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☆Collab- [email protected]
☆AUS
☆Living on Wurundjeri Woi-wurrung land
POSTS STORIES REELS TAGGED
MFW… My Face When… My Friends Walk… in Melbourne Fashion Week…
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Planet of the apes… People… Pikmin…
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Dying to party?
Stellah couldn’t resist but to throw another creative event for our favourite day of the year, HALLOWEEN!

⟡ Sunday the 25th of October
⟡ 5PM till late
⟡ @workshop_bar_melbourne , Naarm CBD 
⟡ dress code: halloween costume (best dressed prize)

AND you know we don’t just host any regular party…
We have live entertainment throughout the night!

⟡ @funkytownfish.band is a grrrl riot/ indie rock band bringing the energy with live music

⟡ @boytoyz.au the iconic a trans/masc erotic dancers are bringing the heat with a choreographed strip performance

AND, don’t forget…
⟡  Never before seen jewellery made by yours truely
⟡  Exclusive Stellah merchandise 
⟡  spooky party games 
⟡  drinks available to purchase at the bar

PSSST… if you repost this event, you will get a surprise when you attend the party ;)

Photoshoot credit!
NO AI WAS USED FOR THIS PHOTOSHOOT
photographer: @gardenofeden__img
models: @ash.lyons444 @yosty.h 
makeup artist: @tinakglam
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More documentation (and my final post) of my 2025 ‘Fibre Optics’ installation.

I am proud of the effort that brought this project into existence and forever grateful for the support of everyone who made it possible. 

This piece was the culmination of my third year studio proposal: My Hands Exist and With Them I Create Problems And Art - examining the disruptive power of fibre art in institutional critique. 

To grasp something is to care for it, to hold space for its weight, and to insist on its relevance.

The dual meaning of the word ‘grasp’ speaks to this intersection: it is both the physical act of holding and the cognitive act of understanding. 

A deep interest in tangibility lies at the heart of my practise - what it means to hold, feel, and understand in an increasingly disembodied world. I am drawn to textiles in this way for their associations with care, craft, femininity and domestic labour. 

Stitching is slow, it demands presence. Through that presence, it invites connection. As society grows more virtual, we are exposed to an overwhelming stream of injustices, yet without material grounding, the imagery is disembodied and we become desensitised to what we see. 

Tactile practises like fibre art reintroduce the body, the hand, and the labour behind care. In this way, my work often operates as a dialogue between the body and the systems that seek to contain it. 

The hand, often overlooked, becomes central in this way of working. It is through our hands that we create, we mend, we collect and gather, we push back, and we hold tight to each other.
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Happy surprise 21st birthday to me! 🥂🥰📸
I don’t think I have ever felt so loved in my life! 
I can’t believe you guys pulled this off! I am so unbelievably grateful for all of you! Thank you so much to everyone in my life! I love you all 💕
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