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Ann Burke Daly

@anndaly.1

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Artist | 2026 CPW Upstate Photography Biennial, Kingston, NY | The Guardian | Brooklyn Rail | Sound Works, The Church | Hariban Awards Honoree 2025.
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#GreifGuestRoom: Guest Room is a format that fosters collaboration and sparks creative exchange. For this edition, curator Dr. Charmaine Toh (@charmaine.toh) joins Philippe Pirotte (philippe_pirotte), curator and art historian, to introduce the theme: “Black Box.” 📦 📍 Selection 9: ⚡ Ann Burke Daly & Marion Belanger (@anndaly.1 & @belangerstudio) ⚡ Asher Milgate (@ashermilgate) Ann Burke Daly and Marion Belanger are longtime collaborators whose practices merge conceptual and lens-based approaches to explore time, perception, and the traces of history. Their project “Night Studio: Temporal Dislocations (Obscure Traces)” montages their own night-sky exposures with marked negatives from the Harvard Astronomical Glass Plate Collection, creating speculative visual narratives that intertwine non-linear time, weather, feminist histories of astronomy, and the labor of looking. Through large-scale prints and daily notational processes, they honor the women “Harvard Computers” whose archival interventions shaped scientific knowledge, transforming astronomical documents into meditative works. Asher Milgate is an Australian artist whose photographic practice is rooted in lived relationships with land, memory, and cultural legacy, informed by years of walking and observing the environments that shaped him. His series “The Sun… Is My Religion” consists of fibre-based silver gelatin prints that are torn, sewn, and reassembled, turning the photograph into a physically worked object that embodies tension, rupture, and repair within the post-colonial Australian landscape. Through these materially altered images, Milgate proposes photography not as representation but as a site of belonging, where presence, dispossession, and spiritual connection to place converge. 👉 Head to dergreif.org to explore the full online exhibition 👈 Submissions hosted on @picter_com. We're partnering with the Deutsche Börse Photography Foundation (@dboersephotographyfoundation) to support the Guest Room format in funding curator honoraria. #DerGreif #GuestRoom #DeutscheBoersePhotographyFoundation #BlackBox #CharmaineToh #PhilippePirotte #ContemporaryPhotography
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Please join us for the opening! #YaleCCAM #ISOVISTGallery #IHolditTowardsYou
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Today - Friday March 19 - You are invited. Yale Women Faculty Forum “Art, Feminism, Dialogue” Professor Laura Wexler in conversation with thirty-year feminist collective, artists Marion Belanger, Mary Berridge, Ann Burke Daly, Laura Letinsky, Tanya Marcuse. 4pm, March 19 Link in bio to register Look forward to catching up with your posts IG folks. Coming off a six month soc media hiatus. @laura.wexler @belangerstudio @maryberridge @lthrice @tanyamarcuse @anndaly.1 @yale #feministcollective #womenartists
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Delighted to announce the publication of The Birthday Club portfolio in limited edition of 6. Since meeting at the Yale MFA program in the late 1980s, I’ve had the privilege to be part of a group of women artists: Ann Burke Daly, Laura Letinsky, Marion Belanger, Jennette Williams (1952-2017), me and Mary Berridge (in order of the image details). We’ve been meeting to discuss work in progress and to celebrate milestones. By 1995, a tradition arose of giving photographs from current work to celebrate five-year birthdays. This tradition and our ongoing dialogue have sustained us as artists and friends over thirty years, creating a visual record of our bond and our story. Link in bio. @anndaly.1 @lthrice @belangerstudio @tanyamarcuse @mary.berridge #yaleuniversity #womenatyale #womenartists #friendship #womenphotographers
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05/07; fbf, to Shelter Island, April 2015. Editing in action. The hands of six artists - photographed from across the editing table. We six- Marion Belanger, Mary Berridge, Ann Burke Daly, Laura Letinsky, Tanya Marcuse, and Jennette Williams (1952-2017). .. . . . . . . . . . . . . #YaleUniversityArtGallery #womenatyale #150yearsWomenAtYSOA #YSOA #YUAG #yaleartgallery #yalenorfolk #yalewomenartists #Yale50/150 #50yearsWomenAtYaleCollege #150yearsWomenArtistsAtYale
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02/25; NY. Crawling my Perimeter. #documents #excess #index #photographs #contemporaryart #anndaly #anndalyartist
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08/15; NY. #documents #index #evidence #photographs #film #anndaly #translation #still #still-life
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02/02 Spoke tonight at Vassar's Modfest with a musician from Spain's DIY music scene, about our improbable dialogue, collaboration, and upcoming residency. #publicdialogue #translation #transition #studiosatmassmoca #perception #anndaly #photographs #documents #interpretation #urban #theater #evidence #film #detour #resist
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01/16; from the eighth or ninth floor. #theater #documents #film #urban #city #nyc #perception #photographs #index #instarcht #artesplastico #excess #evidence #hafbest2017
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9.30; 7:30am. Thinking back to north adams, ma; 4.18, the day and place of punch-shattered glass; the step previously beneath me, as I stand back to document the hole in the glass and otherwise locked view of the interior of that curious building some time ago. I read a post from that time, and look up the word anathema, which I again just uttered. It supposedly has ecclesiastical origins, from latin "the excommunicated"; later "the accursed thing." I'm due to send a tiny bio blurb for a website publication, and much prefer writing this; looking for and questioning such definitions. IG is functioning for me as a new form-it is like the visual and verbal materialization of pseudo-intimacy which might be spoken at an airport bar-to a stranger. It is the mental space I'm in now which I refer to. Here inscribed in image and text-some transmission, some communication. I like that it comes into view where it then lives. This realization hit me at the height of my sense of loss-the loss of teaching, of public discourse. My health trouble is temporary, and I might be able to return. Yet, I had not anticipated the extreme sense of loss-for the dialog with my students -and especially speaking about documents, photographs, films-found, staged, performance based, vernacular and conceptual. Here though, in the form of image text pairings, my voice has shifted and the desire to continue speaking finds form. I can't let go of it, because I was silent for over a decade, and have fought my tendency towards extreme privacy in embracing this as a new site for speaking publicly - for communication at its sharpest cut. This form has a strange smallness, of intimacy, held in contradiction with no privacy at all. #documents #excess #fiction #translation #memory #index #anndaly #passage #perception #film #detour #city
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Hudson Valley; O9/19, 4 pm. Day 1 closes for the Install of "Conversations and Specters\troubled translation." Former coal house on the Vassar College campus, now Susan Stein Shiva Theater. My tremendous luck-have dreamt of a space like this to develop this piece. Sponsored by unFramed. Sat. 3-10 For the upstate crowd; reception 5-7. #documents #fiction #translation #interpretation #perception #film #photography #excess #anndaly
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NYABF! Please check out my two new volumes and print edition at MoMA PS1 in Printed Matter's nyabf with Roman Nvmerals. "Drafts: Letters Unsent" Vol. XVII and "Box of Fiction" Vol. LVII. The RN booth is in the Focus Photography section. http://www.spacescorners.com/books_bp_rn.html. Or. www.romannvmerals.com #nyabf ##annburkedaly #photography
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