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chezarasera

@chezarasera

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Curating Est. 2010 @composingrooms
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Detail: Performance by @troubadour21_official Conical Helix of Time @amalia.laurent @jessicaluost @cristianodmartino @emmapidre @priscilla_tea @troubadour21_official Curated by @composingrooms @chezarasera Conical Helix of Time explores perceptions of time and human agency, especially via comparisons between our contemporary reality and the Middle Ages. Gallery House, Zürich @galleryhouse.zurich 2pm - 7pm, 4 - 14 June, Wednesday - Sunday and by appointment until 21 June. Kirche Kleinhüningen, Basel 3pm - 7pm, Wednesday 17 June, and by appointment, performance at 5pm.
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Conical Helix of Time @amalia.laurent @jessicaluost @cristianodmartino @emmapidre @priscilla_tea @troubadour21_official Curated by @composingrooms @chezarasera Conical Helix of Time explores perceptions of time and human agency, especially via comparisons between our contemporary reality and the Middle Ages. Gallery House, Zürich @galleryhouse.zurich 2pm - 7pm, 4 - 14 June, Wednesday - Sunday and by appointment until 21 June. Kirche Kleinhüningen, Basel 3pm - 7pm, Wednesday 17 June, and by appointment, performance at 5pm.
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On 17 June 2026 we presented Conical Helix of Time, an exhibition and performance at the Kirche Kleinhüningen on Dorfstrasse in Basel. The tranquil church grounds where Carl Jung spent his formative years, while his father was the church’s pastor, were an antidote to the fair. Thank you to all who came and contributed. Artists Amalia Laurent @amalia.laurent Jessica Luostarinen @jessicaluost Cristiano Di Martino @cristianodmartino Emma Pidré @emmapidre Priscilla Tea @priscilla_tea Troubadour21 @troubadour21_official Pascal Renaud-Bovy (Switzerland) aka Troubadour21, is a countertenor, conductor, and composer, who trained in early Western music and passionate about written polyphony. Coinciding with the exhibition, Troubadour21 performed music referencing a range of Archaic, Medieval, Baroque, and contemporary references at 5pm Wednesday 17 June at Kirche Kleinhüningen. Renaud-Bovy studied medieval singing at the Schola Cantorum Basiliensis, where he obtained a Master’s in Early Music Theory. He holds a double Bachelor in choral conducting, from the Musikhochschule in Karlsruhe, and in Fine Arts, Jazz Saxophone, from the New School University in New York City.
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12 June - Opening Zürich art Week 17 June - Opening at Church Kleinhüningen in Basel -- Conical Helix of Time explores perceptions of time and human agency, especially via comparisons between our contemporary reality and the Middle Ages. Gallery House, Zurich @galleryhouse.zurich 2pm - 7pm, 4 - 14 June, Wednesday - Sunday and by appointment until 21 June. Kirche Kleinhüningen, Basel 3pm - 7pm, Wednesday 17 June, and by appointment, performance at 5pm. Artists Amalia Laurent @amalia.laurent Jessica Luostarinen @jessicaluost Cristiano Di Martino @cristianodmartino Emma Pidré @emmapidre Priscilla Tea @priscilla_tea Troubadour21 @troubadour21_official
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Conical Helix of Time explores perceptions of time and human agency, especially via comparisons between our contemporary reality and the Middle Ages. Gallery House, Zürich @galleryhouse.zurich 2pm – 7pm, 4 - 14 June, Wednesday – Sunday and by appointment until 21 June. Kirche Kleinhüningen, Basel 3pm – 7pm, Wednesday 17 June, and by appointment, performance at 5pm. Artists Amalia Laurent @amalia.laurent Jessica Luostarinen @jessicaluost Cristiano Di Martino @cristianodmartino Emma Pidré @emmapidre Priscilla Tea @priscilla_tea Troubadour21 @troubadour21_official
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Amalia Laurent is invited by Ché Zara Blomfield to participate in Conical Helix of Time, on view from 4 to 14 June 2026 as part of Gallery House Zürich. The exhibition explores perceptions of time and human agency, especially via comparisons between our contemporary reality and the Middle Ages. In 1999, Mark Fisher’s proposed we are entering a time where differentiations are flattened. His thesis is examines what he called Gothic Materialism, observing a collapse between perceived opposites; living and dead, natural and technological, real and fake, physical and spiritual. (…) Further works by Amalia Laurent will be included in a second installation at Kirche Kleinhüningen, Basel on 17 June. Full text and further information available on @composingrooms @amalia.laurent @chezarasera
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A big thank you to everyone who contributed, read and supported the first issue of Orlando. The second issue will be launched this weekend!
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@basel.social.club ICH SEHE DAS ALTE NAHEN ES IST DAS NEUE New constellations and rituels de fête – Games around art during the longest days of the year 🌅 Soon announcing a big project for Basel Social Club! – SAVE THE DATE Basel Social Club June 14–20, 2026 #sunsworks #baselsocialclub @suns.works @basel.social.club
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Internet Pavilion The 61st Venice Biennale 2026 Curated by Ché Zala Blomfield Space by Sebastian Karrer Tau ceremony by Miltos Manetas Tea ceremony by Mai Ueda In the presence of the ghost of Saint Francis of Assisi @chezarasera @bastien.seb @miltosmanetas @internetpavilion @_nora_renaud_
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Entering the solar season suns.works May-June 2026: - GALLERY HOUSE ZURICH Second edition June 4–14, 2026 @galleryhouse.zurich - Basel Social Club 2026 June 14–20, 2026 @basel.social.club @suns.works - SAVE THE DATE solstice celebration on June 20th! 🟠🟡🔘🔴🟡🟣
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Some fab moments of 2026!
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Our first feature in our first issue: Artists, lovers, outsiders Written by @chezarasera Photography by @jennifer_pattison “It was very high, so high indeed that nineteen English counties could be seen beneath, and on clear days thirty, or forty perhaps, if the weather was very fine. Sometimes one could see the English Channel, wave reiterating upon wave.” When Virginia Woolf, the early 20th century feminist author, wrote those lines in the opening chapter of Orlando, she was likely describing Firle Beacon, a hill in East Sussex that rises above Monk’s House, where she penned several of her most famous novels. Escaping the chaos of London for pleasure and respite, Woolf had been frequenting houses in the South Downs from the borough of Bloomsbury since at least 1911. It was around this time that a group of British artists and intellectuals were solidifying in Gordon Square. Woolf’s siblings, Vanessa Bell and Thoby Stephen, began hosting gatherings in their houses in 1905, which became the basis for the Bloomsbury Group… Full article available in the print issue of Orlando.
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