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Český lev

@ceskylev

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Prestižní filmová ocenění Český lev.
#ceskylev

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Herec Jiří Rendl @jirirendl vzpomíná na natáčení filmu @prislavnoci, za který získal nominace na Českého lva i Ceny české filmové kritiky.
Režiséři snímku Tomáš Pavlíček (@tomzissou) a Jan Vejnar (@vejnarjan) obě ceny proměnili. Film posbíral celkem 9 nominací na Českého lva a 5 nominací na Ceny české filmové kritiky.

• Jakou šanci uspět má low budget film a co úspěch snímku Přišla v noci přinesl Jiřímu?

• Celou epizodu podcastu T TALK si můžete pustit už teď na YouTube, Spotify a Apple Podcasts přes odkaz v biu.

#jirirendl #prislavnoci #ceskylev #ttalk #podcast

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V reakci na středeční (21. 10. 2026) oznámení ministra kultury Oty Klempíře pro server iDNES.cz, že chce do konce listopadu předložit Sněmovně poslaneckou novelu zákona o audiovizi, která by nově volila všech 20 členů odborných rad a kompletně obmění patnáctičlenné představenstvo Státního fondu audiovize nebo zamýšlí snížit rozpočtový rámec audiovize o miliardu korun, se profesní a oborové organizace v čele s Asociací producentů v audiovizi (APA) shodují na zásadních faktech. A to že razantní snížení rozpočtu Státního fondu audiovize (SFA) a novelizace audiovizuálního zákona by vedly k destabilizaci perfektně fungujícího systému a následně k totální destrukci české audiovize. Konec filmových pobídek by znamenal ztrátu několika tisíc pracovních míst napříč všemi obory – nikoliv jen v audiovizi, bankrot filmových a postprodukčních studií a obrovskou mezinárodní ostudu.

Aktuálně platný audiovizuální zákon vznikal na platformě široké politické i odborné diskuze všech subjektů v audiovizi (mj. televizních vysílatelů, streamovacích platforem, herního průmyslu, distributorů a dalších) a byl schválen před dvěma lety Poslaneckou sněmovnou napříč politickým spektrem, a to i s podporou a expertním přispěním hnutí ANO. V zahraničí jsme často uváděni jako příklad dobré praxe a schopnosti dohodnout se napříč trhem na vyrovnaném financování, které je výhodné pro všechny účastníky audiovize včetně státu. Český audiovizuální průmysl se dostal na roční obrat přes 50 miliard korun a je vysoce proexportní. Audiovizuální systém funguje a nepotřebuje změnu. Díky úspěšnému výběru audiovizuálních poplatků (2 % z výnosů kin, televizí a platforem) a návratnosti pobídkových investic se audiovize z velké části samofinancuje. Každá koruna proinvestovaná na filmových pobídkách se státu časem vrátí zpět. Částka 1,6 mld. alokovaná na pobídky ročně přiláká zahraniční filmové a televizní projekty v řádu desítek miliard korun. Větší část prostředků na selektivní podporu zase pochází z audiovizuálních poplatků, tzn. z prostředků, které generuje audiovize sama ze svých výnosů, nikoli ze státního rozpočtu.
…

Celé prohlášení najdete na našem webu — odkaz v biu.

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Na jaře nás čeká už 34. ročník @ceskylev . Do 31. října lze přihlašovat filmy do kategorií animovaný film, krátký film a minisérie nebo seriál v rámci 34. ročníku cen.

Ke stejnému datu je možné přihlašovat i studentské filmy do klání o cenu Magnesia.

Veškeré informace najdete na webu – odkaz v našem biu.

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@brzobohatadaniela na premiéře @zradci_official, styling @merreldominik ❤️‍🔥

@judit.pechacek v šatech z kolekce PUNK na @iffartfilmkosice 💙

@kristynabadinkovanovakova na @ceskylev 🩵

Vendula Švehlíková v šatech z kolekce PUNK na @ceskylev 🖤

@nikolmoravcova v šatech z kolekce PUNK❤️‍🔥

@klaraissova na @zlinfilmfestival styling @jirka_hofbauer 🖤

@anka.siskova na @iffartfilmkosice ❤️‍🔥

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Chápu, že v dnešní bezbarvé a sterilní době, zaplavené plochými a snadno dostupnými digitálními obrazy, může mnohým připadat filmový obraz tvořený halogenidy stříbra, pigmenty a složitou fotochemickou cestou zpracování, jako něco archaického. Jako něco starého, překonaného a snad i zbytečného.

