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Such a beautiful frame-up of a recent watercolour commission by @bayframing cheers for the commission!
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All pieces in AMPJAM's WE’VE BEEN FRAMED Charity Auction are now live, including originals by Vice Press's Matt Ferguson and James Henshaw. James’ piece was framed by the amazing @bayframing to replicate the chalk board scene from the film. In case you didn't know, WE’VE BEEN FRAMED is a quirky concept pop culture art show featuring over 60 new artworks created for this show by leading movie poster artists from all over the world. Every piece is inspired by both a movie or tv show and the ‘character’ pictureframe in which the artwork sits. The result is a cohesive one-off 3D display piece featuring a 2D original artwork. ​ All proceeds will be going to the wonderful Edward's Trust. ​ Check out the full list of auctions following the link in our profile.
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@_emmafieldart_ It's back from framing and looks fantastic! This isn't its final resting place, but up on the wall at least. So glad I bought this. Thank you Emma 🥰 #LocalArt #LocalArtist #Silverdale @lancasterartfair @bayframing
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SOLD! 🎉🥳🎊 All framed by @bayframing and ready for @lancasterartfair #lifedrawing #pencildrawing ##neoncolours
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With less than a month to go until LAF2026 we are all systems go! Visit our website at lancasterartfair.co.uk to see our list of exhibiting artists and what workshops and collaborations we have going on this year 👀👀 We have amazing partnerships with @visualartistsassociation @escape2make @goodthingscic @assemblyarts @lancasterfilminitiative @ironpressprintmaking and @gregsoncentrelancaster who are running different workshops and demos throughout the fair, each bringing a little bit of what makes them special ❤️ watch out for our events programme coming out with details of what will be happening throughout the event! We also want to thank @lovelancasterbid @lancashirecc @lancaster_city_council @foodfutures.northlancashire @northernreachnetwork @bayframing for funding the event and making it possible! Thanks for supporting creativity and the arts and allowing us to bring this celebration of art to Lancaster this year!
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We want to shout out a massive thank you to @bayframing who are sponsoring this year's art fair! Not only that but they are offered framing discount to all of our exhibiting artists and to any work purchased at the fair (just pick up your flyer at the till to claim) This is an amazing show of support from a small local business and we think it's amazing how they are supporting artists and the arts in the area 🤩 What a hero!
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permanent collection ADAM RAWLINSON Adam is a Manchester-based painter who grew up in Morecambe. taking what could be viewed as a purely abstract approach, Adam’s practice is underpinned by his passion for the natural world, particularly his research into Lichens. viewing his paintings are a constant shift between the physicality and process of paint, and a transition into a representation of micro and macro woodland. composition, application and colour distort/pull/stretch our sense of scale and depth. getting lost in the forest becomes pleasantly unsettling there is a sincerity in Adam’s paintings, holding the expressive qualities of modernist abstraction, while his intense admiration for the natural world bleeds the existential crises of the contemporary condition. these ideas are at the root of Adam’s thinking, becoming an existential and phenomenological consideration of what it means to be ‘alive’ Untitled, oil on paper, 2026, is installed at Woodlands Garage [who regularly fix Jwllrs’ car], as part of permanent collection, pairing locally significant artworks with relevant local venues ID1: an A4 poster with the above text, Arts Council and Bay Framing logos bottom left, @Jwllrs_ + jwllrs.net bottom right on a background image of a building with an MOT logo and corrugated roof, foregrounding green trees ID2: the previous image without the poster, revealing a sign reading WOODLANDS, a large wrench, and contact details
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*UPDATE: Sold ✨* An impromtu capture of my latest watercolour & the inspiration behind it, before I wrap it up with the rest of my pieces to take to my solo show ‘Under Northern Skies’ for the preview opening this Saturday 6th June 2-3.30pm, with the show running until 12th July. Not a polished post but was excited to share it after only unwrapping it properly this morning to add certificates & info on the back before it’s wrapped again. A very natural & fluid piece capturing one of my favourite subject matters to paint in all painting mediums - water! (And the Lancaster canal of course, along this stretch of @towpath_trail ) And of course the masses of greens in the trees above, mirrored into those big reflections, my main inspiration for the painting! Beautifully finished off in this solid oak box frame with @artglass_by_groglass to ensure the only reflections you see are those in the water in the painting itself! Thanks again Tom @bayframing ‘Reflections of nature, Lancaster Canal’ original watercolour in @archespapers cold pressed paper. Framed size 15” x 15” £400 framed & available now, (shipping available), and will be heading to @thewolfsilverdale available there from Saturday 6th June 2-3.30pm until 12th July. #lancastercanal #paintingwater #capturinglight #originalwatercolour #lancashireartist Emma Field Art
