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Joe Lino

@captjoedameron

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Now that others have vouched for our director, let's learn a little more about him! #theater #milwaukee #milwaukeetheater #5lesbianseatingaquiche
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The Recipes and Records Committee has tallied the surveys, dear! Twelve members have rated the breakfast so far, and each gave it a 9 or 10 out of 10. Swipe for the testimony.⁠ ⁠ The Society meets tonight and tomorrow at 8 PM, and Sunday at 4 PM, through October 24 at Pink's Accessible Theater House. About 75 minutes. $20 at 5leqmke.com, link in bio.⁠ ⁠ Members of the Society: which Sister would you trust with the recipe box? Tell the Committee below.
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It happens to the best of us, sisters. There is no shame in it. There is only membership.⁠ ⁠ The Susan B. Anthony Society for the Sisters of Gertrude Stein welcomes all who are crazy for quiche!⁠ ⁠ 5 LESBIANS EATING A QUICHE — free previews Sept 29 & 30, opens Oct 8, closes Oct 24 at Pink's Accessible Theater House, Milwaukee. Tickets in bio. 🥚 Retro pop-art graphic on a blue and cream gingham background. A black-and-white 1950s photo of a Black woman with a short bouffant hairstyle, pearl earring, and ruffled pink blouse holds a hand to her cheek with a delighted, wide-eyed expression. A large comic speech bubble reads, in script, "I've never felt this way about an egg before!" Bold black text at lower left reads "CRAZY FOR QUICHE? YOU'RE IN THE RIGHT SOCIETY." Three brown eggs sit in the bottom corner.
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No men. No meat. All manners.⁠ ⁠ The 1956 Annual Quiche Breakfast is now accepting submissions, and Ms. Dale Prist is bringing a surprise.⁠ ⁠ 5 LESBIANS EATING A QUICHE. Free previews Sept 29 & 30. Opens Oct 8. Pink's Accessible Theater House, Milwaukee. Link in bio.⁠ ⁠ Don't be a Marjorie. 🥚 Mid-century collage-style poster in red, orange, teal, and yellow blocks. A halftone illustration of a smiling 1950s woman who speaks in a large comic speech bubble: "Remember Ladies: No Men. No meat. All manners." Bold slanted banner text reads "THE 1956 ANNUAL QUICHE BREAKFAST." Below are illustrations of two brown eggs, a vintage rangefinder camera, and a slice of quiche. A small ribbon reads "Special surprise provided by Ms. Dale Prist." Two scrolls at the bottom read "NOW ACCEPTING SUBMISSIONS!" and "DON'T BE A MARJORIE, SUBMIT A QUICHE!" separated by a crossed-asparagus-spears crest.
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"Wade with the Waddle, Doze with the Dazzle, Roll with the Romp!" I’m still so grateful to have been a part of this wonderful show with such wonderful people🐧🦓🦦🐢 Welcome to the Zoo | Kohl’s Wild Theater 2025 📸 @carolinegracenorton
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No men. No meat. All manners. 🥧 "5 Lesbians Eating a Quiche" — Milwaukee Premiere this October. Written by Evan Linder & Andrew Hobgood. And Directed by Joe Lino. Starring Kellie Wambold, Emily Harris, Anya Palmer, Aly Rader & Bree Kazinski, Liz Ehrler & Grace Ritcher. Tickets on sale August 1st at theconstructivists.org #milwaukee #MilwaukeeTheatre #MKETheatre #FiveLesbiansEatingaQuiche #MilwaukeePremiere
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🥧 MILWAUKEE PREMIERE! "5 Lesbians Eating a Quiche" by Evan Linder and Andrew Hobgood is coming to Milwaukee this fall — and it is going to be unhinged in the best way. Directed by Joe Lino, and featuring Kellie Wambold, Emily Harris, Anya Palmer, Aly Rader, Bree Kazinski, Liz Ehrler and Grace Richter. @captjoedameron @kelliewams @m.ily.loves.u @vixx_en @night.rades @lizehrler @graceritcher 📍 PATH, 1104 Historic W Mitchell St, Milwaukee | October 8–24, 2026 🎟️ Tickets on sale August 1st at theconstructivists.org Mark your calendars. Bring your appetite. #FiveLesbiansEatingaQuiche #MilwaukeeTheatre #SeasonNine #QueerTheatre #MilwaukeePremiere
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Thank you for an amazing Season Eight. What a season it was. We opened with the hilarious World Premiere of BED AND BREAKFAST OF THE DAMNED. We brought A VERY DEADLY CONSTRUCTIVISTS HOLIDAY (WITH MUSIC!) back for the third time (we can say it's a thing now). Through our Under Construction Play Development Series, we helped start the development of the World Premiere of THE GREAT CLEANSE. And we rode along with BUG and its strange, relentless journey. Cheers to the most successful season in Constructivists history. See you soon for S9. #milwaukee #theatre #darkart Photos by Jake Bakovski, Kłamię Studios. For all creative team info, please see our production pages at theconstructivists.org
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May was for old friends and speciality cocktails. . . . #photodump #may #mayphotodump #friends #cocktails
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Oh Bug-a-boo, I love you. 🪲 We pulled off a damn good show, and a damn hard one at that. No unfinished business here. Already itching to direct again.
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Goodbye, BUG. We're sad to see you go. You were one of the best. BUG By Tracy Letts Directed by Maya Danks April 25 - May 9, 2026 Featuring Jaimelyn Gray, Joe Lino, Tess Cinpinski, Matt Specht, and Robert W.C. Kennedy Scenic Design: Sarah Harris, with Set Construction: Les Zarzecki, Lighting Design: Ellie Rabinowitz, Associate Lighting Design: Margrete Henderson, Costume Design: Amanda J. Hull, Props: O.J. Jardas, Assistant Set and Props Design: Anjl Rodee, Sound Design: Martilia Marechal, Intimacy Choreography: Laura Sturm, Violence Choreographer: Nicole Magnusson, Assistant Violence Choreographer: Jason Melone, Stage Management: Liv Mauseth, Assistant Stage Management: Kai Hrivnak Production Photo by Jake Badovski, Kłamię Studios Season Nine Announcement soon.
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We have reached the end. Happy Closing to the entire BUG team. Only 20 seats left. Don't wait until you get to the door. theconstructivists.org #milwaukee #theatre #bugmke #darkart #thriller Production Photo by Jake Badovski, Kłamię Studios; Scenic Design: Sarah Harris, with Set Construction: Les Zarzecki, Lighting Design: Ellie Rabinowitz, Associate Lighting Design: Margrete Henderson, Costume Design: Amanda J. Hull, Props: O.J. Jardas, Assistant Set and Props Design: Anjl Rodee BUG By Tracy Letts Directed by Maya Danks CLOSING May 9, 2026 LOCATION | Studio Theater, Broadway Theatre Center, 158 N. Broadway, Milwaukee WI In a seedy Oklahoma City motel room, a divorced waitress named Agnes and a soft-spoken Gulf War drifter named Peter are brought together by Agnes' friend R.C. Agnes has her reasons for holing up in a place like this, and Peter seems to understand the appeal of staying off the grid. What begins as an unlikely connection slowly unravels into something far darker: fears soon escalate to paranoia, conspiracy theories, and twisted motives, and small disturbances give way to mounting dread as the walls begin to close in. CONTENT DISCLOSURE ON WEBSITE
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