Zánik filmových laboratoří je však nevratný proces. S jejich uzavřením nemizí pouze technologie. Mizí zkušenost, řemeslo, znalosti a kontinuita, které vznikaly a předávaly se po celé generace.

Naše země patřila k těm, kde se tento zázrak tvorby pohyblivého obrazu velmi brzy stal formativní součástí národní kultury. Od počátků české kinematografie a Jana Kříženeckého je filmový obraz součástí našich životů. Po více než století vytváří naši obrazovou paměť a stal se jedním z pilířů našeho poznávání světa, lidských vztahů, lásky a krásy.

Nyní jsme svědky zániku jedinečnosti, v němž výsledný obraz nevzniká stisknutím tlačítka, ale jako součást přesného a provázaného tvůrčího řetězce. Začíná umem výrobců filmového materiálu, pokračuje prací filmařů a kameramanů a završuje se v laboratoři, kde laboranti latentní obraz vyvolávají a dávají mu jeho konečnou podobu.

Je to řetězec znalostí, zkušeností, přesnosti a řemeslného umu. Přerušíme-li jej, nebude snadné a možná ani možné, jej znovu obnovit.

Filmový materiál přitom nezmizel. Naopak se k němu světová kinematografie znovu obrací. Je vyhledáván, obdivován a jeho specifická obrazová hodnota je znovu doceňována právě v době, kdy jsme obklopeni téměř neomezeným množstvím dokonale dostupných digitálních obrazů.

Proto prosím: podepište petici za zachování filmových laboratoří České televize.
Odkaz rád pošlu do zprávy.

Neničme něco jen proto, že se to v určitém okamžiku zdálo být překonané. Neničme technologii, řemeslo a znalosti, které se po desetiletích vývoje nedají jednoduše koupit zpět.

Zachovat filmovou laboratoř neznamená bránit minulost před budoucností. Znamená zachovat budoucnosti možnost volby. Připojuji spřátelené organizace: @ack_czechcinematographers, @famu_cinematography.dpt_prague, @ceskatelevize, @stojimezakulturou.

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Casting, nebo Selftape? Český lev, nebo Oscar? A velka gratulace @pepa.lubojacki k nominaci na OSCARY ! #kdybyseholubipromenilivezlato NA ACTORSMAP I TALENTMAP - máte k dispozici SELFTAPESTUDIO- tam snadno selftape natočíte A ODESLETE - a stejně tak představovací video, které se rovnou zobrazí ve Vašem hereckém profilu - ve třech jazykových variantách. TAK DO TOHO! #casting #selftape @talentmap.cz @ceskylev @kviff video📹: @natanael_prusa @maximnajbrt

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Dnešní smutná událost mi připomněla vzpomínku na 30. ročník cen Český lev 2023, kde jsme zahráli Falling Slowly.
Znovu jsem si uvědomila, jak je život křehký a jak si vážím každého dne spolu s tím, co všechno a všechny mi přináší.
@marketa_irglova
@thomartway
J. P. Muchow & The Antagonists

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The Federation of Film Academies Europe (FACE) is launching Best of Europe, a new initiative designed to increase the visibility of films that have recently won top national awards from its member academies. The programme is hosted on Festival Scope Pro, a leading B2B streaming platform for film professionals, and offers members of European film academies curated online access to a rotating selection of award-winning titles. And it’s free!

Access to the screening room is reserved for members of the twentyfive national and regional film academies that make up FACE, as well as selected industry professionals. The initiative supports FACE’s mission to celebrate and promote European cinema while highlighting diverse voices, cultures and storytelling traditions across the continent. The respective academies will communicate information on how to obtain access to members via newsletter and/or social media.

https://filmacademies.eu/best-of-europe/
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#federationoffilmacademieseurope #bestofeurope

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On 11 June 2026, representatives of film academies from across Europe gathered in Taormina, Italy, for the third General Assembly of FACE. The assembly was co-hosted by the Taormina Film Festival and the Italian Film Academy Foundation – David di Donatello Awards. FACE was founded in 2024 in order to unite Europe’s film academies as a collaborative voice. The General Assembly was pleased to welcome two new members: the Irish Film & Television Academy and the Galician Audiovisual Academy (Spain), bringing FACE’s membership to 25 academies. The day opened with a keynote speech by the President of Cinecittà, Antonio Saccone, who He underlined the role of cinema as a powerful medium to build bridges in our societies.

