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Anna Guseva

@annagsv

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Based in France
PhMuseum 2024 Women Photographers Grant & Gomma grant 2024 finalist

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The wonderful work of @annagsv this morning! Starting the day right 🌿⚪️⚫️🫧 #dominofilmphoto

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Photo @annagsv
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“And the sun became black as sackcloth and the moon became red as blood”

Submit your work and send to our team for a chance to be published!
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#fotoslovo #fotoslovophotographer

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⚫️⚪️cyclus — by the ever talented @annagsv 🌿🤍

#dominomag

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Anna Guseva - Russia based France
The black night calls my name»
I was born in Russia in 1994. It was a turbulent period after the collapse of the USSR, known as the „wild nineties.
„Though I was a child, the chaos of that decade left a deep imprint on me.
I remember well stepping over bodies of drug addicts sprawled in the stairwell. How syringes they used crunched underfoot during my walks near the house. The way grandma used to scare me with stories about rapists. How on New Year’s Eve, guys walked around with broken noses and spat blood. The unpredictability felt when seeing the chaotic trajectory of a car driven by drunks. The demonic symbols painted on the windows of the sectarians‘ apartment. How I hid in the corner when the doorbell rang because that’s how the scenes of murders and robberies began in the series. Crime shows ran nonstop on TV. For some, they fueled fears, for others – aggression.
The pessimism, anxiety, and suspicion formed during the 90s became a part of my identity and still manifest in me. But what if, in fearing aggressors so obsessively, I unwittingly absorbed their traits? Studying my own blind spots, I dread stumbling upon a monster nurtured in the nineties. The greatest threat to me is not diving into the frightening memories of that time, but the risk of confronting a predator within myself.
Trying to identify areas of uncertainty inside me, I come across the universal mechanism of unpredictability: the external environment influences us in ways that are impossible to foresee.
@annagsv

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Anna Guseva’s 𝐀𝐧𝐝 𝐭𝐡𝐞 𝐬𝐮𝐧 𝐛𝐞𝐜𝐚𝐦𝐞 𝐛𝐥𝐚𝐜𝐤 𝐚𝐬 𝐬𝐚𝐜𝐤𝐜𝐥𝐨𝐭𝐡 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐦𝐨𝐨𝐧 𝐛𝐞𝐜𝐚𝐦𝐞 𝐫𝐞𝐝 𝐚𝐬 𝐛𝐥𝐨𝐨𝐝 reflects on the turbulent years of post-Soviet Russia, where fear, violence, and survival shaped everyday life. By tracing the "wild nineties," Guseva delves into the roots of modern aggression, exploring her personal experience of growing up during a time of crime, poverty, and uncertainty.

Through this evocative work, Guseva invites viewers to consider how these early years of Russian history have influenced the current political landscape.

➔ Visit the 9th SIPF Portfolio Showcase to explore more diverse works by 20 other international artists.

📍Venue:
National Library Singapore, Plaza
100 Victoria Street, Singapore 188064

📅 Exhibition Dates:
23 Oct (Wed) – 24 Nov (Sun),
Tues to Sat: 11am to 8pm
Sun: 11am to 6pm
Closed on Mon and Public Holidays

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The SIPF (@sipfsg) is an international platform which aims to promote the arts and the appreciation of photography arts, as well as critical thought and academic discourse on photography in Southeast Asia. The festival is organised by DECK (@deck_sg).

Design by FACTORY (@work.byfactory)

#SIPF2024 #SIPFsg #DECKsg #photography #festival #artsg

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Focus Prix Révélation Saif x La Kabine,
@_la_saif
@lakabine.centredelimage

Suite des présentations des 31 finalistes dont leur travaux ont été présenté lors de la nuit de l'émergence à l'Archevêché 🌞

1. GUSEVA Anna, @annagsv
2.JOLY Lewis @lewisjoly
3.LANCTUIT Dimitri @dimitrilanctuit ,
4. LÊ VU France-Lan @francelanlevu
5. LIAUTAUD Juliette @juliette__liautaud ,
6. LLINARES Elise @elise_llinares & PERALDI Michel,
7.LOUBAT Ophelie @ophelieloubat ,
8. MARTIN Antoine @ant0inemartin
9.MILLERAND Camille @camillemillerand

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0_0_zero
Thank you everybody who participated and support our project. You can read interview about the exhibition at @platformb_art

Спасибо всем, кто участвовал в нашем проекте 0_0, на PlatformB вышло небольшое интервью о выставке в черногорской заброшке.

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#GreifEvents: Join the release of Issue 16, guest edited by @shirin__neshat, in #Paris as a part of @parisphotofair. 🎊 We are excited to be returning to @linapercuparis after last year’s lively Issue 15 launch party for another night of celebrating with our community!

