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“𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵 — On site

In visita alla Villa Augustea dell’imperatore Ottaviano, tra rovine, stratificazioni e memorie del potere imperiale.
Un confronto diretto con il mito fondativo, riletto attraverso lo sguardo contemporaneo.

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝖾 𝟤𝟢𝟤𝟧
Foto credits Allegra Casillo
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𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵 — On site

A visit to the Villa Augustea of the Roman emperor Octavian, amidst ruins, layers of history and memories of imperial power.
A direct encounter with the founding myth, reinterpreted through a contemporary lens.

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝗇𝗈𝗏𝖾𝗆𝖻er 𝟤𝟢𝟤𝟧
Photo credits Allegra Casillo

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From the residency process — 𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵.

Frammento IV - Appunti d’Archivio dall’@archivioRussoSomma

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝖾 𝟤𝟢𝟤𝟧
Credits Allegra Casillo

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From the residency process — 𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵.

Frammento III - Appunti d’Archivio dall’@archivioRussoSomma

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝖾 𝟤𝟢𝟤𝟧
Credits Allegra Casillo

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From the residency process — 𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵.

Frammento II - Appunti d’Archivio dall’@archivioRussoSomma

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝖾 𝟤𝟢𝟤𝟧
Credits Allegra Casillo

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From the residency process — 𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵.

Frammento I - Appunti d’Archivio dall’@archivioRussoSomma

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝖾 𝟤𝟢𝟤𝟧
Credits Allegra Casillo

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𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵

Gli artisti in visita all’Archivio Russo-Somma.
Un luogo di memoria e documentazione che diventa spazio di ricerca, confronto e rilettura critica del territorio.

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝖾 𝟤𝟢𝟤𝟧
𝗙𝗼𝘁𝗼 𝗰𝗿𝗲𝗱𝗶𝘁𝘀 𝗔𝗹𝗹𝗲𝗴𝗿𝗮 𝗖𝗮𝘀𝗶𝗹𝗹𝗼

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𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵

Artists visiting the Russo-Somma Archive.
A place of memory and documentation that becomes a space for research, discussion and critical reinterpretation of the territory.

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 𝟤𝟦–𝟥𝟢 𝖭𝗈𝗏𝖾𝗆𝖻𝖾𝗋 𝟤𝟢𝟤𝟧
𝗣𝗵𝗼𝘁𝗼 𝗰𝗿𝗲𝗱𝗶𝘁𝘀 𝗔𝗹𝗹𝗲𝗴𝗿𝗮 𝗖𝗮𝘀𝗶𝗹𝗹𝗼

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𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵
Archivio fotografico della residenza artistica.

Karlo Štefanek · Rada Iva Sibila · Toni 𝖬𝗂𝗃𝖺č

𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝐝𝐞𝐥 𝐕𝐞𝐬𝐮𝐯𝐢𝐨 𝟐𝟎𝟐𝟓
📍 24–30 novembre 2025

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𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵
Photographic archive of the artist residency.

Karlo Štefanek · Rada Iva Sibila · Toni Mijač

𝐕𝐞𝐬𝐮𝐯𝐢𝐮𝐬 𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝟐𝟎𝟐𝟓
📍 24–30 November 2025

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We share stories behind local culture

Quando il territorio si accende di cultura, noi ci ritroviamo sempre al posto giusto: in mezzo alle persone, alle idee, ai suoni che uniscono.

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Oggi alle Gallerie del Palazzo Mediceo abbiamo accolto un nuovo momento di dialogo all’interno della mostra «Qui resteremo. Immagini da e per la Palestina», accompagnato dalla partecipazione di ’E Zézi – Gruppo Operaio.

Un percorso che unisce arte, memoria e testimonianza, nato grazie alla collaborazione tra Progetto Fiori, BNN VSV – Biennale del Vesuvio e Vesuvio_adventures, con il patrocinio dell’Ente Parco Nazionale del Vesuvio.