Katharina Albrecht (@albrecht_katha, Austrian Academy for Film – @oesterreichischefilmakademie) was elected chair of the board, with Katarína Krnáčová (Slovak Film and Television Academy) acting as vice-chair with a mandate of 2 years. Alain Randresy (Film Academy Luxembourg) and Peter Craeymeersch (@ensorsawards, Dutch-speaking Belgium) were newly elected to the board. Laia Aubia (@academiecinecat), Francine Hofstee (Dutch Academy for Film) and Matthijs Wouter Knol (@europeanfilmacademy) will continue their board membership.Katharina Albrecht: „We believe in and see ourselves as part of a reality, where European culture and Identity and the role of European cinema become increasingly important. I am honoured and glad to work with my colleagues of FACE in order to strengthen the communication and collaboration of our institutions and communities all over the continent.“

The board expressed thanks to Jacob Neiiendam (Denmark) and @diogoamoes (Portugal), who are leaving the board. A very special thank you goes to @yanntonnar, who is stepping down as chairman and is also leaving the board. He played a key role in the founding of FACE and the initiation of BEST OF EUROPE. During this year’s assembly, FACE launched a new website – link in bio! – and evaluated its recent initiative, „Best of Europe“, a collaboration with @festival.scope which offers members exclusive access to some of the recent national award winning films. 📸 Lorenzo Nicotra, TFF

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Recap 3/26 🌺 Jojo, je to výběr za březen. Jojo, vím, že je květen. Stíhám, ale nechtělo se mi… 😂

01 • koprovka lover 🥰
02 • den v ateliéru 📷
03 • Pepi na nabíječce 🌞
04 • Bielkovic ❤️
05 • soon milfka 🫠
06 • narozeninový 🦪
07 • fit >>> 🦁
08 • BA vibes 🫶🏼
09 • Fína na hradě 🏰
10 • párty s Helenkou 💃🏼🪩🎤

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ROK 1991 🟣

1. Requiem pro panenku 4🦁

2. Obecná škola 1🦁

3. Corpus Delicti 2🦁

4. Tankový prapor

5. Žebrácká opera 1🦁

6. Discopříběh 2

7. Vyžilý Boudník

8. Mí Pražané mi rozumějí

9. Slunce, seno a erotika 1🦁

10. Žabí princ

Výsledky:

▪️Nejlepší film: Requiem pro panenku

▪️Nejlepší herec v hlavní roli: Karel Roden - Corpus delicti

▪️Nejlepší herečka v hlavní roli: Helena Růžičková - Slunce, seno a erotika

▪️Nejlepší herec ve vedlejší roli: Marián Labuda - Žebrácká opera

▪️Nejlepší herečka ve vedlejší roli: Eva Holubová - Requiem pro panenku

▪️Nejlepší scénář: Zdeněk Svěrák - Obecná škola

▪️Nejlepší režie: Filip Renč - Requiem pro panenku

▪️Nejlepší kamera: F. A. Brabec - Corpus delicti

▪️Nejlepší hudba: Ondřej Soukup - Requiem pro panenku

#českýlev #movie #film #českýfilm #alternative #1991

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ROK 1983 🟢

1. Zánik samoty Berhof 4🦁

2. Sestřičky 1🦁

3. Jára Cimrman ležící, spící 1🦁

4. Slavnosti sněženek

5. Pasáček z doliny

6. Tři veteráni

7. Faunovo velmi pozdní odpoledne 2🦁

8. O statečném kováři 1🦁

9. Třetí skoba pro Kocoura

10. Lucie, postrach ulice

Výsledky:

▪️Nejlepší film: Zánik samoty Berhof

▪️Nejlepší herec v hlavní roli: Leoš Suchařípa - Faunovo velmi pozdní odpoledne

▪️Nejlepší herečka v hlavní roli: Jana Brejchová - Zánik samoty Berhof

▪️Nejlepší herec ve vedlejší roli: Ladislav Křiváček - Zánik samoty Berhof

▪️Nejlepší herečka ve vedlejší roli: Jiřina Jirásková - Sestřičky

▪️Nejlepší scénář: Z. Svěrák, L. Smoljak - Jára Cimrman ležící, spící

▪️Nejlepší režie: Věra Chytilová - Faunovo velmi pozdní odpoledne

▪️Nejlepší kamera: V. Smutný - Zánik samoty Berhof

▪️Nejlepší hudba: P. Ulrych - O statečném kováři

#českýlev #film #movie #českýfilm #1983

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