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Benjamin Barlow

@benmbarlow

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@blauinternational
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🔔Pre-orders of the new issue are on sale today at the link in bio🔔 Cover 1 of 3: Damien Hirst, on the spot, talks shop with Cornelius Tittel. Charles Ray puts the world together with Andrew Winer. Ahead of her museum show in Munich, Diane Severin Nguyen adjusts the focus. Karol Palczak sets realism on fire. Stanislava Kovalčiková meets Benjamin Barlow for coffee and the crypt. And Bruno Bischofberger is remembered by those closest to him. Then, François Halard and Joe Bradley enjoy the view at Ward Bennett’s masterpiece, Wenner House. Willem de Kooning’s Clamdigger is poetically dissected by Brandt Junceau. Hans-Joachim Müller rebuilds the legend of post-Renaissance renegade François de Nomé. Gesine Borcherdt takes a deep dive into the Blaschkas’ undersea world of wonders. And John Corbett remembers the starry nights when the Bob Thompson found his groove. Other highlights include: Nicolas Winding Refn on the television. Nicolas Gausserand takes the d’Orsay contemporary. Dorothea Zwirner opens the Wahl Sisters’ archive. Michael Peppiatt on how Bacon found a way in Picasso. Claes Juhlin revisits Jayne Wrightsman’s Fifth Avenue apartment. Ulf Poschardt remembers a soprano on four wheels. And Diego Marcon writes about his favorite film, Flashdance. @damienhirst @karolpalczak @queenstagrame @_melancholia @daisyaecw @claesjuhlin @ulfposh @gesineborcherdt @benmbarlow @francoishalard @joebradleystudio @johnccorbett @maxdax @die.marcon @jordrich90 @drmichaelpeppiatt @nwrefn @dorothea.zwirner @zo03e @buckellison @piotrniepsuj @philotheusnisch @oskar.proctor @meireundmeire @charlotte.cassel @nutshell.and.co @david_douard @pieterjan.depaepe @chan.carson @zuzannabartoszek @blancdexin
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🔔Pre-orders of the new issue are on sale today at the link in bio🔔 Cover 2 of 3: Stanislava Kovalčiková meets Benjamin Barlow for coffee and the crypt. Damien Hirst, on the spot, talks shop with Cornelius Tittel. Charles Ray puts the world together with Andrew Winer. Ahead of her museum show in Munich, Diane Severin Nguyen adjusts the focus. Karol Palczak sets realism on fire. And Bruno Bischofberger is remembered by those closest to him. Then, François Halard and Joe Bradley enjoy the view at Ward Bennett’s masterpiece, Wenner House. Willem de Kooning’s Clamdigger is poetically dissected by Brandt Junceau. Hans-Joachim Müller rebuilds the legend of post-Renaissance renegade François de Nomé. Gesine Borcherdt takes a deep dive into the Blaschkas’ undersea world of wonders. And John Corbett remembers the starry nights when the Bob Thompson found his groove. Other highlights include: Nicolas Winding Refn on the television. Nicolas Gausserand takes the d’Orsay contemporary. Dorothea Zwirner opens the Wahl Sisters’ archive. Michael Peppiatt on how Bacon found a way in Picasso. Claes Juhlin revisits Jayne Wrightsman’s Fifth Avenue apartment. Ulf Poschardt remembers a soprano on four wheels. And Diego Marcon writes about his favorite film, Flashdance. @damienhirst @karolpalczak @queenstagrame @_melancholia @daisyaecw @claesjuhlin @ulfposh @gesineborcherdt @benmbarlow @francoishalard @joebradleystudio @johnccorbett @maxdax @die.marcon @jordrich90 @drmichaelpeppiatt @nwrefn @dorothea.zwirner @zo03e @buckellison @piotrniepsuj @philotheusnisch @oskar.proctor @meireundmeire @charlotte.cassel @nutshell.and.co @david_douard @pieterjan.depaepe @chan.carson @zuzannabartoszek @blancdexin
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The First Strange Adventures of Ophelia-Rose đŸ–€đŸŠ‡ @nicholaskirkwoodpersonal
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From the new issue: The sculptor Charles Simonds chose pavements over plinths and window ledges over white cubes. After all, the Little People needed dwellings—hundreds of them that Simonds created from the early 1970s on. In a profile by Blau’s own Benjamin Barlow, the octogena­rian world-builder looks back on a life’s work. “People really thought I was nuts,” he says. But was he? Order a copy of No. 14 to find out. Image 1: Charles Simonds, “Picaresque Landscape” (detail), Museum of Modern Art, New York, 1976; Image 3: Charles Simonds constructing a Dwelling, Dayton, Ohio, 1978
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Out now in BLAU International — Max Hollein reflects on the life and legacy of artist Walter Pichler, offering personal insights into his life and practice while recalling Pichler as a close friend of his father, Hans Hollein. Drawing on memories from his early childhood, Hollein shares a personal perspective on Pichler and his work. Accompanied by photographs by François Halard, taken at Pichler’s former home and studio in Sankt Martin an der Raab. Read now — Link in bio. #walterpichler @blauinternational @max.hollein @francoishalard @onnatrip @benmbarlow With thanks to Cornelius Tittel.
