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Catherine Zuber Official

@catherinezuber

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Costume Designer for Broadway’s Moulin Rouge, War Paint, King & I, Fiddler, Gigi, How to Succeed, Light in the Piazza, South Pacific, & others.
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I choreographed four workshops of Duncan Sheik’s musical-in-the-making Alice By Heart more than a decade ago and I always loved playing in his musical world, and playing with him. He was awesome and kind and gifted. I’m sad he’s gone, I’m sorry we won’t get more music, and it was nice to hear one more new Duncan score tonight at The Night Egg. ❤️
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先日ご招待いただき、『MEMOIRS OF AMOROUS GENTLEMEN』を観てきました 👯‍♀️⭐️ @moyoco_anno さん の『鼻下長紳士回顧録』を原作に、NYで近々公開されるオフ・ブロードウェイミュージカル 🗽❕歌や音楽の素晴らしさはもちろん、衣装、セット、空間づくりまで本当に素敵で、劇場に入った瞬間から、安野モヨコさんが描いた世界に迷い込んだような感覚でした˚✧₊⁎⭐︎⁎⁺˳✧༚ 華やかなステージの上には、人間らしい複雑さや考えさせられるテーマもたくさん。会場を出てからも、観劇中に湧き上がった感情はなかなか心から離れず、帰りの車の中でMVの主役ごっこしながらずっとあれこれ考え中💭 そう、こういう作品に出会ったあとの、少しだけ世界の見え方が変わるような時間が大好き ♡ そして何より、日本で生まれた作品が海を越えて、NYでまた新しい形になっていることが本当に素敵でした 🇯🇵🗽♡ NYCにいる方には、ぜひ実際にこの世界を体験してみてほしいです！ 素敵な作品に出会わせてくださった製作チームの皆さま、 @daily_sun_new_york ありがとうございました xo just previewed @memoirsmusical off-broadway, and I’m impatiently counting down the days until you can experience it too! a breathtaking production by a spectacular team ⭐ mentally still at @memoirsmusical
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Character is fashion. Listen to @catherinezuber talk about how she built the delightfully naughty world of Memoirs.
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It’s been a little over a week since @moulinrougebway took its final bow, and we are still reeling from all the love, joy and celebration of what was an unforgettable weekend. It was so special to bring together so many people who have been part of the show’s journey, celebrating not only the final performance, but the collective passion, dedication and creativity that have shaped the show over the last seven years. Broadway was the spark that lit the flame for Moulin Rouge! The Musical. As the first Australian-produced musical to originate on Broadway, it was a leap of faith that became something far bigger than any of us could have imagined. Since then, the show has reached more than 14 million people around the world, and the legacy that now lives on in theatres worldwide belongs to the Broadway company and to every person who helped build it, support it and believe in it. To the cast, crew, orchestra, creative team, associates, resident creatives, technical teams, company and general managers, marketing and press teams, front of house staff, box office teams, security staff, co-producers, underlying rights holders and, of course, the incredible fans, thank you for bringing to life the values at the heart of this show: Truth, Beauty, Freedom and Love. Thank you for making this journey so extraordinary. We could not be prouder of what we built together, and we will carry these memories and this legacy with us for years to come. 🥹❤️ 📷 Avery Brunkus, Bruce Gilkas, Michael Hull #MoulinRougeTheMusical #Broadway #GlobalCreatures
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Colette’s world has many layers of inspiration. Hear from costume designer @catherinezuber about building the gloriously rich world of Memoirs.
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Finally, my Moulin Rouge Reflection & Recap✨ I have been sweating bullets over this post for the past week😂 I have been doing everything, except journaling... so please enjoy me processing 2 years of memories, moments, corsets, and everything in between. Thank you, Moulin Rouge, for this page-turning chapter❤️ xo, stage sista💋 #stagesista #moulinrougebroadway #nyc “Why is Brooke here? She doesn’t even know how to sing.” I heard this during my first musical theatre intensive in 2023. Ouch. Words hurt. One sentence they probably don’t even remember saying… became something I spent my entire Moulin Rouge experience trying to break free from. I booked the show the moment I decided, in the Ripley Grier bathroom, that I was going to learn how to belt “Creole Lady Marmalade” with Liz Gray over FaceTime and a loud hand dryer to cover my sound, with “NO SINGING/PRACTICING” written on the wall. Sorry (not sorry?) Ripley Grier. Moulin Rouge became my master class and my spiritual sanctuary. Yes, I was gichie gichie-ing and glorifying God at the same time in fishnets and corsets. Running from church. Dancing on the subway with drummers. Making it to my Sunday Zoom Dunham class from my dressing room. Rushing to throw makeup on. Jumping into a split at the top of the show. (Whew chile… I definitely won’t miss that one.) Outside of the theater, I took voice lessons every week. Inside of the theater, I asked Frank Viveros questions every day. I listened. I studied. I watched. I tried again. You can learn a lot from actively listening. You can learn a lot from presently watching. And somewhere along the way, I stopped trying to fit into the mold of what I thought was “musical theater” and started to create my own definition that aligned with my artistic journey. “Stage Sista” was born after a Moulin Rouge performance on November 11th, 2024, directly after prayer, in my five-person Brooklyn apartment. Any OG followers remember that lol? I celebrated my grandmother’s life and celebrated three years in New York City on the same day. I found community on and off stage — from meeting Eli on the airplane, to the security, to merchandise, to dressers, to crew,
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This show has been the greatest gift 💖💖💖 I’ll be your Sandra Dee tonight-Friday 😊 #justintime #broadway #sandradee
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It has literally felt impossible to choose what to post here and what to even say. As I’ve been scrolling through my albums I can’t help but cry the happiest tears as memories over the past 5 years flood my mind. I don’t think I could personally dream up a more fulfilling show and I will never take that for granted. It is not lost on me how special this is and has always been. I’ve never been more proud to share a stage with the most talented unicorns in the biz. Every single department kept this beautiful beast afloat. We are forever family. Congratulations to EVERY single human that has touched @moulinrougebway . We. Did. That. 👏🏼 This really is what dreams are made of ❤️ Forever grateful 🥹
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“How wonderful life is, while you’re in the world…” . . . cheers 🥂 and congratulations to us all for being wonderfully inna di world - we df out HERE!!! 😤🤣 . . G R A T I T U D E ❗️✨ #CanCanCan #DidDidDid . .
