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Annette Senneby

@annettesenneby

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Annette Senneby at Kunstverein Braunschweig #anettesenneby @kunstvereinbraunschweig @annettesenneby
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Last weekend of: Annette Senneby – Attic 26.6 – 27.9 2026 Kunstverein Braunschweig Curated by Emily Fahlén (Mint) in dialogue with Cathrin Mayer. Annette Senneby (b. 1951 Gothenburg) works across painting and sculpture, time and space. The charge of the installation emerges in the positions of the abstract objects and the spaces between them. Form is driven, paradoxically, both toward condensation and toward the dissolution of its boundaries. In Attic, Senneby’s monumental ambitions are presented in a composition of five parts, accompanied by a smaller presentation of archival material from the late 1980s to the present day. In this exhibition, a choreography characteristic of her practice is visibly at play, gravitating toward the transient, the enduring, the unsayable. Photo: Frank Sperling @annettesenneby #annettesenneby @kunstvereinbraunschweig #kunstvereinbraunschweig @emily6th #emilyfahlen @cat8rin #cathrinmayer
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The works of ANNETTE SENNEBY (@annettesenneby) dwell on boundaries and their displacement. There is an ambition to dissolve the distinction between works and space, and to push the object-like toward the immaterial. With a background in ballet, Senneby has continually returned to dance’s most fundamental contradiction as a point of departure for her own practice: attempting, through a bound form, to defy gravity through movement. It parallels the inescapable conditions of life itself, while also making room for uncertainty and longing. Chinatown, 1987 Cold blued steel 80 × 99 x 0,5 cm Curtain drawn, 2023 Earth pigments, binders, canvas 169 x 136 x 3,5 cm Credit: Annette Senneby, Attic, exhibition view. Courtesy the artist. Photo: Frank Sperling. @mint.abf @emily6th @cat8rin #KunstvereinBraunschweig #AnnetteSenneby #Attic #Braunschweig #ContemporaryArt
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The small works made of glass float through "Attic" by ANNETTE SENNEBY (@annettesenneby), curated by Emily Fahlén (@emily6th), in a composition inspired by birdsong. The prisms are produced through a lamination process that uses UV light to bond the layers of glass together. Between the layers, small paintings appear, created with an airbrushing technique using thin tubes connected to paint reservoirs. The prisms reflect the shifting light throughout the day. Senneby’s wall-mounted works of glass, steel, and canvas engage the viewer’s bodily awareness of the space and its shifting orientations in the room: What is in front? What is below? Sues Eye (Series of 10), 2006 – 2016 Waterjet-cut, UV-laminated glass with pigment between layers Variable dimensions Aura, 1989 Cold blued steel 18 x 17 x 2 cm Marcel, 2008 Waterjet-cut, UV-laminated glass with pigment between layers 19 x 19 cm Attic, 1992 Cold blued steel 28 x 20 x 0,2 cm Flame, 2013 – 2022 Pigment, canvas 54 x 56 x 4,5 cm Waterjet-cut, UV-laminated glass with pigment between layers 20 x 20 cm "Attic" is curated by Emily Fahlén (@emily6th) in dialogue with Cathrin Mayer (@cat8rin). Credit: (1–5, 8–10) Annette Senneby, Attic, exhibition view. Courtesy the artist. Photos: Frank Sperling. (6–7) Annette Senneby, Attic, exhibition view. Courtesy the artist. Photos: Gloria May Berthold (@gloriamay_). @mint.abf #KunstvereinBraunschweig #AnnetteSenneby #Attic #Braunschweig #Exhibiton
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In her black steel works, such as "1993", "Chinatown" (1987), and "Attic" (2026), ANNETTE SENNEBY (@annettesenneby) treats metal as though it were a sheet of paper on a wall. Darkness both blocks the space and cuts it open. These heavy sculptures absorb the light and engage the viewer’s bodily awareness of the space and its fundamental operative possibilities. When we approach, they open and obstruct. As the late Swedish art critic Peter Cornell once described Senneby’s installations: "The works give the impression of taking place far away." "Attic" is curated by EMILY FAHLÉN (@emily6th), in dialogue with CATHRIN MAYER (@cat8rin). Attic, 2026 Cold blued steel 249 x 90 x 0,2 cm Aura, 1989 Cold blued steel 18 x 17 x 2 cm Credit: Annette Senneby, Attic, exhibition view. Courtesy the artist. Photo: Frank Sperling. @mint.abf #KunstvereinBraunschweig #AnnetteSenneby #Attic #Braunschweig #ContemporaryArt Installation view of Annette Senneby’s "Attic" exhibition at Kunstverein Braunschweig, showing black, wall-mounted steel sculptures from 2026 and 1989. The works are made of cold-blued steel.
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Im Kunstverein Braunschweig ist derzeit die erste institutionelle Einzelausstellung in Deutschland der schwedischen Künstlerin Annette Senneby zu sehen. Für Gegensatz Translation Collective übersetzten Camilla Elle und Cornelia Gritzner den Text von Emily Fahlén für die Ausstellungsbroschüre. Die Ausstellung kann noch bis zum 27.09.2026 besucht werden.