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A small astonishment: to see our thoughts and pictures spread across this issue of @blauinternational , in words so generously written by @vcamblin . Thank you, dear @benmbarlow , for including us<3
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🚩Pre-orders of the new issue are on sale today at the link in bio🚩 Cover 2 of 2: In the new issue, Bruce Nauman has a rare audience with Andrew Winer. Questioning everything, Michaela Eichwald is questioned by Albert Oehlen. David Salle remembers the precise moment Julian Schnabel broke the art world. Max Hollein and François Halard guide us through the home and heart of Walter Pichler’s sculpture. And Zurbarán’s long-lost world is brought close by Hans-Joachim Müller. Then, Lorenzo Amos asks if life is big and beautiful enough for him. Dorothea Tanning’s abstract adventures are plotted by scholar Alyce Mahon. Charles Simonds, a street artist avant la lettre, shelters the little people, one dwelling at a time. Horst Antes shares his collection of milk cans. Marie Chaix and Colin Dodgson issue a call to prayer. Florian Illies surgically examines the New (and old) Objectivity. And Swiss collector Uli Sigg talks about the Chinese art market he set in motion. Other highlights include: Christopher Rothko on his father, Mark Rothko. Iida Jonsson and Ssi Saarinen talk to Victoria Camblin. Claes Juhlin on the interior of Barbara Gladstone’s former Chelsea home. Yifan Jiang on Hu Bo. Paul Smith on Frank Auerbach. Gesine Borcherdt on Wolfgang Hollegha. And Ulf Poschardt on the Ferrari Challenge Stradale. @daisyaecw @claesjuhlin @david_salle @julianschnabelstudio @y_i__f_a_n @paulsmith @iidajonsson_ @__.ssi__ @vcamblin @ulfposh @gesineborcherdt @museumreinhardernst @colin_dodgson @_mariechaix_ @parker__woods @lorenzoamosf @benmbarlow @eichwald.ff @alycemahon @max.hollein @francoishalard @________nils @juliastoschek @charles_carmignac @grantfalardeau @fischlstudio @smstpls @arne_ehmann @ben__lallier
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🚩Pre-orders of the new issue are on sale today at the link in bio🚩 Cover 1 of 2: Lorenzo Amos asks if life is big and beautiful enough for him. Questioning everything, Michaela Eichwald is questioned by Albert Oehlen. David Salle remembers the precise moment Julian Schnabel broke the art world. Max Hollein and François Halard guide us through the home and heart of Walter Pichler’s sculpture. And Zurbarán’s long-lost world is brought close by Hans-Joachim Müller. Then, Bruce Nauman has a rare audience with Andrew Winer. Dorothea Tanning’s abstract adventures are plotted by scholar Alyce Mahon. Charles Simonds, a street artist avant la lettre, shelters the little people, one dwelling at a time. Horst Antes shares his collection of milk cans. Marie Chaix and Colin Dodgson issue a call to prayer. Florian Illies surgically examines the New (and old) Objectivity. And Swiss collector Uli Sigg talks about the Chinese art market he set in motion. Other highlights include: Christopher Rothko on his father, Mark Rothko. Iida Jonsson and Ssi Saarinen talk to Victoria Camblin. Claes Juhlin on the interior of Barbara Gladstone’s former Chelsea home. Yifan Jiang on Hu Bo. Paul Smith on Frank Auerbach. Gesine Borcherdt on Wolfgang Hollegha. And Ulf Poschardt on the Ferrari Challenge Stradale. @daisyaecw @claesjuhlin @david_salle @julianschnabelstudio @y_i__f_a_n @paulsmith @iidajonsson_ @__.ssi__ @vcamblin @ulfposh @gesineborcherdt @museumreinhardernst @colin_dodgson @_mariechaix_ @parker__woods @lorenzoamosf @benmbarlow @eichwald.ff @alycemahon @max.hollein @francoishalard @________nils @juliastoschek @charles_carmignac @grantfalardeau @fischlstudio @smstpls @arne_ehmann @ben__lallier
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BLAU INTERNATIONAL No.13 💚 Editorial design for @blauinternational Editor in Chief: Cornelius Tittel Debuty Editor in Chief: @benmbarlow Art Direction: @mikemeire Editorial Design: @charlotte.cassel , Lena Tropschug Photo Editor: David Dörrast
