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Local filmmaker Michael Zumaya (@michaelr.zumaya) has spent his life looking for freaks who get it. This week, he’ll hit the motherlode.

Every fall, fans of freaky films from around the world gather in Austin for Fantastic Fest. The genre festival, created by Alamo Drafthouse co-founder Tim League in 2005, revels in horror, sci-fi, fantasy, action and outrageous mind-benders that can’t be categorized.

Imagine Zumaya’s delight when he learned his debut short film, Transference, would make its world premiere at Fantastic Fest this year. It will screen as part of the Short Fuse program of horror shorts Friday at Alamo Drafthouse South Lamar.

“There is an audience of freaks out there that this is for,” he says of the film.

Transference depicts a hypnotherapy session mutating into something surreal. The memories of a therapist (Valentina Ellis) and her patient (Alexandria Payne) blur together in a toxic storm of ominous sound and chilling camcorder footage. Festival programmers succinctly describe the short as “a ghost transmission from the outer limits of Hell.”

The production might be a perfect time capsule of indie filmmaking in Austin, where DIY grit and an increasingly glossy festival scene collide. To reach this high-profile (and blood-soaked) launchpad, Zumaya relied on a local cast and crew eager to make each other’s dreams come true — even if that dream is a nightmare.

Tap the link in our bio to read more from Eric Webb (@byericwebb) for KUT's Art Beat.
Photo: Patricia Lim (@limpatricia97) Austin filmmaker behind Fantastic Fest's 'Transference' does it all for the freaks
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“Nickelodeon” holds a special place in 15-year-old Hudson Purma’s heart. Oh, not the cable channel behind "SpongeBob SquarePants." The 1976 Peter Bogdanovich comedy, natch. Four years ago, his dad took him to see the film at AFS Cinema.

That’s how he got hooked on the classics.

“I told my dad, ‘We need to go see more of these,’” he remembers.

Hudson’s family became regulars at the Paramount Summer Classic Film Series, catching a couple dozen movies that year. Watching the pre-show introductions from Stephen Jannise, programmer for the historic downtown theater, blew Hudson’s mind. Every old movie had a story behind it. They were works of art.

Just one problem for a budding cinephile.

“I couldn’t talk about these films with my friends, because no one had seen them,” he says.

So, Hudson started Flick Clique (@flickcliques), a teen-oriented classic film series creating a new generation of fans for yesteryear’s greats, from Akira Kurosawa to Barbara Stanwyck. Screenings happen on the first Monday of every month at Sekrit Theater in Southeast Austin.

Their next show, George Romero’s 1968 horror gem "Night of the Living Dead," plays Sept. 7. Doors open at 7:30 p.m.; the movie starts at sunset. Tickets are $5 per person and $10 per family at the door.

Flick Clique mostly shows pre-1970 films, which Hudson programs himself. So far, he’s curated series themed around Alfred Hitchcock, Shakespearean adaptations, coming-of-age stories, and more. It involves a lot of research and catch-up viewing. He’s 15, remember.

"Night of the Living Dead" closes out a run of monster movies, preceded by "Godzilla" and "Abbott and Costello Meet Frankenstein." (Zombies, atomic lizards, and classic Universal monsters—a little something for every boy and ghoul.) Next up: films featuring iconic scores.

A clique needs more than one member. Shows draw anywhere from 20 to 60 people. They’re not just for teens; film lovers of all ages are invited.

Tap the link in our bio to read more from Eric Webb (@byericwebb).⁠

Photo: @limpatricia97 How a 15-year-old film buff helps Austin teens discover old Hollywood
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I love my friends!!!!
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