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Auxier Kline, NYC

@auxierkline

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ON VIEW: Brandon Elijah Johnson: I Want to Believe. 10/16-11/14.
HOURS: Wed, 12-4 pm - Thurs - Sat, 12-6 pm.
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Brandon Elijah Johnson, “Cry or Sing”, oil on canvas, 10 x 12 inches, 2026 Email brent@auxierkline.com with inquiries. Johnson’s solo exhibition “I Want to Believe” runs through November 14th.
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OPENING FRIDAY OCTOBER 16TH, 6-8pm: Brandon Elijah Johnson, “I Want to Believe”. The title of the exhibition, “I Want to Believe”, is a reference to the television series the X-files. The phrase appears on a UFO poster in the character Agent Mulder’s office, and acts as a sort of mantra for the character to retain a sense of hope in the face of doubt, vulnerability, and fear.  Johnson borrows the phrase as the overarching thesis for the body of work included in the exhibition.  The X-Files is directly referenced in the painting Fieldwork, which is a portrait of the two lead actors in their work attire as they investigate paranormal activity in nature. Brandon Elijah Johnson, “Fieldwork”, oil on canvas, 30 x 26 inches, 2026 Email brent@auxierkline.com with inquiries. #thexfiles
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The Fall Season is one of nature’s masterpieces, and we’ve selected some paintings and works on paper that embrace the season’s beauty of change and cozy aesthetic. Email brent@auxierkline.com with inquiries.
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OPENING RECEPTION: Friday, October 16th , 6-8pm Auxier Kline is pleased to announce the opening of I Want to Believe, a solo exhibition of new paintings by the New York based artist Brandon Elijah Johnson.   The title of the exhibition, I Want to Believe, is a reference to the television series the X-files.  The phrase appears on a UFO poster in the character Agent Mulder’s office, and acts as a sort of mantra for the character to retain a sense of hope in the face of doubt, vulnerability, and fear.  Johnson borrows the phrase as the overarching thesis for the body of work included in the exhibition.  The X-Files is directly referenced in the painting Fieldwork, which is a portrait of the two lead characters in their work attire as they investigate paranormal activity in nature.   The subjects of Johnson’s paintings emerge from an accumulation of visual material: images appropriated from popular culture, film and television, the music industry, art history, as well as snapshots captured from his lived experience.  These sources become the basis for scenes that are familiar yet distinctly transformed by the artist’s hand.  In this body of work, the artist walks the line between the present and the past.  While the paintings depict recent contemporary life, they don’t depict imagery of modern technology, instead embracing timeless themes such as the natural world, the supernatural, the religious, and the musical, infusing them with a sense of nostalgia. Johnson’s subjects are filtered through imagination and reconfigured through an intuitive, often mischievous approach to image-making. The resulting works occupy an uncertain territory between invention and observation, personal experience and shared imagery. In this space, individual moments become fragments of a broader visual history, offering glimpses into the memories and cultural references that we collectively carry. Brandon Elijah Johnson, “True Romance”, oil on canvas, 20 x 16 inches, 2025 / Email brent@auxierkline.com for preview.
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“Logan T. Sibrel: Line Out” is open through October 8th. Wednesdays 12-4pm, Thursday-Saturday, 12-6pm. Logan T. Sibrel, “Ritual de lo habitual”, Pencil on paper, 12 x 9 inches, 2026 Email brent@auxierkline.com with inquiries.
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Logan T. Sibrel, “Public Discourse”, Oil on canvas, 24 x 30 inches, 2026 “Logan T. Sibrel: Line Out” is open through October 8th. Wednesdays 12-4pm, Thursday-Saturday, 12-6pm. Email brent@auxierkline.com with inquiries.
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Logan T. Sibrel, “Hudson Still-Life”, Oil on canvas, 20 x 16 inches, 2026 Email brent@auxierkline.com with inquiries.