In order to attend please #RSVP for Nov 9 on the event page on our website.

🕣 5 - 7.30 PM: Issue 16 Launch in Paris Photo’s Media Lounge, at the #GrandPalaisEphémère, Champ de Mars, Place Joffre, 75007 Paris

🕣 8.30 - 12 PM: Issue 16 Release Event with drinks and DJ Ludo Houdré (@nasamann_ @likefirestudio) @linapercuparis, 65 Rue Beaubourg, 75003, Paris

#dergreif #ContemporaryArt #LaunchParty #ArtExchange #VisualNarratives #ArtistGathering #ArtCollaboration #Photobook #ParisArtScene #ArtLaunch #contemporaryphotography

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Let the wolf howl in the night
by Anna Guseva

I moved from Russia to a French village founded more than 1600 years ago. In this closed and tight-knit community of the locals I felt like an alien element. As a representative of a distant and incomprehensible culture, I was constantly worried that the locals would not accept me. The fear of rejection was my companion at every meeting, in every conversation.
To overcome anxiety, I turn the processes happening to me into the world of images and perform symbolic actions in it. I resort to the archetype of the Wolf — this is how the name of the river on which the village stands, is translated from French. Its inhabitants call themselves “wolves.”
Wolves live in packs. A pack is a solid social unit. It features internal cohesion, social order, and hierarchy. A wolf protects the area from uninvited guests. This uninvited guest is me.
I want to figure out how I can get the Wolf’s favor. I’m going into the woods to find it. What if it’s following me? How do I recognize its presence? The forest’s wilderness is symbolic of the path I must take. The artifacts I find become evidence of its favor or punishment. I succeed in finding a way out of the forest — out of the dark into the light. This exit represents a victory over my anxiety. Now I can open my eyes and see the reality: the community is friendly to me. A journey toward true integration into a new place begins.

On view on our online magazine
LINK IN BIO

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#contemporaryphotography #wolves
#phototelling
#visualartmagazine

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Я обещала рассказать про выставку, что открыла в середине июля. ‘22-‘23 учебный год вела кураторский курс. Выставка «Где я? Где Россия?» — это итоговый проект курса. На нём сформировалась кураторская группа «Тигры совриска» @tigers_of_sovrisk. Наш проект о последней волне эмиграции и её возможных последствиях. Готовили его полгода. Провели предпроектное исследование, если коротко — выясняли ценности эмигрантов: что удалось сохранить при переезде, а что нет. Оформили исследование и открыли опен-колл для художников, отобрали работы.
Вместе с художниками кураторы размышляют о том, что такое дом, свобода, близкие, границы — и внутренние, и внешние, и государственные. Выставка показывает очень разные взгляды 15 художников по разные стороны границ России, Грузии, Франции, Португалии, Сербии.
Кураторское высказывание — это ещё и настольная игра, разработанная кураторками при чуткой поддержке @alinakolovska_cer. В игру можно сыграть прямо на выставке и почувствовать себя в шкуре эмигранта.
Нам кажется, что самое главное сейчас — в наше непростое время — сохранять связи и близость между людьми и не допустить искусственных границ в человеческих сердцах. Наша выставка — не только художественные высказывания, это ещё и пространство, которое связывает людей и создаёт новое коммуникативное поле.

Выставка продлится по 30.07 включительно. Осталась одна неделя работы выставки и ваш шанс её увидеть.
Время работы вторник-воскресенье с 16:00 до 21:00
Вавилов лофт, Зеленая лестница, 3421

Вход: рекомендован донейшн от 300 р.

#совриск #современноеискусство #тигрысовриска #эмиграция #гдеягдероссия #живурадилюбвииискусства #arteveryday #русскаяпустота #экзистенция #эстетикатишины #моевдохновение #details #contemporary #contemporaryart

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Список участников уже опубликован, а значит пора Вам их представить. Первая в нашем списке - Анна Гусева.

Меня зовут Анна Гусева, я визуальный художник, проживающий во Франции. В своих работах исследую темы духовного поиска, экзистенциального самоопределения, восприятия и осмысления смерти, сакрального мышления. Вдохновение черпаю в мифопоэтичности ранних фильмов Андрея Звягинцева, абсурдных образах в творчестве Дэвида Линча, а также в раннем и средневековом христианском искусстве и храмовом пении.

Самый важный для меня проект -- тот, которым я делюсь с вами. Он затрагивает наиболее актуальную для меня тему -- интеграция в сообщество местных жителей после эмиграции.

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Libreria

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