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Zaid Noaman

@chasing_waves_llc

1.3K

followers

840

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𝐋𝐨𝐜𝐚𝐭𝐢𝐨𝐧 𝐒𝐨𝐮𝐧𝐝 𝐌𝐢𝐱𝐞𝐫/ 𝐒𝐨𝐮𝐧𝐝 𝐃𝐞𝐬𝐢𝐠𝐧𝐞𝐫
IATSE Local 336
📍𝑷𝒉𝒐𝒆𝒏𝒊𝒙, 𝑨𝒓𝒊𝒛𝒐𝒏𝒂🌵
🎧𝐂𝐡𝐚𝐬𝐢𝐧𝐠 𝐖𝐚𝐯𝐞𝐬 𝐋𝐋𝐂
✉️𝑫𝑴 𝑭𝒐𝒓 𝑰𝒏𝒒𝒖𝒆𝒓𝒊𝒆𝒔

POSTS STORIES REELS TAGGED

Another fun one in the books with some of the best peeps📚🎥🙂‍↔️🫶🏼😋🫔🍋‍🟩🍉🥑

#arizonacraftservices #craftykatiek #afedcrewisahappycrew
#azcommercial #arizonafilm

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Full film in my BIO.

I’m here for you…

EL ENCARGO - Behind The Scenes shot by @pixelthick and @genaro214

Shot on 16mm and 35mm film.
@kodak_shootfilm

#16mmfilm #shotonfilm #analog #kodak

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Full film in my BIO.

No comas con el sombrero puesto.

EL ENCARGO - Behind The Scenes shot by @pixelthick and @genaro214

Shot on 16mm and 35mm film.
@kodak_shootfilm

#16mmfilm #shotonfilm #analog #kodak

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Full film in my BIO.

Sabes que… Te voy a contar una historia…

EL ENCARGO - Behind The Scenes shot by @pixelthick and @genaro214

Shot on 16mm and 35mm film.
@kodak_shootfilm

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Full film, Link in my BIO.

EL ENCARGO - Behind The Scenes shot by @pixelthick and @genaro214

Shot on 16mm and 35mm film.
@kodak_shootfilm

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“Cuando el Diablo le encarga un levantón a la Muerte, los demonios se esconden.”

“When the devil sends Death on a hit, even the demons hide”

EL ENCARGO premieres SEP 23, 2026.

5:00 pm

Link on my bio to get notified.

#elencargo #shortfilm #cortometraje #16mmfilm #shotonfilm

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This summer, Diné Kids Film Club took a different path. Instead of hosting another virtual summer camp, we focused on the very thing we encourage Native youth to do: make movies!

We’re proud to share that DKFC has officially wrapped its first film production! 🎬✨

This milestone was made possible through the incredible support of @ojoalmafilms and a community of artists, storytellers, and houses of sound, light, and art who believed in this vision and helped bring it to life.

Thank you to everyone who contributed their time, talent, resources, and encouragement. This is only the beginning.

Here’s to many more productions, more stories from Native peoples, and welcoming new friends, family members, and collaborators who may join us in leading future workshops—both virtually and in person.

The cameras are rolling. The stories are coming. And we’re just getting started. 🎥🔥

#DineKidsFilmClub #nativeyouth #indigenousstorytelling #filmeducation #nativecinema

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The Sintern 2024

We shot this movie in January and it Aired in July. On Tubi! I watched it recently and I’m proud of the work we did. Grateful for the opportunity.

There were way more people that worked on this movie than I’ll ever know or remember but thank you all for your hard work.

@evelynjgiovine
@tamannashah @ashleyashleyash @julieherlockerdirector @adamenergy @parcorich @goforshelly @onepalewalker @ispybryanthomas @christina_felix @hipster_filmad @emaginariumm

@doanerofphotography @jaja_jared @drakedewar @_allorie @reeltanner @stephanestrande @chasing_waves_llc @irocdaniels @andrew.tougas @lenniehaglundjr @5kruby

@rynica @becky.andress.creative @miley_artist810 @michaelamasonfilms @theatretoni13 @mikeartificialiris
@bellahibbs @janakic @tannisstarr @shalinabianca_21 @aidan.fox.lh

#filmmaker #cinematography #featurefilm #azfilm #gofilmaz

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life is romance!! 💘

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EL ENCARGO - Full film in the link on my bio.

"Esa noche la muerte se llevo a un demonio."

📸: @_z.y.n_

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NEW WORK with Rick McCartney for Congress ‘Get Real’ Ad

Executive Producer - Boo Yuen
Producer - Michael M
Director - Cayce McCabe
DP - Quinn Taplin
First AC - @luxparadis
Gaffer - @brian_osback
Key Grip - @stephanestrande
Soundmixer - @chasing_waves_llc
HMU - @patikartstudio

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A few years ago, I was reached out by @ianrgrau to join on a little short film project called Borders and do their sound design. It proved not only to be one of my favorite projects I have worked on, but also a highlight of my work and everything I have learned about sound design up until then. Who would have thought that just a year later, we would be doing it all again.

Borders! Border 2? Borders 2024? Borders: Extended Cut? Regardless, this version was bigger and better! So much happened on this project, the scope truly boggles me even today. From the production-side, it was 5 days of desert shooting, concert raving, gunslinging, (fake) drug smuggling, tears-balling action. From the post-production-side, it was 30 minutes of suspenseful, violent, shocking, kick-ass action. I, along with the rest of the crew, had to bring their best to make the project come fully to life.

This production brought many challenges to the table for me from car ambience to weapon design to somber moments to high action sequences to footsteps. Yes, footsteps. But, with sheer willpower, brilliant direction from director @ashkiiloco, and a gallon of sand in a giant container in my closet, we brought it to life. I am exceedingly proud of the final result, not only from my department, but from every aspect of the film. Big thanks to the Art Department (@gucci.giang, @locosmarties11, @bdrj_luv) for bringing me on the actual set and making this production look astounding, as well as Kenneth and Ian for trusting me and allowing me to shape the soundscape. I look forward to what this project may bring in the future (Borders 3?) and what these incredibly talented filmmakers will do next.
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🎨 Art Production Assistant & 🎧 Sound Designer
🎥 Borders
📣 Kenneth Shirley, @indigenousenterprise
📸 Photos: @max.celine
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@avid.protools @izotopeinc @dolbylabs @krotosaudio
#film #productionlife #artdepartment #soundspeeds #postproduction

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