La mostra è visitabile fino al 14 dicembre:
🗓 sabato e domenica → 10:00–13:00 / 16:00–20:00
📅 dal lunedì al venerdì → su prenotazione

📍 Gallerie del Palazzo Mediceo, Ottaviano

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𝗦𝗮𝗯𝗮𝘁𝗼 𝟲 𝗱𝗶𝗰𝗲𝗺𝗯𝗿𝗲, alle ore 𝟭𝟭.𝟯𝟬 avremo l'onore di ospitare '𝗘 𝗭𝗘́𝗭𝗜 - 𝗚𝗿𝘂𝗽𝗽𝗼 𝗢𝗽𝗲𝗿𝗮𝗶𝗼.
Lo storico collettivo, attraverso la musica ed il teatro, incarnano fin dagli anni '70 la lotta per i diritti nella nostra parte di mondo. Spontaneo e naturale è stato quindi il loro avvicinarsi e dare sostegno alla nostra iniziativa e per noi dare spazio alla loro voce.
Vi aspettiamo alle 𝗚𝗮𝗹𝗹𝗲𝗿𝗶𝗲 𝗱𝗲𝗹 𝗣𝗮𝗹𝗮𝘇𝘇𝗼 𝗠𝗲𝗱𝗶𝗰𝗲𝗼 di Ottaviano, accessibili dal giardino principale.

𝐐𝐮𝐢 𝐫𝐞𝐬𝐭𝐞𝐫𝐞𝐦𝐨. 𝐈𝐦𝐦𝐚𝐠𝐢𝐧𝐢 𝐝𝐚 𝐞 𝐩𝐞𝐫 𝐥𝐚 𝐏𝐚𝐥𝐞𝐬𝐭𝐢𝐧𝐚

📌 Gallerie del Palazzo Mediceo, via salita S. Michele, Ottaviano (Na)
📅 Mostra dal 𝟯𝟬 𝗻𝗼𝘃𝗲𝗺𝗯𝗿𝗲 al 𝟭𝟰 𝗱𝗶𝗰𝗲𝗺𝗯𝗿𝗲, col patrocinio dell'𝗘𝗻𝘁𝗲 𝗣𝗮𝗿𝗰𝗼 𝗡𝗮𝘇𝗶𝗼𝗻𝗮𝗹𝗲 𝗱𝗲𝗹 𝗩𝗲𝘀𝘂𝘃𝗶𝗼
ℹ️ La mostra è visitabile il 𝘀𝗮𝗯𝗮𝘁𝗼 e la 𝗱𝗼𝗺𝗲𝗻𝗶𝗰𝗮, h 10.00-13.00 e 16.00-20.00;
𝗱𝘂𝗿𝗮𝗻𝘁𝗲 𝗹𝗮 𝘀𝗲𝘁𝘁𝗶𝗺𝗮𝗻𝗮, prenotando al 3312894291 o 3287042815

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𝗙𝗿𝗼𝗺 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟮𝟰 𝘁𝗼 𝟯𝟬, 𝟮𝟬𝟮𝟱, the international artist residency 𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵 took place in Naples, organized by the Italian curatorial collective 𝗖𝗼𝗹𝗹𝗲𝘁𝘁𝗶𝘃𝗼 𝗭𝗲𝗿𝗼 and Croatian organisation 𝗗𝗼𝗺𝗶𝗻𝗼, as part of the inaugural cycle of the 𝗕𝗶𝗲𝗻𝗻𝗮𝗹𝗲 𝗱𝗲𝗹 𝗩𝗲𝘀𝘂𝘃𝗶𝗼. 
The residency brought together 𝘁𝗵𝗿𝗲𝗲 𝗮𝗿𝘁𝗶𝘀𝘁𝘀—𝗥𝗮𝗱𝗮 𝗜𝘃𝗮 𝗦𝗶𝗯𝗶𝗹𝗮, 𝗞𝗮𝗿𝗹𝗼 Š𝘁𝗲𝗳𝗮𝗻𝗲𝗸, 𝗮𝗻𝗱 𝗧𝗼𝗻𝗶 𝗠𝗶𝗷𝗮č— who spent a week developing new works inspired by the Vesuvian territory, its historical, mythological, and socio-cultural layers, with a residency at 𝗖𝗮𝘀𝗮 𝗧𝗿𝗮𝗺𝗮𝗻𝗱𝗮𝗿𝘀 𝗶𝗻 𝘁𝗵𝗲 𝗵𝗶𝘀𝘁𝗼𝗿𝗶𝗰 𝗕𝗼𝗿𝗴𝗼 𝗖𝗮𝘀𝗮𝗺𝗮𝗹𝗲 𝗶𝗻 𝗦𝗼𝗺𝗺𝗮 𝗩𝗲𝘀𝘂𝘃𝗶𝗮𝗻𝗮.