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A champagne breakfast at White Cube, celebrating the new issue of @blauinternational with @caistudio
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Pre-sales of the brand-new issue, No. 13, are on sale today. Cover 2 of 2, Cai Guo-Qiang In these pages, Cai Guo-Qiang gives an explosive exclusive to Frank Rose. Victor Man spends a few quiet days in Cluj with Cornelius Tittel. At once the most famous and least known of great American artists, Andrew Wyeth is saluted by Andrew Winer. Charline von Heyl gets to the point of painting with Max Dax. Ushering in an age of innocence, Julie Greve collaborates with Marie Chaix. Hans Joachim-Müller holds a vigil for František Kupka. And the Antwerp studio of Bendt Eyckermans is photographed by François Halard. Then, Andrew Winer introduces us to Grant Falardeau, an emerging LA sculptor who makes characters who make us human. An eternal vision of brotherhood is shaped by Otto Meyer-Amden. Udo Kittelmann passionately presents his collection of Margarete Heymann-Loebenstein ceramics. The monomymous Meuser talks heavy metal. Jarrett Earnest writes an ode to „Satyricon“ from Fire Island. And Markus Lüpertz discusses the perfect academy with Nils Emmerichs and Cornelius Tittel. Other highlights include: Leila Hekmat on Peter Greenaway, Slavoj Žižek announcing that Tristan dies without Isolde, Claes Juhlin on the Hollywood Hills home of Barry Lowen, Ulf Poschardt on the Ferrari 250 GT „Tour de France,“ and, at the back, a particularly lively Charts. @leilaleilaalielaliel @elisatamaschke @jarrettearnest @grantfalardeau @monibelle @caistudio @richardburbridge @artofimmersion @bendteyckermans @julie_greve @francoishalard @maxdax @_mariechaix_ @claesjuhlin @ulfposh @________nils @charlie_de_keersmaecker @mmmarckrause @t.h.hauser @kaws @fabianschoeneich @geoffdyer58 @angela_stief @dannadel @w_kaifan @agnesgryczkowska @artemnanushyan @t.c.mac @callahead_ @meireundmeire
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Pre-sales of the brand-new issue, No. 13, are on sale today. Cover 1 of 2, Victor Man In these pages, Victor Man spends a few quiet days in Cluj with Cornelius Tittel. Cai Guo-Qiang gives an explosive exclusive to Frank Rose. At once the most famous and least known of great American artists, Andrew Wyeth is saluted by Andrew Winer. Charline von Heyl gets to the point of painting with Max Dax. Ushering in an age of innocence, Julie Greve collaborates with Marie Chaix. Hans Joachim-Müller holds a vigil for František Kupka. And the Antwerp studio of Bendt Eyckermans is photographed by François Halard. Then, Andrew Winer introduces us to Grant Falardeau, an emerging LA sculptor who makes characters who make us human. An eternal vision of brotherhood is shaped by Otto Meyer-Amden. Udo Kittelmann passionately presents his collection of Margarete Heymann-Loebenstein ceramics. The monomymous Meuser talks heavy metal. Jarrett Earnest writes an ode to “Satyricon“ from Fire Island. And Markus Lüpertz discusses the perfect academy with Nils Emmerichs and Cornelius Tittel. Other highlights include: Leila Hekmat on Peter Greenaway, Slavoj Žižek announcing that Tristan dies without Isolde, Claes Juhlin on the Hollywood Hills home of Barry Lowen, Ulf Poschardt on the Ferrari 250 GT „Tour de France,“ and, at the back, a particularly lively Charts. @leilaleilaalielaliel @elisatamaschke @jarrettearnest @grantfalardeau @monibelle @caistudio @richardburbridge @artofimmersion @bendteyckermans @julie_greve @francoishalard @maxdax @_mariechaix_ @claesjuhlin @ulfposh @________nils @charlie_de_keersmaecker @mmmarckrause @t.h.hauser @kaws @fabianschoeneich @geoffdyer58 @angela_stief @dannadel @w_kaifan @agnesgryczkowska @artemnanushyan @t.c.mac @callahead_ @meireundmeire
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