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From the Lower East Side, to Boston, to Broadway. I’m proud to be an original Bohemian. Forever grateful for the ride and everything this show gave me, especially my people. During the show I kept squeezing Robyn and saying “we did that!” Damn. Happy closing @moulinrougebway
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Moulin Rouge! The Musical - Final Performance 🎩 “Come What May” by Meg Donnelly, John Cardoza, Solea Pfeiffer, Kelsie Watts, Christian Douglas, Arianna Rosario, Aaron Tveit, Joanna “JoJo” Levesque, Ashley Loren, Derek Klena, Courtney Reed, and Casey Cott. #MoulinRougeTheMusical #MoulinRouge #ComeWhatMay #AaronTveit #musical 8月30日，随着剧院大门的关闭，音乐剧《红磨坊》结束了它在百老汇七年的旅程。改编自2001年的同名电影，《Moulin Rouge! The Musical》讲述了1899年的巴黎，年轻作曲家Christian爱上红磨坊女明星Satine的故事。 与众多点唱机音乐剧(jukebox musical)不同，《Moulin Rouge!》并未局限于单一歌手、制作人、唱片公司、或特定年代的曲目。全剧融合了70多首金曲，来自30家出版机构，从Jacques Offenbach到Lady Gaga，横跨超过了160年。除了电影版中<Come What May>等曲目，音乐剧加入了Adele、Katy Perry、Rihanna、Beyoncé等21世纪流行天后的歌曲。 第74届Tony Awards给了《Moulin Rouge! The Musical》14项提名，并让其斩获了10项。Derek McLane搭建的华丽场景上，Justin Townsend用灯光再添层次；而Catherine Zuber的卡巴莱服装，与Sonya Tayeh的舞蹈编排也有着叠加效应；借由Justin Levine的编曲搭配Peter Hylenski的音响设计，导演Alex Timbers将John Logan撰写的剧本完整地呈现给观众。 上次看它还是2020年，其实当年并没很喜欢这部作品，但受到末场气氛的感染，也算理解了它受欢迎的原因。收官的谢幕请来了十二位出演过主角的演员，共同唱响了视频中的<Come What May>，从左到右依次为：Meg Donnelly，John Cardoza，Solea Pfeiffer，Kelsie Watts，Christian Douglas，Arianna Rosario，Aaron Tveit，Joanna “JoJo” Levesque，Ashley Loren，Derek Klena，Courtney Reed，和Casey Cott。 虽然百老汇的红色风车此刻已然停下，但《Moulin Rouge!》的故事还未结束。除了伦敦西区的驻演，汉堡、悉尼、东京等地下一轮的演出已定档；而音乐剧《梦断花都》(中文译名)将于12月15日登陆上海，祝成功吧。
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It’s impossible to put into words the many ways that Moulin Rouge has changed my life. The incredible artists and technicians I’ve gotten to collaborate with over the past nine years, the many cities and countries it has taken me to, the lifelong friendships it has built, and the deep and unique way its story and themes have connected to audiences, regardless of language and location. When I reflect that I began this journey with @carmen.pavlovic @billdamaschke @bazluhrmann & @catherinemartindesigns back in 2013, it means I’ve spent more than a quarter of my life working on Moulin Rouge Broadway... Over so much time, one’s interests, curiosities, and beliefs can change dramatically but, watching the show last night onstage at the Hirschfeld for the second to last time, Moulin Rouge still feels as authentic and personal to me as when we began. During the pandemic, I lived on 46th Street and my apartment looked out at the Hirschfeld. I would glimpse the marquee at some point each day for that year and a half and wonder if the show would ever come back. Moulin Rouge has had so much life. And it has given me life. And I’m grateful to all the artists, technicians, producers, managers, and audiences it has connected me to, who have created memories that will remain with me forever.
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