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No te pierdas el show en el Kaseya sept 21/2025 #AtacaSergio https://www.ticketmaster.com/event/0D0062DA7CB40CFB
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FOR YOUR GRAMMY® CONSIDERATION
IF THESE WALLS COULD TALK

Jorge Mejia & The London Symphony Orchestra
Listen to the album - Link in Bio

I composed If These Walls Could Talk from questions I was trying to answer. Sitting in my studio apartment at 221 Collins, surrounded by walls more than a century old, I would wonder whose lives - and whose loves - had passed through those rooms. Had anyone died there? Had anyone prayed there with the intensity of the condemned? Had anyone loved with the wonder of a new heart opening up?

Those questions became a three-movement piano concerto, which I recorded at Abbey Road Studios with the London Symphony Orchestra, conducted by Ricardo Jaramillo, produced by Julio Reyes Copello, and with me at the piano.

I composed the music first. By the time we made the recording, I was still working on the stories that would accompany each movement. As those stories took shape, they became an integral part of the piece.

The first movement became Irving’s story. He buys the building sight unseen in 1926:

“He bought the building against the advice of his father and with money borrowed from a brother who still wasn’t speaking to him.

Three days later, the storm hit, like a fist from the bottom of the world…”

The second movement is Sofía’s story: a pianist turned nurse who finds love unexpectedly in the halls of 221 Collins:

“Sofía was a pianist before she was a nurse.

But when the war, the big war, took her brothers, it also took the sound from her hands.

She enlisted as a nurse with the Red Cross and found herself in Miami Beach.

She met Danny by accident. Or maybe by rhythm. A cough. A hallway. A sentence spoken, and then an answer, like a chord resolving.”

The third movement is Elena’s story, a former actress now facing her mind slowly fraying around the edges:

“Years ago, Elena had been someone. An actress, a singer. Guest arcs, nightclub sets, a face people recognized. Then… not.

Over time, the edges of things began to blur. Gently, like fabric worn thin by weather…”

FOR YOUR GRAMMY® CONSIDERATION
IF THESE WALLS COULD TALK

Listen to the album and read the stories - links in bio
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“deditos cruzados” out now! 
Estoy más que agradecida de ser parte de una canción tan divina, tan real y con un mensaje que siento tan relevante hoy. 🤍

Para mí, esta canción es atemporal. La armonía de dos voces, cada una con tanta emoción, tanta historia y tanto corazón, me conmueve profundamente.

Me siento infinitamente agradecida de que exista una orquesta, una producción y un equipo que hayan abrazado esta canción y la hayan acompañado de una manera tan hermosa. No puedo dejar de decirlo: estoy MUY agradecida y MUY orgullosa de llegar a este lanzamiento. Mil gracias a @billboardlatin por tu apoyo desde el primer día de esta canción. 

Gracias, gracias y gracias una y mil veces a todo mi equipo por creer en mis sueños, por hacerlos realidad y por cuidar cada detalle de este camino conmigo.

Qué regalo poder compartir esto con ustedes. 🤞🤍

Producer: Julio Reyes Copello

Programming: Julio Reyes Copello

Songwriting: Riza Godoy, Pablo Alborán, Julio Reyes Copello, Olivia Aita, Amalfi Gomez

Guitar: Daniel Uribe

Additional string arrangement: Anthony Josep

Percussion: Juan Guillermo Aguilar

Orchestra: The City of Prague Philharmonic Orchestra

Orchestra Concert Master: Lucie Svehlova

Orchestra Conductor: Richard Hein

Orchestra Contractor: Josef Pokluda

Orchestra Music Supervisor: Leigh Phillips

Orchestra Translator: Stanja Vomackova

Recording Engineer: Julio Reyes Copello, Natalia Schlesinger, Daniel Riaño Restrepo, Robin Reumers, Daniel Uribe, Juan Guillermo Aguilar, Jan Holzner

Vocal Engineer: Natalia Ramírez

Assistant Engineer: Ana Barten, Santiago Borja

Mixing Engineer: Lewis Pickett

Mastering Engineer: Ted Jensen

Immersive Mixing Engineer: Daniel Riaño Restrepo, Natalia Schlesinger, Robin Reumers

Immersive Mix Studio: Zero Gravity at Art House Studios, Miami, FL, USA

Recorded at: Art House Studios, Miami, FL, USA and Smecky Music Studios in Prague, Czech Republic
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Neurosurgery brain researcher and principal investigator by day. 🧠
Concert pianist by night. 🎹

#brahms #pianist #neuroscience #musicmedicine #eeg
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Qué regalo mirar alrededor y ver a tantas amigas y colegas que han sido parte de mi camino 💙

Gracias por estar, por apoyarme, por celebrar mis sueños como si fueran propios y por acompañarme en una noche tan especial.
📸: @renephotoz
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Did you know that training to become a concert #pianist requires more hours of deliberate practice than it takes to train a #surgeon and an #astronaut combined? Pianists’ brains are structurally and functionally different—significantly larger corpus callosum and gray matter volumes in motor, auditory, memory and sensory regions. Sharing a glimpse of my rehearsal in preparation for a presentation attended by King Philip VI of Spain in Madrid, integrating brain-computer interface (BCI) visualization designed in collaboration with @badiekhaleghian and @zetoeeg. #peakhumanperformance #neuroplasticity
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