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Cross Bay Run - I painted this a good few years ago now, but I do still do prints of it 😊 This is going for framing for a customer ……. it’s not on the website anymore, but perhaps I should put it back on 🤔 What do you think? PS. We can also now ship framed prints anywhere in the UK again ….. it’s been a while since I did this, but thanks to my fab framers @bayframing it’s a definite YES we can 👌 (shipping charges apply). #Morecambe bay #marathon #morecambe
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Are you counting down to the weekend? Check out our podcasts about Eric Morecambe throughout the series (there are many to choose from!) But also take a listen to an exclusive and rare behind the scenes look at the Ribble Vehicle Preservation Trust - Events. They'll be running historic buses through Morecambe this weekend. As Ray from the Trust tells us, their interest is more than just keeping the historic fleet running. #ribble #buses #morecambebay #morecambe
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permanent collection ELIZABETH CLOUGH Elizabeth is a Barrow-born, Morecambe based artist and designer working across a wide range of found, waste, and natural materials. Her practice merges tradition, heritage, myth, science and ecology through material and process-led learning. She has been widely commissioned including HM King Charles, Land Festival and Morecambe’s Deco Publique. Elizabeth is intrigued by modern societies reliance on these same materials through mining and processing, and how the exploration of material processes have been central to its development/progress. for ‘Division’ – part of ‘Earthworks’ – Elizabeth experimented with plaster casting in clay using imprints of tools from craft or industrial processes. embracing and playing with transformations that occur during the casting process, where forms change from industrial to organic, new to old, familiar to unfamiliar. these changes reference natural processes of transformation - organic matter turning to stone, sand into glass, ocean sediment into gypsum. Division, 2023, plaster + chosen object is installed in beach as part of permanent collection, pairing locally significant artworks with relevant local venues ID1: an A4 poster with the above text, Arts Council and Bay Framing logos bottom left, @Jwllrs_ + jwllrs.net bottom right on a background image of a promenade backed by a traditional black and white building [1862] and a larger more ornate building [1900], under blue skies ID2: the previous image without the poster, revealing a smaller curved silver metal and black building in the foreground [2008-2009], with large windows looking over the promenade.
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permanent collection DEBBIE YARE Debbie Yare’s practice emerges from an embodied dialogue with Morecambe Bay, where she lives. working across media including photography, video, drawing, writing, performance and socially engaged practice Debbie’s ‘Ecological Disaster Postcards’ are a series of hand-drawn pencil studies that emerged from her research project with Barrow Archives in 2025. discovering haunting photographs of a shipping disaster in a Sankey family postcard album, Debbie became interested in how postcards of the early 1900s commonly depicted disasters as a way of communicating everyday events, analogous with contemporary social media. leading Debbie to consider how we communicate the ecological crisis in the digital age Debbie considers drawing an act of careful engagement and communication that connects us more intimately with ourselves and the world around us, perhaps also an antidote to information overload and social media fatigue Seaweed Cares, 2025 + Iron-ore slag washes up on the shore at Hest Bank, 2025 is installed at RNLI Morecambe as part of permanent collection, pairing locally significant artworks with relevant local venues ID1: an A4 poster with the above text, Arts Council and Bay Framing logos bottom left, @Jwllrs_ + jwllrs.net bottom right on a background image of a building, above a rock sea defence, and below a forest covered hill in the distance, with grey sky and a single herring gull in flight. to the right is an RNLI flag ID2: the previous image without the poster, revealing a building with a curved metal roof and a large stone with a sculpture of an open winged cormorant
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