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Across the six rooms on the upper floor of Kunstverein Braunschweig, ANNETTE SENNEBY’S (@annettesenneby) works are installed without distinction between the four decades in which they were produced. Rather than being confined to a period or origin, their meaning emerges through the situation in which they are presented. Untitled, 2008 UV-laminated glass with pigment between layers 29 x 29 x 0,5 cm Shadowlands, 2009 Earth pigments, binders, canvas 185 x 180 x 5 cm Earth pigment, binder, aluminium 22 x 25 x 0,2 cm Credit: Annette Senneby, Attic, exhibition view. Courtesy the artist. Photo: Frank Sperling. @annettesenneby @mint.abf @emily6th @cat8rin #KunstvereinBraunschweig #AnnetteSenneby #Attic #Braunschweig #Exhibiton
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It was a real treat to attend not only the @kunstvereinbraunschweig Sommerfest, but also three unique exhibitions. Attic: the first institutional solo exhibition in Germany by Swedish artist @annettesenneby Slant: the exhibition by @lieslraff and, last but not least, Interference Pattern by @mikeyrayvon at the remise. The exhibition runs until September 27th, so it's quite a long time. Everyone should have the chance to see it. Almost forgot. @driver__seat was truly outstanding once again at the summer festival. 😊
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ANNETTE SENNEBY (@annettesenneby) works across painting and sculpture, time and space. The charge of the installation emerges in the positions of the abstract objects and the spaces between them. Form is driven, paradoxically, both toward condensation and toward the dissolution of its boundaries. Senneby is one of Sweden’s most important contemporary artists; Attic is her first institutional exhibition in Germany, curated by EMILY FAHLÉN (@emily6th). 1993 Cold blued steel 396 cm x 182 x 0,2 cm Credit: Annette Senneby, Attic, exhibition view. Courtesy the artist. Photos: Frank Sperling. @mint.abf @cat8rin #KunstvereinBraunschweig #AnnetteSenneby #Attic #Braunschweig #Exhibiton
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"Attic" is the first institutional solo exhibition in Germany by Swedish artist ANNETTE SENNEBY (@annettesenneby). Join us today for conversations with the artists and curators. 1 pm — LIESL RAFF (@lieslraff) and director CATHRIN MAYER (@cat8rin) discuss Raff's work. 2 pm — ANNETTE SENNEBY, CATHRIN MAYER, and EMILY FAHLÉN (@emily6th), curator of "Attic", discuss the exhibition and its ideas. Both talks are free with admission. As part of Braunschweig Museum Night, the museum will remain open from 7 pm until midnight, with hourly guided tours of the exhibitions throughout the evening. We look forward to welcoming you. Attic, 2026 Cold blued steel 249 x 90 x 0,2 cm Credit: Annette Senneby, Attic, exhibition view. Courtesy the artist. Photo: Frank Sperling. @mint.abf #KunstvereinBraunschweig #AnnetteSenneby #Attic #Braunschweig #Exhibition #ArtistTalks #MuseumsnachtBS
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ANNETTE SENNEBY (*1951, Gothenburg) (annettesenneby) is the artist behind the upcoming solo exhibition "Attic". Based in Stockholm, her practice spans sculpture, painting, and site-specific installation. Since the early 1980s, Senneby has exhibited widely, with presentations at institutions such as Konstakademien, Stockholm; Galerie Artek, Helsinki; Galerie Aronowitsch, Stockholm; CMU Art Museum, Chiang Mai; Franklin Furnace, New York; Museu de Arte de São Paulo; Moderna Museet, Stockholm; and PS1, New York. Her work is represented in public collections including among others Moderna Museet, Stockholm; Kiasma, Helsinki; and in New York at the Metropolitan Museum of Art, the Museum of Modern Art (MoMA), and Franklin Furnace. From 1997 to 2006, Senneby was Professor at the Royal Institute of Art in Stockholm. We’ll be opening on June 26 at 7 pm and look forward to welcoming you. Photo: Courtesy Annette Senneby. #KunstvereinBraunschweig #AnnetteSenneby #Attic #Ausstellung @emily6th
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With "Attic", the Kunstverein Braunschweig presents the first institutional exhibition in Germany by ANNETTE SENNEBY (*1951 in Gothenburg; lives and works in Stockholm) (@annettesenneby) on the upper floor of the villa, offering insight into her long-standing artistic practice. Her work operates in the field of tension between painting and sculpture, understanding the image as a spatial point of departure that unfolds across site specific interventions. Through the interaction of pigment, material, and physical forces, processes of condensation, flow, and dissolution emerge, in which boundaries, gravity, and movement are continually renegotiated. Join us for the opening on June 26 at 7 pm. More information about the exhibition will follow soon. Curated by Emily Fahlén (@emily6th), director of the non-profit exhibition space MINT in Stockholm, in dialogue with Cathrin Mayer (@cat8rin). Supported by Niedersächsisches Ministerium für Wissenschaft und Kultur (@mwk.niedersachsen), The Swedish Arts Grants Commitee (@swedish_arts_grants_committee), Stadt Braunschweig – Fachbereich Kultur und Wissenschaft (@braunschweig.de) Credit: Annette Senneby, PS1, New York 1987. Photo: Susan Weil. #KunstvereinBraunschweig #Opening #AnnetteSenneby #Attic Exhibition poster for Attic by Annette Senneby, running from June 27 to September 27, 2026, at Kunstverein Braunschweig.
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