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Bella Foster

@bciel

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It's the last day for Frieze London at Regent’s Park. Stop by Booth A1 to see new paintings by Bella Foster!⁠ ⁠ For more information email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Installation Photography by GRAYSC.⁠ @_graysc_⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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It's the last day to see Bella Foster's new paintings at Frieze London! Here's a series of smaller canvases on view. ⁠ ⁠ Visit us at Booth A1 October 14–18 at Regent’s Park.⁠ ⁠ For an early preview email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. ⁠Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artwork: ⁠ 1. Tulips (Silverwood Terrace), 2026⁠ Acrylic and oil on canvas⁠ 24 x 18 in.⁠ ⁠ 2. California, 2026⁠ Oil on canvas⁠ 24 x 18 in.⁠ ⁠ 3. Daffodils in the studio, 2025⁠ Acrylic on canvas⁠ 24 x 18 in.⁠ ⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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Details of Bella Foster's "Afternoon with the Mount Hollywood Hawk" 2026.⁠ ⁠ Visit us at Booth A1 October 14–18 at Regent’s Park.⁠ ⁠ For an early preview email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. ⁠Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artwork: ⁠ Bella Foster⁠ Afternoon with the Mount Hollywood Hawk, 2026⁠ Oil and acrylic on canvas⁠ 48 x 37 in.⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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Series of new small oil paintings by Bella Foster for Frieze London on view October 14–18 at The Regent’s Park. Stop by Booth A1 to say hi!⁠ ⁠ For more information email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artworks: ⁠ 1. Black Monarch Dahlia, 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 2. Black Garden (Calendula), 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 3. Black Garden (Daydream), 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 4. Black Garden (Echinacea), 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 4. Black Garden (Emperor), 2026⁠ Oil on panel⁠ 10 x 8 in.⁠ ⁠ ⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. ⁠ ⁠ Visit us at Booth A1 October 14–18 at Regent’s Park.⁠ ⁠ For an early preview email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artwork: ⁠ Bella Foster⁠ The Key to Hell Picks All Locks, 2026⁠ Oil and acrylic on canvas⁠ 48 x 37 in.⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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Series of new small oil paintings by Bella Foster for Frieze London on view October 14–18 at The Regent’s Park. Stop by Booth A1 to say hi!⁠ ⁠ For more information email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artworks: ⁠ 1.Black Garden (Calendula), 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 2. Black Garden (Daydream), 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 3. Black Garden (Echinacea), 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 4. Black Monarch Dahlia, 2026⁠ Oil on panel⁠ 14 x 11 in.⁠ ⁠ 5. Black Garden (Emperor), 2026⁠ Oil on panel⁠ 10 x 8 in.⁠ ⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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Today's the day! It's VIP day at Frieze London on view October 14–18 at Regent’s Park. Stop by Booth A1 to see new paintings by Bella Foster!⁠ ⁠ For more information email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Installation Photography by GRAYSC.⁠ @_graysc_ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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Today's the day! It's VIP day at Frieze London on view October 14–18 at Regent’s Park. Join us at Booth A1 to see new work by Bella Foster!⁠ ⁠ For more information email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artwork: ⁠ Bella Foster⁠ In Two Worlds, 2026⁠ Oil and acrylic on canvas⁠ 48 x 37 in.⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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The Pit is pleased to announce a solo presentation of new paintings by Bella Foster at Frieze London 2026, on view October 14–18 at The Regent’s Park! ⁠ ⁠ For an early preview email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artwork: ⁠ Last point on the map (Point Reyes), 2026⁠ Acrylic and oil on canvas⁠ 48 x 37 in.⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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Frieze London 2026 opens tomorrow! The fair is on view October 14–18 at The Regent’s Park. Join us to see new work by Bella Foster. ⁠ ⁠ For an early preview email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artwork: ⁠ Morning with the Silverlake Owl, 2026⁠ Oil and acrylic on canvas⁠ 48 x 37 in.⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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@bciel ▪️ #arttagged #bellafoster
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The Pit is pleased to announce a solo presentation of new paintings by Bella Foster at Frieze London 2026, on view October 14–18 at The Regent’s Park! ⁠ ⁠ For an early preview email us at info@the-pit.la⁠ ⁠ -------------------⁠ ⁠ For Frieze London, Foster presents a new body of paintings that moves fluidly between the intimate and the expansive: loosely observed gardens and flowers, arrangements of objects and books, wooded landscapes, Los Angeles neighborhoods, distant mountains, and a solitary bird against an expanse of sea. Rendered in luminous, sometimes unexpected color, the works favor the immediacy of recollection and observation over strict naturalism. Across the presentation, familiar places and everyday subjects become gently transformed through Foster’s distinctive handling of color, scale, and atmosphere, giving the paintings the quality of places both directly experienced and partially remembered.⁠ ⁠ ⁠ Artwork: ⁠ Bella Foster⁠ Where the cat was (Empire Mine), 2026⁠ Acrylic and oil on canvas⁠ 48 x 37 in.⁠ 📸 by Chris Hanke @false_artifacts⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ ⁠ #friezelondon #bellafoster #thepitla
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