During the residency, 𝗧𝗼𝗻𝗶 𝗠𝗶𝗷𝗮č expanded his multimedia project 𝗞𝗮𝘁𝗮𝗿𝘇𝗮, which engages in introspective explorations of male identity and psychoanalytic aspects of everyday life. During the residency, the artist incorporated a self-portrait into the series for the first time, thereby extending the very structure of the project.

Further presentations of this work are currently in development — Stay tuned for upcoming announcements.

#ToniMijač #ThisIsADominoProject #CollettivoZero #BiennaleDelVesuvio

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𝗙𝗿𝗼𝗺 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟮𝟰 𝘁𝗼 𝟯𝟬, 𝟮𝟬𝟮𝟱, the international artist residency 𝗤𝘂𝗲𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗠𝘆𝘁𝗵 took place in Naples, organized by the Italian curatorial collective 𝗖𝗼𝗹𝗹𝗲𝘁𝘁𝗶𝘃𝗼 𝗭𝗲𝗿𝗼 and Croatian organisation 𝗗𝗼𝗺𝗶𝗻𝗼, as part of the inaugural cycle of the 𝗕𝗶𝗲𝗻𝗻𝗮𝗹𝗲 𝗱𝗲𝗹 𝗩𝗲𝘀𝘂𝘃𝗶𝗼. 
The residency brought together 𝘁𝗵𝗿𝗲𝗲 𝗮𝗿𝘁𝗶𝘀𝘁𝘀—𝗥𝗮𝗱𝗮 𝗜𝘃𝗮 𝗦𝗶𝗯𝗶𝗹𝗮, 𝗞𝗮𝗿𝗹𝗼 Š𝘁𝗲𝗳𝗮𝗻𝗲𝗸, 𝗮𝗻𝗱 𝗧𝗼𝗻𝗶 𝗠𝗶𝗷𝗮č— who spent a week developing new works inspired by the Vesuvian territory, its historical, mythological, and socio-cultural layers, with a residency at 𝗖𝗮𝘀𝗮 𝗧𝗿𝗮𝗺𝗮𝗻𝗱𝗮𝗿𝘀 𝗶𝗻 𝘁𝗵𝗲 𝗵𝗶𝘀𝘁𝗼𝗿𝗶𝗰 𝗕𝗼𝗿𝗴𝗼 𝗖𝗮𝘀𝗮𝗺𝗮𝗹𝗲 𝗶𝗻 𝗦𝗼𝗺𝗺𝗮 𝗩𝗲𝘀𝘂𝘃𝗶𝗮𝗻𝗮.

Alongside their individual projects, the three artists collaboratively developed a work titled ,,𝗜 𝘁𝗵𝗶𝗻𝗸 𝗜’𝗺 𝗴𝗼𝗻𝗻𝗮 𝗱𝗶𝗲 𝗶𝗻 𝘁𝗵𝗶𝘀 𝗵𝗼𝘂𝘀𝗲,” inspired by the phenomenon of memento mori. During the performance, the artists, dressed in black, wrote out the lyrics of Charli XCX’s song — “I think I’m going to die in this house” — in Italian, English, and Croatian, using chalk on the main square of Somma, until they ran out of chalk and completed the cross made of stone blocks that adorns the square. The work merges the local context of Vesuvius with a pop-cultural reference, conveying a zeitgeist of uncertainty and instability in everyday life. Through the performance, memento mori becomes an emotional reminder of life’s transience and finitude, fostering a need for release, crossing conditioned boundaries, and transformation, while reflecting the tension between existential insecurity and the Italian optimism of life, la vita è bella.

Further presentations of this work are currently in development — Stay tuned for upcoming announcements.

#RadaIvaSIbila #KarloŠtefanek #ToniMijač #ThisIsADominoProject #CollettivoZero #BiennaleDelVesuvio

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