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@annatingmoller

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26/27‘ Konstakademin Bernadotte
27’ Franklin Furnace
26’ MacDowell
26’ NYSCA/NYFA Artist Fellow

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Algunas imágenes del final del verano en New Hampshire y New York. Gracias Marian y Edward @macdowell1907 por la invitación. Gracias dear friends and fellows por los momentos compartidos.

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What a productive, inspiring and uplifting month I just spent at @macdowell1907! What a gift to have had the freedom to create in this gorgeous place with these amazing people! I’ll forever be grateful.

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I recently completed a residency at the MacDowell Colony, where I continued work on my long-term project When Dogs Howl. I also had the opportunity to meet and share with distinguished artists from around the world and learn about their work.

Among the highlights of my residency was the opportunity to play piano four-hands with vibraphonist and composer Yuhan Su — on Leonard Bernstein’s piano!

I also completed one of the big band pieces for When Dogs Howl — my long-term work on the migrant soundscapes of Venezuelan refugees.

MacDowell is one of the greatest gifts on this earth. A place where artists can work free from the pressures of the world — the inspiring surroundings invite deep reflection, slowing down, and bonding. I felt seen, heard, inspired, and appreciated.
#macdowellcolony #whendogshowl #macdowellresidency

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the most special precious late summer at @macdowell1907 & my sweet 🌟 studio. i love everything 🌳🌕🍄‍🟫🪶🐞🌳🌳🌳🐿️🦌🐜🕸️🦉🌳

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I’m not cool and mysterious I just had to edit this because I clicked post too fast and had to add a caption later anyhoo here’s summer and shit

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There are spaces inside me reserved only for you.

O corpo como território. O território como superfície de inscrição.

O lençol é uma arquitetura mínima da intimidade: lugar de desejo, sexo, cuidado, ausência e vestígio. Sobre ele, os corpos deixam aquilo que não conseguem conter suor, sangue, lágrimas, memória.

Mas quem é esse you?
O amante. O desejo. O vírus. O Estado. A memória. O território.

Foucault pensou o corpo como lugar de exercício do poder; Anzaldúa, a fronteira como espaço de contradição; Butler, os corpos que podem ou não ser reconhecidos como vidas; Mbembe, o poder de decidir sobre quem pode viver e quem pode morrer.

Viver com HIV é habitar essa contradição: um vírus pode ser indetectável e sexualmente intransmissível, mas ainda produzir estigma, criminalização e fronteiras.

O mesmo corpo que pode ser desejado em um território pode tornar-se suspeito em outro. O mesmo desejo queer que constitui intimidade pode ser criminalizado.

O corpo torna-se território.
E o território, uma espécie de corpo.

O lençol torna-se, assim, uma cartografia íntima: uma superfície onde as fronteiras entre corpo, desejo, lei e território deixam de ser estáveis.

Não se trata apenas de perguntar quem pode entrar.

Mas quem pode permanecer, tocar, desejar e existir sem transformar o próprio corpo em explicação.

There are spaces inside me reserved only for you.
Talvez toda intimidade seja uma fronteira.
E talvez toda fronteira esconda uma intimidade que ainda não aprendemos a reconhecer.

Obrigaids @macdowell1907 and fellows pelo suporte ❤️

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This season marks the 41st anniversary of the Franklin Furnace FUND. Initiated in 1985 with the support of Jerome Foundation, Franklin Furnace has annually awarded grants to early career artists selected by peer panel review to enable them to prepare major performance art works in New York. This season, Franklin Furnace received 498 applications.

Congratulations to artists:

n:u (melissandre varin) @nu.melissandre.varin
Maxwell Abeles @maks_dude83
Jose Miguel Barreto @joseparejap
Mae Howard @swamp_witch__
Ianumeh @ianumeh
Angelina Laguna @angelina_laguna
Anna Ting Möller @annatingmoller
Tichacoco @tichacoco
Adrians Varella @anarkoartlab
Cherrie Yu @cherriechurro

This year’s FUND for Performance Art peer artist review panel met over 4 days in June to distribute a total of $83,500 to early career artists, the largest amount of FUND awards ever, with support Franklin Furnace received from Jerome Foundation, SHS Foundation, the Silicon Valley Community Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and the Board, Members and friends of Franklin Furnace. Thank you!

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Anna Ting Möller is an artist based in New York and Stockholm. Through sculpture, installation and material research, her work intertwines the life cycles of a kombucha mother culture with performative forms to explore care, monstrosity, and the formation of disruptive kinships.

"During my time at the residency, I gave myself time to experiment developing a skin suit by reworking and dehydrating scraps from previous projects. Creating a paste that I could sculpt and mold into new forms.

The process was a trial and error. In terms of producing an outcome, it was so, so successful, but that ultimately felt unimportant. What I valued most was the experience of working without fully knowing where the process would lead. The freedom in trusting the material and allowing uncertainties to arise.

Unfortunately, it is rare that I make space for that kind of openness in my everyday practice. My schedule is often structured around deadlines, expectations, and the pressure to complete things on time. At MASS MoCA, however, I was able to step outside of those routines. An opportunity to reconnect with experimentation and to embrace not knowing, follow intuition, and enjoy it!

Photo 1 by Thomas Logan, photo 6 by Silvia Ros.

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tick free or die

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90s at heart 🎧

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식물 하나에서 시작된 생의 연결고리가 꼬리에 꼬리를 물고 그에서 그로, 그날에서 다른 어떤 날로 계속 연결된다.
그들이 죽지 않고/못하고 영속하는 흐름을 머릿속에서 미처 다 정리하지 못한 사이, 전시가 끝나버렸다.
그리고 그사이 멀쩡해 보였던 주방등이 갑자기 떨어져 깨졌다.

매번, 다른 누군가가 된다 - 7.9.목 | 더윌로

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