and danger in sweetness. Care becomes control. Pleasure ferments into menace. The lines stay flat, the jokes stay deadpan, and nobody seems particularly interested in behaving.

New trailer for her upcoming project, The Dizzler, to be included!!

Q&A to follow the program with @amy_logheart and myself.

Ticket link in bio. This one will sell out so get your ticket in advance.

Notes & program by 👋 
@amy_logheart @lafilmforum @2220arts
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This Friday, Aug 21st at 2pm 🍿Come eat popcorn and watch animation with us at @low_cinema! Get tix at the link in our bio. Come early, the space fills up quickly! 💃🏼💃🏼💃🏼

Sound for trailer from George Griffin’s film, VIEWMASTER
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