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Opening Tonight: Logan T. Sibrel, “Line Out.”  Friday, September 11th, 6-8pm. 19 Monroe St, New York, NY 10002 “Auxier Kline is pleased to announce Line Out, the gallery’s fourth solo exhibition featuring a survey of new paintings and works on paper created by the Brooklyn based artist Logan T. Sibrel.   The exhibition takes its title literally and metaphorically.  A “line out” in audio terminology, is an output that sends a signal from an electronic device to an external amplifier or speaker at a fixed volume.  It transmits without adjusting or interpreting the signal or volume.  For Sibrel, the term becomes a way of thinking about the act of painting, and the painter, as a steady, analog conduit for “the noise.”  In another sense, to “line out” can also mean to cross something out or remove it.  Sibrel’s paintings similarly operate as acts of selection and editing, isolating fragments from a larger stream of information and translating them into still images.   Sibrel blurs the line between subject and object, treating still life and portraiture as almost interchangeable and often using objects as proxies for human figures. The works in Line Out move between still life, portraiture, paused television and film, music performance, and audio equipment. Some begin with images frozen on a screen at the moment Sibrel stepped away to get a glass of water or a snack; others depict instruments, performers, and the equipment through which sound is recorded or transmitted. Across these varied subjects runs a shared interest in attempted communication, or general chatter, with the artist being the sorter of a metaphorical junk heap.” Image: Logan T. Sibrel, “Deep Nor”, Oil on canvas, 12 x 9 inches, 2026
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Happy Labor Day weekend! We hope you savor these final days of summer - and then kick off the fall season by visiting our 4th solo exhibition by the incredible Brooklyn-based artist Logan T. Sibrel. “Line Out” opens Friday, September 11th, 6-8pm. Email brent@auxierkline.com for the preview. Image: Logan T. Sibrel, “Divers (Sketch)”, Graphite on paper, 12 x 9 inches, 2026 - @logantsibrel
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SAVE THE DATE - Logan T. Sibrel - “Line Out” opens Friday, Sept 11th, 6-8 pm. DM or email brent@auxierkline.com for preview. Logan T. Sibrel, “Ponte Sant’Angelo”, Oil on muslin panel, 14 x 11 inches, 2026 @logantsibrel
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UPCOMING EXHIBITION: Logan T. Sibrel, “Line Out.”  Opening Friday, September 11th, 2026, 6-8pm.  Email brent@auxierkline.com for preview. “Auxier Kline is pleased to announce Line Out, the gallery’s fourth solo exhibition featuring a survey of new paintings and works on paper created by the Brooklyn based artist Logan T. Sibrel.   The exhibition takes its title literally and metaphorically.  A “line out” in audio terminology, is an output that sends a signal from an electronic device to an external amplifier or speaker at a fixed volume.  It transmits without adjusting or interpreting the signal or volume.  For Sibrel, the term becomes a way of thinking about the act of painting, and the painter, as a steady, analog conduit for “the noise.”  In another sense, to “line out” can also mean to cross something out or remove it.  Sibrel’s paintings similarly operate as acts of selection and editing, isolating fragments from a larger stream of information and translating them into still images.   Sibrel blurs the line between subject and object, treating still life and portraiture as almost interchangeable and often using objects as proxies for human figures. The works in Line Out move between still life, portraiture, paused television and film, music performance, and audio equipment. Some begin with images frozen on a screen at the moment Sibrel stepped away to get a glass of water or a snack; others depict instruments, performers, and the equipment through which sound is recorded or transmitted. Across these varied subjects runs a shared interest in attempted communication, or general chatter, with the artist being the sorter of a metaphorical junk heap.” IMAGE: Logan T. Sibrel, “Pause (The Happiness of All Mankind)”, Oil on canvas,20 x 16 inches, 2026
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“Out of Office: BENJAMIN STAKER” will go live on our website Monday, August 17th! Excited to share these brand new works on paper! Link to full online exhibition will be in bio. DM or email brent@auxierkline.com for pricing and availability. This series of work marks a serious departure for Benjamin Staker as a person and artist. They are simple and expressive gouache on paper, and they are about the miniature god that hides in the trees and the big blue sky. Centered around the figure of his lover, Staker’s subject matter, while at first glance may appear to be queer bodies, transcends the physical container to express an ineffable experience of freedom and connectivity. Little pieces with big feelings, Staker rejects the need for a complicated composition or convoluted justifications in favor of just plain and simple existence.
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