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Tim Smith 邪悪なヤギハンター

@bitvargen

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Blood Company +
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New Ghostemane album AM:FM is out today!

Thank you to my brother @ghostemane for always pushing me past my limits as a producer, it’s always an honor to do this with you. Blackmage Eternal.

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Good People, Good Times circa 2016 @owslamusic @nesthq @owsla

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Japan 🇯🇵♥️

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@beamiller for some press during album release week! Look at the album in the background!!!
IG Stories | via justintmoran
(September 15th 2026)
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#beamiller

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@beamiller for some press during album release week!
IG Stories | via annmariegajdos
(September 15th 2026)
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#beamiller

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20 years old today. Recorded with Ross Robinson for the first time, in the studio owned by Silvia Massy (producer of TOOL - Undertow), playing Tom Petty’s guitar used when he played with Jonny Cash. What a perfect storm. So many amazing memories.

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I was just told that the Norma Jean album “Redeemer” turned 20 years old today. That record is one of those things that feels like a lifetime ago, and at the same time somehow feels kind of recent. It holds a special place in my heart for many reasons. I listened to it today for the first time in many years.
Couple things that came to my mind while listening/reflecting:
- “the end of all things will be televised” is one of my favorite songs I’ve ever recorded. I remember @scottie_henry working for so long writing the final breakdown section, and it taking me a while to wrap my head around it

- I remember how surreal it felt to be working with @ross_robinson as the producer. This was a literal childhood dream that somehow became a reality. every expectation of what it would be like to work with Ross was met and exceeded. His influence on my drumming on this record still affects my playing 20 years later. (Like the absurd and wonderful idea of playing closed hi hats on a breakdown in “small spark vs a great forest”). Ross masterfully captured the life and emotion of the songs like no other NJ record I had made.

- Staying up all night working on lyrics and concepts with Scottie and Cory

- Seeing a huge painting in Ross’s house that would end up being used as the album cover

- @noah___greene hopping a freight train from Seattle to come hang out while we were recording in Weed, California.

- Finding a frozen dead body while sledding on Mt Shasta

- Ross being on crutches from a motorcycle accident, and hitting my cymbals with his crutches

- Going to Sweden to film two music videos with Popcore Films

- listening to mixes of the record remotely and sending edit notes while on my honeymoon.

- I remember writing guitar parts for “a temperamental widower” and being stoked because I thought they sounded like ETID. And writing guitar parts for “cemetery like a stage” being excited, cause I thought it felt like a “real” song.

- I remember being very proud of “no passenger: no parasite”, feeling like it was a fun and cool direction to be exploring, that it pushed against the boundaries of aggressive music

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4:21p. sep 1st. robinson st. last days of august.🌻

#losangeles

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Good friends, incredible music & Zedd under the city lights ✨🎧🖤 #zeddinthepark

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CREATIVE FOR BEA MILLER’S THIRD STUDIO ALBUM

“MR. PEAKED IN HIGH SCHOOL” BY @BEAMILLER

Creative Direction @justintmoran @agency.paradis

Design @molly__soda

STANDARD:
Photography @kyyyyyyyyyyyyyyyyyyyyle
Styling @jardnassac
Hair @stylebysergio
Makeup @eo.nat

LIMITED EDITION:
Photography @sarahpardini
Styling @ar1a55555
Hair @rachellitahair
Makeup @moidariandarling

Production @othrwrld.nyc @missjovitalee

Label @republicrecords
Executive Producer @tranterjustin
Management @bloodcompany @bitvargen @michael_power
Publisher @facethouse

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Lake days, surfing wake waves, and the best crew. 🚤🌊☀️ #timsfordlake #wakesurf #lakedays

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